Posted: February 16, 2017 Filed under: 1970s, alistair cowin, Buckle Under, charles jourdan, Elliott, erica budd, Foale and Tuffin, gladrags, Guy Humphries, Harri Peccinotti, Inspirational Images, kurt geiger, mary quant, Michael Foreman, mr freedom, pablo and delia, Sacha, shape, stirling cooper, terry de havilland, thea porter, vanity fair, Vintage Editorials, zandra rhodes | Tags: 1970s, alistair cowin, foale and tuffin, Harri Peccinotti, mary quant, Michael Foreman, mr freedom, pablo and delia, stirling cooper, terry de havilland, thea porter, vanity fair, Zandra Rhodes
White lawn dress printed with butterflies and flowers by Thea Porter. Straw hat by Buckle Under. Red wedge shoes by Kurt Geiger. Belt by Shape.
There’s a good reason why Vanity Fair is possibly my favourite magazine of this period. They were relatively conventional in the 1960s, and would ‘merge’ with Honey magazine around 1972, but in their death knells they were just about the most innovative magazine in the UK. Issues were often themed around ‘issues’, for example this one is entirely themed around break-ups and divorces (including a story on what a divorced man should wear when taking his kid out for the day).
Nor did they shy away from more expensive designer names, such as Thea Porter and Zandra Rhodes here, mixing them happily with the more affordable but still iconic boutique names like Stirling Cooper and Mr Freedom. Adding Foale and Tuffin, Pablo and Delia and Terry de Havilland into the mix for good measure, and all those stunning illustrations by Michael Foreman… this is one of my favourite editorials of all time.
Vanity Fair is also, frankly, a nightmare to scan because it falls apart at the binding with the lightest touch, which is why I don’t scan them as often. So enjoy the heaven of Harri Peccinotti’s work while I gently shuffle all the pages back into the magazine…
Photographed by Harri Peccinotti.
Illustrations by Michael Foreman.
Scanned by Miss Peelpants from Vanity Fair, April 1971.
Long grey crepe dress patterned with purple, green and red birds by Shape. Pablo and Delia suede thong necklace. Blue suede shoes at Sacha.
Beige suede skirt with applique shapes and matching shawl by Mary Quant. Necklace from Buckle Under. Beige suede boots by Guy Humphries.
Blue and white feather printed chiffon dress by Zandra Rhodes.
Left to right: Chiffon blouse and multi-coloured skirt by Foale and Tuffin. Painted rainbow shoes from Mr Freedom. Painted belt by Shape. // Cream and red jersey catsuit (top only showing) and banded red and cream skirt both from Stirling Cooper. Red shoes by Kurt Geiger. // Cream, yellow and red jersey dress by Stirling Cooper. Pull on hat by Janice Peskett. // Red cotton t-shirt by Erica Budd. Cream dungarees from Stirling Cooper. Red python sandals at Elliotts.
Above: Mauve satin cotton pinafore dress and blouse by Gladrags. Right: Bottom half of Alistair Cowin calico trousers with green printing. Green and yellow shoes by Terry de Havilland. Far right: Black velvet dungarees with white satin applique heart from Mr Freedom. Chiffon blouse from Foale and Tuffin. Mauve canvas boots at Charles Jourdan.
Posted: January 10, 2017 Filed under: 1970s, Abecita, biba, chelsea cobbler, cosmopolitan, Fenwick, Gossard, hand tinting, Inspirational Images, james wedge, janet reger, let it rock, Liz Smith, Malcolm McLaren, manolo blahnik, terry de havilland, Vintage Editorials, vivienne westwood, zapata | Tags: 1970s, biba, chelsea cobbler, cosmopolitan, glam rock, Gossard, hand-tinting, james wedge, janet reger, let it rock, Malcolm McLaren, terry de havilland, vivienne westwood
The leopard cannot change his spots, And that’s the fix I’m in, So come an sit by me, my love, For some highly original skin. <<<<<<>>>>>> Fake-fur bikini and bangles from Biba. Boots by The Chelsea Cobbler.
Don’t give up – this could be the year when what goes on underneath could be your major investment.
Another extraordinary example of James Wedge’s wonderful work in the art of hand-tinting and further adventures in the world of Seventies-does-Fifties-pin up. Notable for including shoes and a petticoat from ‘Let It Rock’ which was Malcolm McLaren and Vivienne Westwood’s first shop in the Kings Road. The influence of rock and roll on and crossover between both glam rock and punk is perfectly encapsulated in this editorial, right slap bang in the middle of the Seventies.
Fashion by Liz Smith. Photographs by James Wedge.
Scanned by Miss Peelpants from Cosmopolitan, January 1975.
When I’m awakened from my slumber It does seem rather mean – It’s always the wrong number and never Steve McQueen. <<<<<<>>>>>> Satin bra and panties from Biba.
Watch out for life’s banana skins, And wear your prettiest slip, So you can say to passing men “I did enjoy my trip”. <<<<<<>>>>>> Bra by Gossard. Petticoat and stilettos from Let It Rock.
When I went in for Crufts with my doggy, I didn’t know how it would go, But it proves the importance of grooming – We’ve been voted the best in the show! <<<<<<>>>>>> Corselette by Janet Reger. Scarf from Femina Furs. Gloves and hat by Biba.
A girl can’t have too many furs, They give her an inner glow. But when it omes to trapping them How fur should a nice girl go? <<<<<<>>>>>> Bra, panties and suspender belt from Fenwick. Cape by Femina Furs. Mules from The Chelsea Cobbler.
If you watch the girls men watch, You’ll see, The girls they watch watch their weight like me. // Look me over closely, Tell me what you see. But if you kiss and tell, you rat, I’ll swear it wasn’t me. <<<<<<>>>>>> Essences camisole. Shoes by Terry de Havilland. Nightgown by Finewear. Shoes by Zapata.
A birthday gift for me, my dear? Come in and close the door. I do like them sending my presents, With a man from Securicor. <<<<<<>>>>>> Nightie and pantie set from Dorothy Perkins.
Men used to say I was forward, But I’ll tell you this, for a fact: Since I chose to look pure, and a little demure, I simply haven’t looked back. <<<<<<>>>>>> Abecita body stocking. Negligee by Martin Emprex. Glove and bag from Biba. Shoes by Let It Rock.