Look ravishing, Italian style

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Clothes by Missoni. Butterflies and beads from The Purple Shop.

Ottavio and Rosita Missoni are to Italian knit as Gucci is to leather. Using inspiration from original an unexpected quarters – a piece of antique porcelain, a fragment of embroidery, a picture painted by someone they then employ in their factory and train to use their knitting machines – together they produce the most beautiful knits in ravishing colours, extraordinary patterns and perfect shapes.

Photographed by Barry Lategan.

Scanned by Miss Peelpants from Vogue, April 1971.

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Clothes by Missoni. Pendant from The Purple Shop. Shoes from K Shoes.

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Clothes by Missoni. Claret platforms by Charles Jourdan.

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Clothes by Missoni. Feather choker from The Purple Shop. Suede sandals by Pedro Garcia for Russell & Bromley.


Fragile Face

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The most fragile face framed in glossy black hair to make the point. Midi dress by Zandra Rhodes from Fortnum & Mason, headband by Pablo & Delia, to order from The Shop. Hair by Oliver at Leonard.

Photographed by Barry Lategan.

Scanned by Miss Peelpants from Beauty in Vogue, Autumn/Winter ’70-’71.


Inspirational Editorials: Looks like luxury

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This luxury’s a look, a feel and a fact, and nothing to do with money. It’s satin and silver and velvet and ciré, it’s snowy fake-fur. We show it in layers. You look like a million dollars. Alice Pollock of Quorum designed this satin lingerie to be the softest thing next to your skin. There’s a small bra, shaped quite naturally, knickers that button to the side, and a languid caped dressing-gown that fastens once and touches your toes. All spun round with satin ribbons and made in the most appealing pale shades – magnolia, pink or powder blue.

Photographed by Barry Lategan.

Scanned by Miss Peelpants from Vogue, December 1968.

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Inspirational Images: Chameleon Clothes

In the Baghdad Room of Topkapi, full of the ghosts of harem women, black and gold decorations to wear, baggy drawstring trousers, silks, velvets, netted and worked with gilded peacocks for a rich top with immense sleeves gathered in twice. By Bill Gibb for Baccarat. High lifted sandals at Thea Porter.

In the Baghdad Room of Topkapi, full of the ghosts of harem women, black and gold decorations to wear, baggy drawstring trousers, silks, velvets, netted and worked with gilded peacocks for a rich top with immense sleeves gathered in twice. By Bill Gibb for Baccarat. High lifted sandals at Thea Porter.

Photographed by Barry Lategan.

Scanned by Miss Peelpants from Vogue, November 1971

In the harem, green brocade with sleeves coming through and a pointed petal hem worn under Turkish evening blue - a coat the colour of the electric moment, panelled in scarlet and midnight and violet, flying pinked blue streamers. All to order at Thea Porter. Platform sandals by Andrea Pfister.

In the harem, green brocade with sleeves coming through and a pointed petal hem worn under Turkish evening blue – a coat the colour of the electric moment, panelled in scarlet and midnight and violet, flying pinked blue streamers. All to order at Thea Porter. Platform sandals by Andrea Pfister.


Inspirational Images: Flowers in Plenty

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Dress in Liberty Lantana print by Sujon.

Photographed by Barry Lategan.

Scanned by Miss Peelpants from Vogue, October 1973.