Believe it or not, this is rainwear

believe it or not - burt glinn - the telegraph magazine - july 67 - 1

Showerproof cotton drill jodhpur suit by Biba. Fake snakeskin hat by Herbert Johnson. Black crocodile boots by Anello & Davide.

Since PVC, macs have been exotic… now the real exotics are turning waterproof. Weekend Telegraph photographed some of the unlikely new water-shedders in Jamaica, beside the Rio Grnde and in the Land of Look Behind.

Photographed by Burt Glinn.

Scanned by Miss Peelpants from The Telegraph Magazine, July 1967.

believe it or not - burt glinn - the telegraph magazine - july 67

A PVC zip-up jumpsuit by Hilary Floyd modelled in Dunn’s River, Jamaica. Watch by Old England.

believe it or not - burt glinn - the telegraph magazine - july 67 - 2

Waterproof pigskin culottes by Cordoba Suedewear. Silk shirt by Annacat. Snakeskin waistcoat by Quorum.

believe it or not - burt glinn - the telegraph magazine - july 67 - 3

Hand knitted bikini by Spotlight. Trenchcoat by Weathergay.

believe it or not - burt glinn - the telegraph magazine - july 67 - 4

Showerproof cotton drill bermuda suit by Biba. Mock croc hat by Herbert Johnson.

believe it or not - burt glinn - the telegraph magazine - july 67 - 5

Canvas jacket by Andre Ledoux for Sidwall.

believe it or not - burt glinn - the telegraph magazine - july 67 - 6

Waterproof snakeskin brocade three-piece trouser suit by Susan Small. Crocodile Dior shoes by Charles Jourdan.

believe it or not - burt glinn - the telegraph magazine - july 67 - 7

Terylene and cotton cloak and hood by Burberrys. Tricel jersey evening dress and scarf by John Bates for Jean Varon.

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Inspirational Illustrations: Eric Boman, 1974

Grey wool cardigan, oatmeal overchecked, pale grey silk shirt, both at James Drew. Grey felt hat by Edward Mann.

Grey wool cardigan, oatmeal overchecked, pale grey silk shirt, both at James Drew. Grey felt hat by Edward Mann.

Meet the new fashion collector. She will be about for a long time. Her lipstick is red. She wears only navy, ivory and grey, but so cleverly that there’s no limit to the flattering effects she can compute. Her clothes are so simple and beautiful. It all looks easy. She spends more money on her clothes than most woman, but, when they’re searching around for something to wear, she’s already perfectly dressed. When their clothes are beginning to look wrong, hers are right. So in the end, she probably spends no more than they. Here’s how she does it…

Illustrated by Eric Boman.

Scanned by Miss Peelpants from Vogue, February 1974.

Left: Muffler, long cardigan with scroll embroidery, sleeveless putty crepe de chine gilet, skirt loosely pleated in front at Annacat. Hat by Jacoll. Right: Ivory crepe de chine open-work dress, couldn't be simpler, tied at the waist by Salvador. Straw hat by Bermona.

Left: Muffler, long cardigan with scroll embroidery, sleeveless putty crepe de chine gilet, skirt loosely pleated in front at Annacat. Hat by Jacoll. Right: Ivory crepe de chine open-work dress, couldn’t be simpler, tied at the waist by Salvador. Straw hat by Bermona.