Doll Face

doll-face-sam-haskins

Photographed by Sam Haskins.

Scanned by Miss Peelpants from The Photography Year Book, 1974.


Ingrid Boulting in Emcar

emcar-bailey-vogue-march-73-1

Think of the simple little suit, the kind that’s made up of swing skirt, sporty jacket, silk shirt, and you think of Emcar. Colours are fresh, always of the moment, fabrics the nicest to wear – flannels, smooth worsteds, good tweeds, crisp cottons. Each piece of each look is well cut, simply detailed. The total effect relaxed and happy, all together but naturally so. This is Emcar’s famous versatile coordinating idea – mix and match looks that you buy as a whole or collect piece by piece. Now they’ve added a new dimension to their collection – pretty and feminine special occasion dresses designed by their young new designer Kathy Welch. Her ides range from creamy lace dresses with matching trousers, to Liberty print part looks like the one here, from satin kimono jackets with bra top an baggy trousers to beautifully sleeved dresses – some smooth lined and silky with bouffant sleeves, others gathered and off the shoulder in Liberty prints, with puff sleeve and swirling deep hems.

Photographed by David Bailey.

Scanned by Miss Peelpants from Vogue, March 1973.

emcar-bailey-vogue-march-73-2

emcar-bailey-vogue-march-73-3


Happily Ever After

happily-ever-after-2

White lawn dress printed with butterflies and flowers by Thea Porter. Straw hat by Buckle Under. Red wedge shoes by Kurt Geiger. Belt by Shape.

There’s a good reason why Vanity Fair is possibly my favourite magazine of this period. They were relatively conventional in the 1960s, and would ‘merge’ with Honey magazine around 1972, but in their death knells they were just about the most innovative magazine in the UK. Issues were often themed around ‘issues’, for example this one is entirely themed around break-ups and divorces (including a story on what a divorced man should wear when taking his kid out for the day).

Nor did they shy away from more expensive designer names, such as Thea Porter and Zandra Rhodes here, mixing them happily with the more affordable but still iconic boutique names like Stirling Cooper and Mr Freedom. Adding Foale and Tuffin, Pablo and Delia and Terry de Havilland into the mix for good measure, and all those stunning illustrations by Michael Foreman… this is one of my favourite editorials of all time.

Vanity Fair is also, frankly, a nightmare to scan because it falls apart at the binding with the lightest touch, which is why I don’t scan them as often. So enjoy the heaven of Harri Peccinotti’s work while I gently shuffle all the pages back into the magazine…

Photographed by Harri Peccinotti.

Illustrations by Michael Foreman.

Scanned by Miss Peelpants from Vanity Fair, April 1971.

happily-ever-after-1

Long grey crepe dress patterned with purple, green and red birds by Shape. Pablo and Delia suede thong necklace. Blue suede shoes at Sacha.

happily-ever-after-3

Beige suede skirt with applique shapes and matching shawl by Mary Quant. Necklace from Buckle Under. Beige suede boots by Guy Humphries.

happily-ever-after-4

Blue and white feather printed chiffon dress by Zandra Rhodes.

happily-ever-after-5

Left to right: Chiffon blouse and multi-coloured skirt by Foale and Tuffin. Painted rainbow shoes from Mr Freedom. Painted belt by Shape. // Cream and red jersey catsuit (top only showing) and banded red and cream skirt both from Stirling Cooper. Red shoes by Kurt Geiger. // Cream, yellow and red jersey dress by Stirling Cooper. Pull on hat by Janice Peskett. // Red cotton t-shirt by Erica Budd. Cream dungarees from Stirling Cooper. Red python sandals at Elliotts.

happily-ever-after-6

Above: Mauve satin cotton pinafore dress and blouse by Gladrags. Right: Bottom half of Alistair Cowin calico trousers with green printing. Green and yellow shoes by Terry de Havilland. Far right: Black velvet dungarees with white satin applique heart from Mr Freedom. Chiffon blouse from Foale and Tuffin. Mauve canvas boots at Charles Jourdan.


Cheap and Lovely

cheap-and-lovely-4

Calico blouse from Bus Stop. Gingham skirt by Angela of London Town. Flower brooch from Gear. Edward Mann hat. Mr Freedom sox.

It’s not only the birds that are going cheap this spring – fashion is too. For so many great new ideas and at such an early stage in the proceedings, they seem to be asking us to pay very little. So we can show you wear-every-day clothes at your price to our heart’s content.

Photographed by Jean Claude Volpeliere. Fashion by Sue Hone.

Scanned by Miss Peelpants from Petticoat, February 1972.

cheap-and-lovely-1

Left: Check pleated skirt from Bus Stop. Tee by Harold Ingram. Van der Fransen scarf. Right: Dorothy Perkins check mini skirt and tee-shirt.

cheap-and-lovely-2

Left: Dorothy Perkins brushed denim jeans and smock. Van der Fransen beads. Ravel suede shoes. Right: Dorothy Perkins cord jeans. Angela at London town floral blouse. Chenille bolero by Erica Budd. Silver watch from Biba. Beret by Edward Mann. Shoes by Sacha.

cheap-and-lovely-3

Cheesecloth skirt and blouse from Bus Stop. Bermona hat. Ravel shoes.

cheap-and-lovely-5

Red and navy motor car sweater by Janine at Girl shops. Red smock coat from Bus Stop. Red pants by Angela at London town. Ravel shirt. Edward Mann hat.

cheap-and-lovely-6

Yellow print dress by Anji. Edward Mann felt hat with cherries.


Bill Gibb, illustrated

bill-gibb-by-richard-ely-feb-74-1

Bill Gibb takes lots of exquisite fabrics – silks from China, English embroidered nets, exclusive Liberty prints – and turns them into glamorous, witty clothes. For day, his new look recalls the Fifties. It’s a subtle, feminine nostalgia – not the garish decade revived by the Kings Road – and one to be worn with style.

Illustrated by Richard Ely.

Scanned by Miss Peelpants from Harpers and Queen, February 1974.

Harpers and Queen not at all snobbish in their dismissal of wild Kings Road boutique Rock’n’Roll revivers there. Still, pretty Bill Gibb clothes stunningly illustrated means I’ll forgive them just this once.

bill-gibb-by-richard-ely-feb-74-2

bill-gibb-by-richard-ely-feb-74-3

bill-gibb-by-richard-ely-feb-74-4


Black Looks

black-looks-over-21-december-75

Black cire top by Lee Bender from Bus Stop. Coin earrings by Rive Gauche.

Photographed by John Bishop.

Make-up by Richard Sharah.

Scanned by Miss Peelpants from.Over 21 Magazine, December 1975.


Dreams of Dior

dior-advert-vogue-may-1971

Scanned by Miss Peelpants from Vogue, May 1971.