We threw in the line and fished out some of the best and most original shoes that are in the shops this spring. It may not be an ideal catch for a real angler, but then it depends what you’re fishing for, doesn’t it?
Photographed by Duc.
Scanned by Miss Peelpants from 19 Magazine, April 1972.
Scanned by Miss Peelpants from 19 Magazine, October 1972
Twiggy’s clothes change with her mood, something reflected noticeably in her Christmas wardrobe which includes beautiful ankle-length dresses in exotic prints and romantic styles in lovely colours. “I really have no particular look that I stick to,’ she confessed. ‘Yesterday I wore an ankle-length dress and today I have on a short one. I buy second-hand clothes if I think the fabrics and prints are beautiful. My wardrobe is really a complete mixture of things. I think that these days people can wear just what they like. There are really no set rules, and I personally feel that that’s very nice.”
During the last two months, Twiggy’s face, once constantly seen in virtually every magazine in the world, has been noticeably absent. “I have almost completely stopped modelling. Although I enjoyed every minute while I was doing it, I’m rather tired of it now. At the moment Justin and I will be working for only one American magazine and one Italian and any other work we want to do. Justin has sold the flat that he had, and is now living in the studio.”
Apart from Twiggy Enterprises in England, they have many business interests in the States selling all sorts of ‘Twiggy’ merchandise. During a visit there, earlier this year, Twiggy made a singing and dancing commercial for American TV which was an enormous success. Her main ambition for the coming year is to make a feature film which Justin will possibly co-produce.
`We almost made a film about eighteen months ago,” explained Justin. ‘Paul McCartney was going to write the music and Ken Russell direct. Then we had enormous trouble with the film rights and eventually had to drop the whole idea. When Twiggy made the American commercial she was so great, and en-joyed making it so much that it got us interested all over again. We’ve talked to various people about ideas for a script, but I can’t tell you anything definite about the story at the moment.”
Twiggy today is very different from the Twiggy of three years ago. She is more beautiful and her hair is longer. “I am desperately trying to grow it,” she says. “I want it to be very, very long.” She has grown up, but her unspoilt personality remains the same. One change Twiggy is very pleased about—she has stopped biting her fingernails. “All of a sudden I noticed that I’d just stopped —and that was that.”
She has a marvellous sense of humour and is interested in a variety of things. She loves reading, especially romantic novels, cinema and theatre, with a bent towards musicals, and pop music; she is a firm fan of the Beatles. She enjoys knitting. “I knit things all the time, for myself and all my friends.” (“Not bad, is she,” said Justin, sporting an original Twiggy knit.) “And I’ve just bought a crochet hook and book of instructions. You don t know how to crochet flowers, do you? It only tells you how to make circles in my book.”
Twiggy moves with the grace of a modern day Garbo. “As narrow as an arrow and as fetching as an etching” is a very apt description. She eats what she wants, is peeved that she can’t put on weight. “I wish I could,” she murmurs, busily demolishing an apricot pie. Another pet peeve of hers is spiders. “I hate spiders. I never kill them, though.”
What does Twiggy want this Christmas? “I don’t know. There’s nothing I really want. Just to be happy. And to make the film next year, that’ll be satisfying.”
Frizzy hairpieces by Joseph at Salon 33.
Photographs by Justin de Villeneuve.
Scanned by Miss Peelpants from 19 Magazine, December 1969.
Sandra and Di-Di have got bouncy berets. Ginny’s got a crazy bobble beret. Tasmin has a pull-on push-about willy woolly and Carol-Anne a kiddy cap. They’ve all got the Kangol Craze! Daffy dizzy colours. Gorgeous shapes. Soft super feel. Wonderfully wind and winter-proof. Don’t get left in the cold. Catch on to Kangol… and go!
Scanned by Miss Peelpants from 19 Magazine, November 1968.
Knitted tops for all occasions. Warm, comfortable sweaters with amusing motifs from The Sweet Shop, and samples from an imaginative collection by a new designer, Molly Dove. Her clothes are obtainable by mail order only; which, as well as keeping the prices down, makes them available to more of you! We also show a pretty little halter-necked top that’s barely there, just in case the sun comes out!
Photographed by John Bishop.
Scanned by Miss Peelpants from 19 Magazine, January 1971.
Not one, but two Madeline Smith modelling jobs in one copy of 19 Magazine. What a beauty!
Scanned by Miss Peelpants from 19 Magazine, September 1969.
Photographed by Maude.
Scanned by Miss Peelpants from 19 Magazine, October 1972.