Simply wizard playsuits. Sundresses with slightly flared shorts. Plenty of straps crossing bare backs. Lots and lots of buttons. Super colours. Cotton, crepe and jersey. Wish you were here and looking like this.
Photographed by Hans Feurer.
Scanned by Miss Peelpants from Vogue, May 1971.
While looking for pictures typical of ‘Young Swinging London’ (did such a place ever exist?) Ludwig found this girl in a Kensington shop.
No specific location credit but it looks like it’s probably Biba.
Photographed by Gerhard E. Ludwig.
Scanned by Miss Peelpants from The Photography Year Book 1974
It is of the greatest frustration that this incredible work of art is uncredited. I love every little detail…
Scanned by Miss Peelpants from Over 21 magazine, April 1975.
Queen cover image with model wearing a nightdress by Angela Gore.
Photographed by John Hedgecoe.
Scanned by Miss Peelpants from Queen, 17th July 1968.
Just a quick glance at any of these new mid-year fabrics can lead to all sorts of sunny ideas. Will you take to squashysoft quilting or fall in love with countryside madras printed denim and shiny new satinised cotton? For the romantic there’s beautiful embroidered lawns and more than enough nostalgia in the turn-of-the-century jacquard crepes, woven on precisely the same machines as those of sixty summers past. All ready for you to wear tomorrow — or to keep aside for that long hot summer . . .
Photographed by Jean Claude Volpeliere.
Scanned by Miss Peelpants from Petticoat, April 1971.
Scanned by Miss Peelpants from Cosmopolitan, November 1973
What is she really like? Very much a domesticated and warm-hearted girl, she is preparing to set up home with the man she loves. Although she usually favours clothes collected from Antique supermarkets, 19 chose these daringly-cut dresses to emphasise the underlying tiger in her make-up.
At twenty-three, and with five feature films to her credit, Miss Charlotte Rampling is now engaged in what is seemingly her most important project to date – setting up residence in a fashionable Westminster two-storey house with film-maker Tommy Weber, and his two shaggy-haired sons, Jake, aged nearly six, and Charlie, aged four.
Charlotte has been with Tommy for a year now, and when his divorce comes through, they plan to marry. Charlotte feels this will be ‘mostly for the children’s and my parents’ sake’.
She returned to England from Madrid four years ago, when she received her first film offer, landing a starring role in a Boulting Brothers comedy, Rotten To The Core. Following this movie, Charlotte appeared as Meredith, the super-shrew of Georgy Girl – and probably produced the totally misconceived image as a girl much like the one she played.
Charlotte describes Meredith as a real bitch’ of Georgy she says; “She was pathetic, but two-faced – not an admirable character.” Lyn Redgrave, however, was ‘absolutely beautiful’, and the film set was a happy one.
Charlotte has recently completed two films; Three, directed by Jim Salter, from an Irwin Shaw story, is spoken of with less than relish. What apparently started out as a free, flowing movie about three students bumming their may across Europe, ended up as a contused, under-budgeted affair, in which the hardships outnumbered the freedom.
Her most satisfying film to date, The Damned, is still being shot under the direction of Italy’s Luchino Visconti and she feels this was an invaluable experience. It is the story of the Krupp family, who rose to power in Hitler’s Germany.
Charlotte Rampling is now in the enviable position of having completed a major role, and possessing the chance to choose what she wants for the future.
Photographed by Hans Feurer.
Scanned by Miss Peelpants from 19 Magazine, May 1969.