Playsuits: All at Sea

Playsuits all at see - Hans Feurer - Vogue - May 71 - a

Sundress in deep blue rayon crepe with matching shorts by Stirling Cooper. Bikini in hand by Alistair Cowin. Sandals by Ravel.

Simply wizard playsuits. Sundresses with slightly flared shorts. Plenty of straps crossing bare backs. Lots and lots of buttons. Super colours. Cotton, crepe and jersey. Wish you were here and looking like this.

Photographed by Hans Feurer.

Scanned by Miss Peelpants from Vogue, May 1971.

Playsuits all at see - Hans Feurer - Vogue - May 71 - f

Playsuit in chocolate jersey, ginger edged. By Copper Coin. Straw hat by Buckle Under. Shoes by Ravel.

Playsuits all at see - Hans Feurer - Vogue - May 71 - b

Sunsuits in Madras patch cotton by Marielle. Sunhats by Titfers. Canvas shoes by Masotti. Right: Playsuit by Bus Stop. Sandals by Ravel.

Playsuits all at see - Hans Feurer - Vogue - May 71 - c

Playsuit in canary yellow on dark brown cotton by Alistair Cowin. Shoes by Ravel.

Playsuits all at see - Hans Feurer - Vogue - May 71 - d

Playsuit in Liberty print by John Marks. Liberty flower hat by Titfers Shoes by Ravel.

Playsuits all at see - Hans Feurer - Vogue - May 71 - e

Playsuit by Toto.


Kensington Girl

Kensington girl - Gerhard E Ludwig - 1974

While looking for pictures typical of ‘Young Swinging London’ (did such a place ever exist?) Ludwig found this girl in a Kensington shop.

No specific location credit but it looks like it’s probably Biba.

Photographed by Gerhard E. Ludwig.

Scanned by Miss Peelpants from The Photography Year Book 1974


Living Image

living image - over 21 magazine - april 75

It is of the greatest frustration that this incredible work of art is uncredited. I love every little detail…

Scanned by Miss Peelpants from Over 21 magazine, April 1975.


Was Ophelia Pregnant?

queen - July 68 -john hedgecoe

Queen cover image with model wearing a nightdress by Angela Gore.

Photographed by John Hedgecoe.

Scanned by Miss Peelpants from Queen, 17th July 1968.


Welcome Summer

Welcome Summer - 5 - Jean Claude Volpeliere

Gladrags printed shirt with cotton satin knickerbockers. Plastic and raffia choker by Adrien Mann. Gladrags cotton satin shorts with bib.

Just a quick glance at any of these new mid-year fabrics can lead to all sorts of sunny ideas. Will you take to squashysoft quilting or fall in love with countryside madras printed denim and shiny new satinised cotton? For the romantic there’s beautiful embroidered lawns and more than enough nostalgia in the turn-of-the-century jacquard crepes, woven on precisely the same machines as those of sixty summers past. All ready for you to wear tomorrow — or to keep aside for that long hot summer . . .

Photographed by Jean Claude Volpeliere.

Scanned by Miss Peelpants from Petticoat, April 1971.

Welcome Summer - 7 - Jean Claude Volpeliere

Little bird print shirt and skirt from Biba. Suede wedge shoes from Sacha. Angora brim hat from Browns.

Welcome Summer - 2 - Jean Claude Volpeliere

Blue quilted shorts and shirt, both from Feathers. Blue suede shoes by Sacha.

Welcome Summer - 3 - Jean Claude Volpeliere

Clobber stars and stripes jacket at Stop the Shop. Bermona denim cap.

Welcome Summer - 1 - Jean Claude Volpeliere

Gillian Richard printed dungarees, smock and matching hat from ’27’. Gillian Richard calico smock with matching dungarees from Snob and Irvine Sellars shops. Herbert Johnson hat. .

Welcome Summer - 4 - Jean Claude Volpeliere

Angela smock dress at Stop the Shop.

Welcome Summer - 6 - Jean Claude Volpeliere

Angela calico farmers smock worn with denim jeans, wellington boots and hat.


They think we’re just good friends…

smirnoff - cosmo - november 73

Scanned by Miss Peelpants from Cosmopolitan, November 1973


Charlotte Rampling by Hans Feurer

charlotte rampling - 19 - Hans Feurer - 1

Plunge-necked green shaded Trice! crepe dress, by John Bates for Jean Varon, approx. 14gns.

What is she really like? Very much a domesticated and warm-hearted girl, she is preparing to set up home with the man she loves. Although she usually favours clothes collected from Antique supermarkets, 19 chose these daringly-cut dresses to emphasise the underlying tiger in her make-up.

At twenty-three, and with five feature films to her credit, Miss Charlotte Rampling is now engaged in what is seemingly her most important project to date – setting up residence in a fashionable Westminster two-storey house with film-maker Tommy Weber, and his two shaggy-haired sons, Jake, aged nearly six, and Charlie, aged four.
Charlotte has been with Tommy for a year now, and when his divorce comes through, they plan to marry. Charlotte feels this will be ‘mostly for the children’s and my parents’ sake’.

She returned to England from Madrid four years ago, when she received her first film offer, landing a starring role in a Boulting Brothers comedy, Rotten To The Core. Following this movie, Charlotte appeared as Meredith, the super-shrew of Georgy Girl – and probably produced the totally misconceived image as a girl much like the one she played.

Charlotte describes Meredith as a real bitch’ of Georgy she says; “She was pathetic, but two-faced – not an admirable character.” Lyn Redgrave, however, was ‘absolutely beautiful’, and the film set was a happy one.

Charlotte has recently completed two films; Three, directed by Jim Salter, from an Irwin Shaw story, is spoken of with less than relish. What apparently started out as a free, flowing movie about three students bumming their may across Europe, ended up as a contused, under-budgeted affair, in which the hardships outnumbered the freedom.

Her most satisfying film to date, The Damned, is still being shot under the direction of Italy’s Luchino Visconti and she feels this was an invaluable experience. It is the story of the Krupp family, who rose to power in Hitler’s Germany.

Charlotte Rampling is now in the enviable position of having completed a major role, and possessing the chance to choose what she wants for the future.

Photographed by Hans Feurer.

Scanned by Miss Peelpants from 19 Magazine, May 1969.

charlotte rampling - 19 - Hans Feurer - 2

Ribbon-trimmed plunge-necked blue shaded Tricel crepe dress, by John Bates for Jean Varon, approx. 13gns.

charlotte rampling - 19 - Hans Feurer - 3

Culotte dress in shaded beige to bream 7-ricel crepe, with tiny bodice and trans-parent nylon organza back, by John Bates for Jean Varon, approx. £17 6s. 6d. Gold sandals, by Ronald Keith, 5gns.

charlotte rampling - 19 - Hans Feurer - 4

Silk jersey black tie top and layered skirt, by Lizzy Carr, approx. 71/2gns. each.