Razzmatadvertising (Pt II)

Plunging halter-neck Martini printed waistcoat with white cotton collar and pencil slim button through skirt both by Miss Mouse. South Sea Island printed cotton 50s dress with tight straight skirt by Miss Mouse.

Further to yesterday’s post, and as promised, here are the photos taken on Brighton Pier for the same editorial. With clothes by Miss Mouse and City Lights Studio, they were worth waiting for – weren’t they?

Photographed by Gilles Ben Simon.

Scanned from Honey, May 1973

Swirling peacock blue fan-pleated crepe skirt by City Lights Studio. Sugar pink and white striped halter-neck knit vest by Marshall Lester.
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Razzmatadvertising (Part I)

Slippery satin cherry-printed drainpipes by Alkasura. Acid green cotton jersey t-shirt by Janine Designs at Harold Ingram. Conker choker by Adrien Mann. Leather belt by Biba.

This post is brought to you in two parts. The editorial was, unusually, photographed by two different photographers in two different locations. Tomorrow I will post the photos from Brighton Pier (very exciting for me, as you can guess!). Today’s were photographed in Meeny’s, which was a King’s Road boutique started by Gary Craze in 1972 – specialising in American brands for both adults and children. Clearly showing the same influences as Mr Freedom, this is the first I’ve seen of the interior. The clothes are the very creme de la creme of boutique ‘pop art’ joyfulness.

Photographed by Dick Polak.

Scanned from Honey, May 1973.

Desert island printed dungarees by Richard Green. Gitanes printed jersey t-shirt by Marshall Lester. Crochet cloche by Emmerton and Lambert. Spotted kerchief by Meeny’s.
Rock’n’roll printed skirt and bolero jacket and sun top all by Miss Mouse. Conker choker by Adrien Mann.
Hawaiian surfing printed cotton shirt from Joanna’s Fleamarket
Camel printed cotton t-shirt by Marshall Lester. Belt by Biba
Hawaiian printed cricket vest by Jap at Joseph. Red vest by Outlander.
Slogan printed cotton coated PVC aprons by Sari Fabrics from all branches of Habitat, DH Evans and Selfridges. Satin pencil skirts by Alkasura.

Dance of the Seven Voiles

Corn coloured Liberty voile with poppy red and brown flowers ruched with daisies of white lace across the bodice, by Mary Quant’s Ginger Group.

Spring is a story of air spun with flowers – voile light as veils – with veil upon voile. Lyrical layers of patterns together. Bewitching play of light and limb – a gentle illusion to see through – or not – the legs veiled in trousers quite sheer, skirts long and then suddenly short at one side, a flurry of leg through the frills and the flowers. Mary Quant played Pied Piper to the young in the sixties, now she designs to the heart of the new mood with her prettiest collection in years.

Photographed by Sarah Moon.

Modelled by Ingrid Boulting.

Scanned from Vogue, March 1970.

Shepherdess dress of flowered cotton with an overshirt of voile laced to a calico cummerbund. Children’s costumes by Philomen, Paris.

Cornflower blue flowers, a little dress with a ruffled shawl wrapped as a skirt.
Liberty’s voile of undecided stripes, red and soft beige in a simple smock over trousers.
Honey voile flowered with brown and red pansies, ruched with white lace over the bodice.
Black voile, scattered with flowers and red braid with lovely sheer trousers.

Show a Little Spirit

Metallic leather battle jackets by Fifth Avenue. Green jacket worn with black crepe trousers by Gordon King. Lilac jacket worn with black crepe trousers by Highlight. Aldbrook scarf.

Bewitch: Try a bit of witchcraft, a bit of magical charm. Cast a spell or two with slinky black velvet, bedecked with sequins. Or glamorise in shiny coloured satins. But if you are going to bewitch you must…

Bother: to wear the same startling accessories. Wear strings of shiny necklaces, an interesting belt or sash. Tie a scarf the gipsy way, around your hips or head. For maximum effect shine your face with gold or silver powder.

And be wilder: in everything you wear.

Fashion by Sue Hone. Modelled by Madeline Smith and unknown model.

Photographed by Vic Singh

Scanned from Petticoat, November 2nd 1968.

Bright yellow satin trouser suit by Kleptomania. Ronald Keith patent shoes. Shimmering black battle-dress jacket and trousers by Bus Stop. Mauve and yellow belt by Martha Hill. Mauve lace scarf by Browns. Lilley and Skinner shoes.
Spooky black outfit by Bus Stop. Red crepe shirt and silk scarf by Biba.
Little black velvet dress by Biba. Sequined waistcoat by Gordon King. Indian pendant by Kleptomania.
Black crepe dress by Marlborough. Indian silk scarf by Aldbrook. Black waistcoat and skirt by Shelana. Blue shirt by Ivor Wahl.



The Spirit of Christmas

Silk lace dress with boxer shorts underneath by Poole at Shape. Shoes by Biba. Choker and fake violets from John Lewis.

Rich renaissance colours in velvet, lace and crepe reflect the mood for Christmas. Emphasis is on the shape of the body – necklines plunge, backs are bared, and skirts are slit in a demure, but wanton, fashion.

Photographed by John Bishop.

Scanned from 19 Magazine, December 1970.

Crepe dress in black, mauve and green by Alistair Cowin. Shoes from Biba.
Plum silk lace wrap over blouse with matching waist ties by Poole at Shape. Gored skirt in deep green velvet by Foale and Tuffin. Shoes from Biba.
Charcoal green dress and crepe shoes all from Biba.
Velvet cap from Feathers. Veiling from John Lewis. Crepe dress by Stirling Cooper. Shoes from Elliott.
Lilac velvet cap from Feathers. Blue Tricel wrap over top and flared skirt both by Poole at Shape. Shoes from Biba.
Brown, beige and rust panne velvet dress by Gillian Richard. Black shoes by Elliott.



Go Gaucho!

Striped woollen poncho skirt by Beatrice Bellini for WHI. Chamois lace-up blouse by Janet Ibbotson. Lace up suede boots by Anello and Davide. Leather and bead necklace by Feathers.

Not only does leather feel good, it smells delicious, like a trip out West. Suede and chamois are even better than leather because they are so much softer and easier tow ear. They’re not as expensive as they used to be. Cheap they will never be if you want value for your money. Leather, properly looked after, lasts for age; in fact, the more beaten up and old it looks the better. So when it comes to buying remember that and invest in something safe – like the clothes photographed on these pages. Thy are not desperately in fashion but, on the other hand, they are not out and never will be…

Fashion by Caroline Baker. Photographed by Harri Peccinotti.

Scanned from Nova, October 1970.

Midi pigskin wrarpover skirt and long fitted jacket both by Beged’Or. Lace up suede boots from Anello and Davide.
Suede midi waistcoat and pants by Friitala. Brown wool shirt at Feathers. Leather and bead necklace at Feathers. Felt hat by Bermona. Stripey belts at Herbert Johnson.
Leather and rabbit midi waistcoat by Skinflair. Handwoven cotton blouse from Fifth Avenue. Flared blue jeans by Levis.
Suede jeans by Newman at Spotlight. Argentinian wool poncho – similar available at Mexicana and at Inti. Cow print velour hat by Bermona. Patent boots from Sacha.
Chamois fringed midi dress and beaded headband both at Battle Of The Little Big Horn.
Suede lace up dress to order at Pourelle. Poncho by Village Squares. Boots by Anello and Davide.
Fake snake velvet jeans by Newman at Feathers. Silk satin snake shirt to order at Lizzie Carr. Woven sash belts at Herbert Johnson.



Two Lovely Black Thighs

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Camisole and french knickers by Trisha Kerr Cross. Suspender belt by Charmerein. Shoes by Charles Jourdan. Pillbox hat by Charles Batten.

The black arts of what to wear next to your skin. Silk and satin, nylon and lace. Wickedly witty but not as black as they’re painted.

Hair by Jean Louis David. Make-up by Jacques Clement for Elizabeth Arden.

Photographed by Francois Lamy.

Scanned from Harpers and Queen, January 1979.

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Black body stocking wired under the bra by Gossard. White silk stockings by Funn.

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Nightdress by Charlotte Hilton for Finewear. Miniscule Italian knickers by Magic.

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Strapless corselette in black satin by Charmerein. Knickers by Rousard. Shoes by Charles Jourdan.

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Camiknickers by Tuttabankem.

two lovely black thighs 4

Nightdress in black lace by Janet Reger. Shoes by Charles Jourdan.

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French knickers in black voile, matching camisole and matching jacket not shown all by Jada from Harrods.