Posted: May 5, 2017 Filed under: 19 magazine, 1960s, charlotte rampling, hans feurer, Inspirational Images, jean varon, john bates, Lizzie Carr, Vintage Editorials | Tags: 19 magazine, 1960s, charlotte rampling, editorials, hans feurer, inspirational images, jean varon, john bates
Plunge-necked green shaded Trice! crepe dress, by John Bates for Jean Varon, approx. 14gns.
What is she really like? Very much a domesticated and warm-hearted girl, she is preparing to set up home with the man she loves. Although she usually favours clothes collected from Antique supermarkets, 19 chose these daringly-cut dresses to emphasise the underlying tiger in her make-up.
At twenty-three, and with five feature films to her credit, Miss Charlotte Rampling is now engaged in what is seemingly her most important project to date – setting up residence in a fashionable Westminster two-storey house with film-maker Tommy Weber, and his two shaggy-haired sons, Jake, aged nearly six, and Charlie, aged four.
Charlotte has been with Tommy for a year now, and when his divorce comes through, they plan to marry. Charlotte feels this will be ‘mostly for the children’s and my parents’ sake’.
She returned to England from Madrid four years ago, when she received her first film offer, landing a starring role in a Boulting Brothers comedy, Rotten To The Core. Following this movie, Charlotte appeared as Meredith, the super-shrew of Georgy Girl – and probably produced the totally misconceived image as a girl much like the one she played.
Charlotte describes Meredith as a real bitch’ of Georgy she says; “She was pathetic, but two-faced – not an admirable character.” Lyn Redgrave, however, was ‘absolutely beautiful’, and the film set was a happy one.
Charlotte has recently completed two films; Three, directed by Jim Salter, from an Irwin Shaw story, is spoken of with less than relish. What apparently started out as a free, flowing movie about three students bumming their may across Europe, ended up as a contused, under-budgeted affair, in which the hardships outnumbered the freedom.
Her most satisfying film to date, The Damned, is still being shot under the direction of Italy’s Luchino Visconti and she feels this was an invaluable experience. It is the story of the Krupp family, who rose to power in Hitler’s Germany.
Charlotte Rampling is now in the enviable position of having completed a major role, and possessing the chance to choose what she wants for the future.
Photographed by Hans Feurer.
Scanned by Miss Peelpants from 19 Magazine, May 1969.
Ribbon-trimmed plunge-necked blue shaded Tricel crepe dress, by John Bates for Jean Varon, approx. 13gns.
Culotte dress in shaded beige to bream 7-ricel crepe, with tiny bodice and trans-parent nylon organza back, by John Bates for Jean Varon, approx. £17 6s. 6d. Gold sandals, by Ronald Keith, 5gns.
Silk jersey black tie top and layered skirt, by Lizzy Carr, approx. 71/2gns. each.
Posted: April 25, 2017 Filed under: 1970s, Butler & Wilson, charles jourdan, harpers and queen, Inspirational Images, Packy Cannon, Piero de Monzi, Vintage Editorials, yves saint laurent, zandra rhodes
Dove grey crepe edge to edge jacket. Dove grey crepe mid-calf skirt. Pink silk shirt with finely pleated collar. All by Zandra Rhodes.
Zandra Rhodes has come up with a brand new collection for her brand new shop at 14a Grafton Street, W1. Using crepe and pure silk, in muted colours – grey, black and bois de rose, and always with her characteristic love of detail, she has produced immensely wearable clothes to see you through the day, and into the evening.
Photographed by Packy Cannon.
Scanned by Miss Peelpants from Harpers & Queen, July 1975.
Bois de rose pleated v-neck top and narrow silk cord tie-belt. Bois de rose wide crepe trousers with one lily type pocket in pleated crepe. Both from Zandra Rhodes. Peach leather sandals by Charles Jourdan.
Cream silk shirt with finely pleated collar. Bois de rose crepe mid-calf skirt with pockets in panels of finely pleated crepe. Both from Zandra Rhodes Sling back wedge sandals by Charles Jourdan.
Black finely pleated crepe v-neck top with cap sleeves and silk cord tie belt. Black crepe ankle-length skirt. Both from Zandra Rhodes. Shoes by Saint Laurent Rive Gauche.
Floor length black crepe dress with buttoned cuffs. From Zandra Rhodes. Shoes by Saint Laurent Rive Gauche.
Posted: April 14, 2017 Filed under: 19 magazine, 1970s, biba, Bombacha, Brave New World, bus stop, chelsea cobbler, Diane Logan, Essences, Essenses, Gian Barberis, gillian richard, Inspirational Images, Jackie Ross, jeff banks, Jon Elliot, Joseph, kangol, lee bender, Lison Bonfils, nostalgia, Ricci Burns, Uncategorized, Vintage Editorials | Tags: 19 magazine, 1970s, biba, Bombacha, bus stop, chelsea cobbler, Diane Logan, editorials, Essences, Gian Barberis, gillian richard, inspirational images, Jackie Ross, jeff banks, kangol, Lison Bonfils, nostalgia, Ricci Burns
Striped top and matching crepe cardigan. Cream crepe trousers, all by Jackie Ross at Jon Elliot. Clutch bag by Biba. Blue and white striped scarf from Essences. Beige straw hat by Diane Logan / Green,, white and black striped cardigan is a 19 Magazine knitting pattern. Long cream gored skirt by Brave New World. Cream strappy straw sandals from Chelsea Cobbler.
back to romance with nostalgia and nostalgic clothes in romantic settings. Long, flowing scarves, mysterious veils and soft, sensuous fabrics for Sunday strolls or super dates — a wardrobe for summer sentimentalists
Hair by Robert at Ricci Burns.
Photographed by Gian Barberis.
Scanned by Miss Peelpants from 19 Magazine, May 1974.
Green straw hat by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Cream knitted cardigan from Essences. Grey suede shoes from Bombacha. / Dark green chip straw ht by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Navy blue shoes from Bombacha.
Cream beret by Kangol. Halter top, matching white and blue silk knitted long cardigan. Matching calf-length knitted skirt all by Lison Bonfils at Joseph. Grey suede shoes from Bombacha. / Salmon pink beret by Kangol. Cream crepe sleeveless top with sequin motif. Matching below-the-knee culottes. Both by Jackie Ross for Jon Elliot. Salmon pink silky cardigan from Essences. Sandals from Chelsea Cobbler.
Brown felt hat from Nostalgia. Black and white crepe de chine dress by Jeff Banks. Cream cardigan by Essences. Shoes from Bombacha. / White suit with black pattern and reverse on cuffs and collar from Essences. Black suede shoes from Bombacha. Black scarf from Bus Stop.
Pink straw hat by Diane Logan. Crepe crepe jacket and matching mid-calf skirt by Bus Stop. Cream straw shoes by Chelsea Cobbler. / Black and tan cloche from Diane Logan. V neck top and matching crepe jacket and skirt all from Bus Stop. Straw shoes by Chelsea Cobbler. Scarf to match suit from Bus Stop.
Posted: April 10, 2017 Filed under: 1970s, biba, bus stop, Crochetta, gillian richard, Inspirational Images, Jasper, John Carter, Lizzie Carr, petticoat magazine, Samm, stirling cooper, van der fransen, Vintage Editorials | Tags: 1970s, biba, bus stop, edward mann, gillian richard, John Carter, Lizzie Carr, petticoat magazine, stirling cooper, van der fransen
Gillian Richard pinny. Van der Fransen sailor blouse. Biba espadrilles. Cotton blouse and animal print winceyette shirt, both by Richard Green at Lady M ships. Raffia beret, wire bracelet and cherries, all from Biba.
This is the freshest summer fashion story so far. The prettiest pastel shades with tiny nursery prints you must be happy in. These clothes do the most for a girl and whatever your shape you’ll find all manner of pants, aprons and shirts to match your own personality.
Photographed by John Carter.
Scanned by Miss Peelpants from Petticoat Magazine, June 1972.
Jasper shirt. Pants by Lizzie Carr for Plain Clothes. Biba beret.
Shirt by Lizzie Car for Plain Clothes. Canvas pants at Stirling Cooper.
Crochetta sweater at Knits and Leathers. Satin pants by Lizzle Carr for Plain Clothes. Edward Mann hat. Ankle strap shoes by Samm.
Satin bermudas and satin smock, both by Lizzie Carr for Plain Clothes. Rosebud vest from Bus Stop. Edward Mann hat.
Posted: April 5, 2017 Filed under: 1970s, andrea pfister, barry lategan, Bernard Neville, christian dior, Hope and Eleanor, Inspirational Images, liberty, liberty's, Pedro Garcia, ungaro, Vintage Editorials, Vogue | Tags: 1970s, andrea pfister, barry lategan, bernard nevill, christian dior, editorials, emanuel ungaro, inspirational images, liberty, liberty print, Pedro Garcia, vogue
Two silk prints in primary colours on beige. £69 at Liberty. Flower strewn hat by Christian Dior Chapeaux. Beige shoes by Andrea Pfister at Bata International. Necklaces and rings from Hope & Eleanor.
The new Liberty silks by Bernard Nevill are quintessential summer—sprigged or swagged with flower from the cornfield, the garden the riverbank, in primary colours on tinted grounds. For a hot sun day, a slate blue trellised blazer over a dress with sprigged pleats, for a sunshine evening, a dress of all sorts of flowers and paisley gathered into long skirt and round puff sleeves. The first look to make, the second to buy.
Prints from Liberty’s Chameleon range designed by Bernard Nevill.
Photographed by Barry Lategan.
Scanned by Miss Peelpants from Vogue, July 1971.
Quilted jacket and wildflower pleats, left: Slate and black blazer, Vogue Paris Original Pattern 2499, designed by Ungaro. Blue flowered beige dress with long sleeves, long torso. Vogue Pattern 2469. Panama hat, by Diorling, from Debenham & Freebody. Suede shoes by Pedro Garcia.
Posted: March 16, 2017 Filed under: 1960s, clobber, Elliott, helmut newton, Inspirational Images, jeff banks, Jersea, marrian mcdonnell, mary quant, observer magazine, Ruben Torres, swimwear, Tiktiner, Uncategorized, Vintage Editorials | Tags: 1960s, clobber, editorials, elliotts, helmut newton, inspirational images, jeff banks, mary quant, observer magazine, Ruben Torres, swimwear
Wet-look cire bikini, also in red, with gilt link on bra top and belt of pants, 59s., from main branches of C & A. Paste tiger brooch from the Paris flea market.
Pause for reflection before you buy your swimsuit for this summer. If you’re going to be in the picture, you must get your exposure right : make it the most your shape will take. Because this is a narcissistic year. More girl, less swimsuit. Bikinis will be back with us again this summer — and they’ll be barer than ever. But the fabrics, not to be outshone, are glistening wet-look cires, metallic golds and silvers. And as adornments for the bare body, there is simple animal jewellery —snake bracelets, stalking-tiger brooches, that sort of simple thing.
Hair by Didier at Jean-Louis David, Paris.
Photographed by Helmut Newton.
Scanned by Miss Peelpants from The Observer Magazine, April 1969.
Silver crochet bikini (also in other colours), £5 15s. 6d.; all cobweb crochet jacket, £5 15s. 6d.; both by Clobber, from Miss Selfridge, Oxford Street, W1 ; Just Looking, Kings Road, SW3; J. T. Parrish, Newcastle; Contrary, Burton Square, Manchester ; Silver cord lacing up jacket, 5d. yd. from John Lewis, Oxford Street, W1. Paste tiger brooch from the Paris flea market.
Tobacco-brown bikini with fine chain straps and belt, by Tiktiner, £10 15s., from the Summer House at Simpsons, Piccadilly, W1. Gold leather sandals fastening above the ankle, f7 17s. 6d. from Elliotts, 76 New Bond Street, W1, and Kings Road and Knightsbridge branches. Snake brace-lets, 42s., frog ring, 12s. 6d.; by Corocraft, from Marrian-McDonnell, 45 South Molton Street, W1, and 80 Sloane Avenue, SW3; Kendal Milne, Manchester.
Barely one-piece swimsuit, cut away at the back like a bikini, in sand-coloured towelling, and in other colours too, by Jersea, £4 15s., from Harrods, Knightsbridge, SW1 ; Lynette Claire, Kensington High Street, W8; Marshall & Snelgrove, 24-30 New Street, Birmingham; Darling & Co., Bath ; Impact, Salisbury. Gladiator boots, by Mary Quant, 89s. 11d., from Lilley & Skinner.
White Nylon Helanca and Antron bikini with clear perspex links, by Ruben Torres for Tweka, 5gn., also in lilac, black, pink, turquoise or gold, from D. H. Evans, Oxford Street, W1 ; Lady Jane, Carnaby Street, W1 ; Birn & Son, Southend-on-Sea ; Rackhams, Birmingham; Reid & Todd, Glasgow. Summery boots laced up the back by Mary Quant, 89s. 11d., from Lilley & Skinner, 360 Oxford Street, W1. Gilt snake chain around waist, by Corocraft, 2gn., from Way In, Knightsbridge, SW1 ; Kendal Milne, Manchester.
Posted: March 13, 2017 Filed under: 1960s, celia birtwell, Francis Ford, Honey Magazine, Inspirational Images, James Moncur, John Craig, Michael Berkofsky, ossie clark, quorum, Steve Hiett, steven hiett, Susan Barry, Vintage Editorials | Tags: 1960s, celia birtwell, editorials, Francis Ford, honey magazine, inspirational images, James Moncur, John Craig, mike berkofsky, ossie clark, quorum, Steve Hiett, Susan Barry
The gist of this editorial seems to be that only the tinest breasted ladies can wear the Ossies, but I have to respectfully and fundamentally disagree. The Ossie tunic on the cover was, along with some matching trousers, later chosen as The Fashion Museum‘s Dress of the Year 1969.
Blonde model photographed by Mike Berkofsky.
Brunette model photographed by Steve Hiett.
Scanned by Miss Peelpants from Honey Magazine, November 1968.
Fluffy frilly blouse by Quorum.
Tunic by Ossie Clark.
Red chiffon blouse by John Craig.
Ruffled black dress by Francis Ford.
Low, plungey-neck dress in red satin by James Moncur.
Black crepe sleeveless dress by Susan Barry.