Look ravishing, Italian style

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Clothes by Missoni. Butterflies and beads from The Purple Shop.

Ottavio and Rosita Missoni are to Italian knit as Gucci is to leather. Using inspiration from original an unexpected quarters – a piece of antique porcelain, a fragment of embroidery, a picture painted by someone they then employ in their factory and train to use their knitting machines – together they produce the most beautiful knits in ravishing colours, extraordinary patterns and perfect shapes.

Photographed by Barry Lategan.

Scanned by Miss Peelpants from Vogue, April 1971.

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Clothes by Missoni. Pendant from The Purple Shop. Shoes from K Shoes.

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Clothes by Missoni. Claret platforms by Charles Jourdan.

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Clothes by Missoni. Feather choker from The Purple Shop. Suede sandals by Pedro Garcia for Russell & Bromley.


Fragile Face

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The most fragile face framed in glossy black hair to make the point. Midi dress by Zandra Rhodes from Fortnum & Mason, headband by Pablo & Delia, to order from The Shop. Hair by Oliver at Leonard.

Photographed by Barry Lategan.

Scanned by Miss Peelpants from Beauty in Vogue, Autumn/Winter ’70-’71.


Inspirational Images: Chameleon Clothes

In the Baghdad Room of Topkapi, full of the ghosts of harem women, black and gold decorations to wear, baggy drawstring trousers, silks, velvets, netted and worked with gilded peacocks for a rich top with immense sleeves gathered in twice. By Bill Gibb for Baccarat. High lifted sandals at Thea Porter.

In the Baghdad Room of Topkapi, full of the ghosts of harem women, black and gold decorations to wear, baggy drawstring trousers, silks, velvets, netted and worked with gilded peacocks for a rich top with immense sleeves gathered in twice. By Bill Gibb for Baccarat. High lifted sandals at Thea Porter.

Photographed by Barry Lategan.

Scanned by Miss Peelpants from Vogue, November 1971

In the harem, green brocade with sleeves coming through and a pointed petal hem worn under Turkish evening blue - a coat the colour of the electric moment, panelled in scarlet and midnight and violet, flying pinked blue streamers. All to order at Thea Porter. Platform sandals by Andrea Pfister.

In the harem, green brocade with sleeves coming through and a pointed petal hem worn under Turkish evening blue – a coat the colour of the electric moment, panelled in scarlet and midnight and violet, flying pinked blue streamers. All to order at Thea Porter. Platform sandals by Andrea Pfister.


Inspirational Images: Chiffons and snakeskins

Printed silk chiffon looped into a skirt, gathered from a tiny blue satin bodice, with blue satin ribbon at hem. By Zandra Rhodes, £89, at Fortnum & Mason. Tiered metallic platform shoes, 9gns, at Rowley & Oram of Kensintyon Market. Beaded choker, by Bibette, from range at Thea Porter. Rings from Hope and Eleanor, Chelsea Antique Market.

Printed silk chiffon looped into a skirt, gathered from a tiny blue satin bodice, with blue satin ribbon at hem. By Zandra Rhodes, £89, at Fortnum & Mason. Tiered metallic platform shoes, 9gns, at Rowley & Oram of Kensintyon Market. Beaded choker, by Bibette, from range at Thea Porter. Rings from Hope and Eleanor, Chelsea Antique Market.

Another early appearance from Terry de Havilland, whose shoes were sold out of Rowley & Oram in Kensington Market and often not credited. I would [possibly] kill for those shoes. And the dress isn’t half bad either…

Photographed by Bailey

Scanned by Miss Peelpants from Vogue, June 1970


Inspirational Editorials: Knits, socks and clogs

Puff sleeve sweater from Harrods. Small turquoise Acrilan bib sweater at Stop the Shop. Both by John Craig. Khaki ribbed bermuda shorts by Donald Davies. Tapestry clog boots by Jan Jensen.

Puff sleeve sweater from Harrods. Small turquoise Acrilan bib sweater at Stop the Shop. Both by John Craig. Khaki ribbed bermuda shorts by Donald Davies. Tapestry clog boots by Jan Jensen.

A perfect winter look.

Photographed by Elisabeth Novick. Scanned by Miss Peelpants from Vogue, February 1971.

Dusty pink puff sleeved sweater over a beige linen sweater. Both by Harold Ingram. Thick purple wool trousers at Biba. Striped socks, Ruskin at Kensington Market. Knit cap by Margaret Howell at The Sweet Shop. Rose in glass pin, Marie Middleton at Chelsea Antique Market. Jacquard sweater by Toto at branches of Crowthers. Mushroom beige sweater underneath by Harold Ingram. Royal blue cashmere shorts, McGregor of Dublin. Over the knee socks by Donald Davies.

Dusty pink puff sleeved sweater over a beige linen sweater. Both by Harold Ingram. Thick purple wool trousers at Biba. Striped socks, Ruskin at Kensington Market. Knit cap by Margaret Howell at The Sweet Shop. Rose in glass pin, Marie Middleton at Chelsea Antique Market. Jacquard sweater by Toto at branches of Crowthers. Mushroom beige sweater underneath by Harold Ingram. Royal blue cashmere shorts, McGregor of Dublin. Over the knee socks by Donald Davies.

Vest and pullover both by Alice Pollock at Quorum. Pink knitted shorts by Alistair Cowin at Grade One. All clogs from Mayfair Market. Puff sleeved sweater in stripes of tuqouoise, pink and navy, acrylic tibbed dark blue polo neck undeneath, dark blue knitted trousers rolled up. All by John Craig at Stop the Shop.

Vest and pullover both by Alice Pollock at Quorum. Pink knitted shorts by Alistair Cowin at Grade One. All clogs from Mayfair Market. Puff sleeved sweater in stripes of tuqouoise, pink and navy, acrylic tibbed dark blue polo neck undeneath, dark blue knitted trousers rolled up. All by John Craig at Stop the Shop.


Make-up Inspiration: Yardley, 1966


Contemplative

Sometimes, you just don’t want or need to smile. It doesn’t make you moody, it doesn’t make you gothic, it’s a natural reaction of a thoughtful and reflective personality.

I am intermittently feeling gloomy and frustrated, and quite calm and reflective. Typical January I suppose. I want floaty dresses, loose, wild hair and dark eyes. I want some peace and quiet, and some inspiration…

I love the word “contemplative”. Just thinking about it, trying to pronounce it properly, it is immensely satisfying.