And now for the amazing… Kansai Yamamoto

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On our left, this page, the satin Samurai appliquéd on a satin polyester T-shirt, £18; with sashiko—pure black cotton,–hip shorts. Black raggedy jacket of peacock feathers, with feather chaps buckled to the legs. Black patent boots on red satin platform soles,£28.
Centre, copper satin coat covered with navy and white cotton discs filled with butterflies, zipped up side, round the armhole to the collar and down the other side. Right, sashiko with a plaid of coloured lines, a violent satin hara kiri committed on the back (switched round here), £75. Black patent boots with turquoise satin platforms, £28. Wooden comb in the hair.

… and his marvellous painted circus of clothes. Twenty-seven years old, from Tokyo, he sells these unique clothes at Boston-1.51 where they hang like brilliant puppets, all the tradition of the Japanese theatre behind them. All clothes at Boston-1 51. Kansai Yamamoto oversees them in traditional kabuki stage manager’s kimono. Make-up, by Sachiko Shibayama, who has studied kabuki make-up for eight years.

Photographed by Clive Arrowsmith.

Scanned from Vogue, July 1971.

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Above left, scarlet, black and white kimono blouse, wide skirt with dragon teeth hem, big curved belt that says “fireman!” about £95. Black patent boots on scarlet satin, £28. Centre, “Fireman’s boss” sashiko vest with scarlet words, about £30. Sashiko tied leggings. Right, spiral zipped coat flared through six orders of plaid, all crossed again with quilting, in brown, rust, blue, dark red, lined with black cotton, £30.

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Silks and Satins for at least one third of your life

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Pale violet nightdress from Browns.

A heavenly combination of slinky nightwear, mid-Seventies tech and a very welcoming looking bed arrangement. Oh, and Marie Helvin of course. This is very much how I would like to spend the next few weeks, months… in fact, a third of my life!

Italian ‘Cifra’ bed by Vittorio Rossi & Luciano Bertoncini from Heal’s.

Photographed by David Bailey.

Scanned by Miss Peelpants from Vogue, July 1974.

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White satin de lys pujamas by Liliane Dreyfus for Vog.

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Pale beige crepe nightdress by Stan Herman for Charnos.

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White nightdress by John Kloss for Cira.


Inspirational Images: The most romantic jewels in the world

The most romantic jewels in the world

Marie Helvin in a Vogue Promotion for Graff. Photographer uncredited.

Scanned by Miss Peelpants from Vogue, December 1977


Inspirational Images: An Emeraude Stream…

...in a leafy glade - the green and woody scent of Coty's Emeraude. Short beige silk kimono, £35, scarf, £8, printed with figures by Kansai Yamamoto, matching umbrella by Kanei Orimono, £5 from Boston-151.

…in a leafy glade – the green and woody scent of Coty’s Emeraude. Short beige silk kimono, £35, scarf, £8, printed with figures by Kansai Yamamoto, matching umbrella by Kanei Orimono, £5 from Boston-151.

Modelled by Marie Helvin. Photographed by Barry Lategan.

Scanned by Miss Peelpants from Vogue, August 1971


All the support you need

Some sizzling photos of Marie Helvin. Scanned from Nova, March 1975. Photos by Harri Peccinotti.

Images scanned by Miss Peelpants 

 


Inspirational Images: Oh, for a friendly milkman!

"How abandoned can you get?"

Dresses by John Bates for Jean Varon. Scanned from Vanity Fair, December 1971.

Who loves you baby? Ossie, that’s who…

Ossie Clark and Marie Helvin. Advert scanned from Ritz magazine, No.14 1978.

Incredible, rare late Seventies Ossie advert. It is of the greatest frustration to me that Judith Watt’s otherwise fantastic book cuts off sharply at 1975. I know his final years were difficult, frustrating and ultimately tragic, but he didn’t simply stop designing in 1975 – and I’m sure many of us would like to read, see and understand more about the later years.