British Birds hip it, add ribbon round foreheads squaw-style, and dress-over-pants. Slip into pull-on jersey dresses over matching tights and way out shoes. Hair a-fuzz, English looks are a-buzz with interest…
Photographed by Monty Coles.
Scanned by Miss Peelpants from Honey, April 1969.
Christopher McDonnell must dream in black and white, and all his dreams must star Ginger Rogers and Rita Hayworth. Because, when it comes to designing clothes, this twenty-eight year old ex-Royal College of Art designer is the very spirit of Hollywood: his clothes have backless bodices, necklines to the navel and skirts that grip the bottom and then flare in Busby Berkley pleats. His model girls, smiling jammily through their bright lips, false eyelashes and heaving curls, snap along on platform soles. One of today’s top stars, Anouk Aimée, is his favourite customer. Here, model Kari-Ann wears black taffeta top and pleated dotted culottes by Christopher McDonnell, £35. Hat by George Malyard. Shoes by Terry de Havilland, exclusive to Marrian McDonnell.
Photographed by Richard Imrie.
Scanned by Miss Peelpants from Cosmopolitan, May 1972.
Photographed by Tim Street-Porter. Scanned by Miss Peelpants from 19, April 1969
Nice girls are turning a cold shoulder on some of the best looking men around. Perfectly enchanting girls, like Twiggy, who flashes her famous shoulder blades at Christopher Gable through her sleeveless, backless The Boy Friend costumes. And who can forget Lauren Bacall and lngrid Bergman acting with their backs turned on Bogie in all those Late Late Show films. Now you can make some of the best exit lines in the backless—and fairly frontless—cIothes previewed here. lt’s clear that fashion is on the side of the female female in clothes that show off a nice warm back and allow plenty of MANoeuvring room. Putting the Back-to-Basics through their paces in many of the pictures are Barbara Trentham and Gary Myers, a couple of Cosmo people to watch. Blonde, brainy Barbara with the 1,000-watt smile will soon be seen in her first film, opposite Shirley MacLaine. called, if you can believe it, The Possession of Joel Delaney, and Aussie Gary is tall, dark and one of television’s busiest tough guys. Together they show that a cold shoulder never turned a good man off…
Scanned from the very first UK edition of Cosmopolitan, March 1972. Photographs by Norman Eales.
Because he’s Bryan Ferry and because he always seems to soothe me when I’m frazzled. I also love that Kari-Ann Muller is the girl in this video, seeing as how she’s the original Roxy Girl (note the original album cover framed on the wall behind her)… Schmoooooooth.
Dear Mr Ferry,
There seems to be some sort of immense cock-up, re. your new album. Those wags at the record company appear to have placed something called ‘Kate Moss’ on the front cover. How strange! How careless! Perhaps they need a little reminder of what a Roxy cover girl should really be like.
How kind of you to take the blame for them, by saying it was all your own idea. You’re such a gentleman. Although a little foolish, for who could believe that the BryanGod would ever deem Kate Moss to be a suitable Roxy girl?
You see, the big problem is that I wish to purchase your [surely] superb new piece of work, but I have an allergic reaction to Moss and cannot, therefore, get within a mile of it without breaking out in a rash. What a dilemma! What a pickle!
I look forward to purchasing from you again in the future, when sanity has been restored.