Silks and Satins for at least one third of your life

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Pale violet nightdress from Browns.

A heavenly combination of slinky nightwear, mid-Seventies tech and a very welcoming looking bed arrangement. Oh, and Marie Helvin of course. This is very much how I would like to spend the next few weeks, months… in fact, a third of my life!

Italian ‘Cifra’ bed by Vittorio Rossi & Luciano Bertoncini from Heal’s.

Photographed by David Bailey.

Scanned by Miss Peelpants from Vogue, July 1974.

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White satin de lys pujamas by Liliane Dreyfus for Vog.

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Pale beige crepe nightdress by Stan Herman for Charnos.

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White nightdress by John Kloss for Cira.

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Floating Chiffon Clouds

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Alice Ormsby-Gore wearing Zandra Rhodes.

Make-up by Pablo Zappi-Manzoni at Elizabeth Arden.

Photographed by Clive Arrowsmith.

Scanned by Miss Peelpants from Beauty in Vogue, 1970.


Playsuits: All at Sea

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Sundress in deep blue rayon crepe with matching shorts by Stirling Cooper. Bikini in hand by Alistair Cowin. Sandals by Ravel.

Simply wizard playsuits. Sundresses with slightly flared shorts. Plenty of straps crossing bare backs. Lots and lots of buttons. Super colours. Cotton, crepe and jersey. Wish you were here and looking like this.

Photographed by Hans Feurer.

Scanned by Miss Peelpants from Vogue, May 1971.

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Playsuit in chocolate jersey, ginger edged. By Copper Coin. Straw hat by Buckle Under. Shoes by Ravel.

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Sunsuits in Madras patch cotton by Marielle. Sunhats by Titfers. Canvas shoes by Masotti. Right: Playsuit by Bus Stop. Sandals by Ravel.

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Playsuit in canary yellow on dark brown cotton by Alistair Cowin. Shoes by Ravel.

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Playsuit in Liberty print by John Marks. Liberty flower hat by Titfers Shoes by Ravel.

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Playsuit by Toto.


Corocraft Sunglasses

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Scanned by Miss Peelpants from Vogue, April 1977.


Essential Summer

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Two silk prints in primary colours on beige. £69 at Liberty. Flower strewn hat by Christian Dior Chapeaux. Beige shoes by Andrea Pfister at Bata International. Necklaces and rings from Hope & Eleanor.

The new Liberty silks by Bernard Nevill are quintessential summer—sprigged or swagged with flower from the cornfield, the garden the riverbank, in primary colours on tinted grounds. For a hot sun day, a slate blue trellised blazer over a dress with sprigged pleats, for a sunshine evening, a dress of all sorts of flowers and paisley gathered into long skirt and round puff sleeves. The first look to make, the second to buy.

Prints from Liberty’s Chameleon range designed by Bernard Nevill.

Photographed by Barry Lategan.

Scanned by Miss Peelpants from Vogue, July 1971.

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Quilted jacket and wildflower pleats, left: Slate and black blazer, Vogue Paris Original Pattern 2499, designed by Ungaro. Blue flowered beige dress with long sleeves, long torso. Vogue Pattern 2469. Panama hat, by Diorling, from Debenham & Freebody. Suede shoes by Pedro Garcia.


Eyes of the Water

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Guy Nicolet, Revlon’s international director: he finds inspiration in a film or a record, a girl he sees in the street or at the theatre, translates the mood into colour and from then on thinks about the bone structure, “the most important feature of a woman’s face”. He has a great sense of fashion, lives a very fashionable life between his gothic Roman house and bishop’s palace in the country, and for him “fashion changes at the same moment for the designer and the visagiste”. His favourite colour is blue, a thousand different blues. Here, opposite, eyes of the water blue reflected from the ceilings of his house on Lake Bracciano. The pastel skin, Perfect Beige Perfect Make-Up dusted with Perfect Powder, from the Ultima II Collection. Eyes shaped with Plum Rose and Orchidaceous Eye Couture ’70 Make-Up, with Sable Plum Lash Make-Up Automatique. New Orange Jade lipstick from the Private Label Collection. Painted leather and bead chokers, by Pablo & Delia at The Shop, Vidal Sassoon, Sloane St. Hair by Oliver at Leonard.

Photographed by Clive Arrowsmith.

Scanned by Miss Peelpants from Beauty in Vogue, 1970/71


Ingrid Boulting in Emcar

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Think of the simple little suit, the kind that’s made up of swing skirt, sporty jacket, silk shirt, and you think of Emcar. Colours are fresh, always of the moment, fabrics the nicest to wear – flannels, smooth worsteds, good tweeds, crisp cottons. Each piece of each look is well cut, simply detailed. The total effect relaxed and happy, all together but naturally so. This is Emcar’s famous versatile coordinating idea – mix and match looks that you buy as a whole or collect piece by piece. Now they’ve added a new dimension to their collection – pretty and feminine special occasion dresses designed by their young new designer Kathy Welch. Her ides range from creamy lace dresses with matching trousers, to Liberty print part looks like the one here, from satin kimono jackets with bra top an baggy trousers to beautifully sleeved dresses – some smooth lined and silky with bouffant sleeves, others gathered and off the shoulder in Liberty prints, with puff sleeve and swirling deep hems.

Photographed by David Bailey.

Scanned by Miss Peelpants from Vogue, March 1973.

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