Posted: April 17, 2017 Filed under: 1970s, corocraft, Sunglasses, Uncategorized, Vintage Adverts, Vogue
Scanned by Miss Peelpants from Vogue, April 1977.
Posted: April 5, 2017 Filed under: 1970s, andrea pfister, barry lategan, Bernard Neville, christian dior, Hope and Eleanor, Inspirational Images, liberty, liberty's, Pedro Garcia, ungaro, Vintage Editorials, Vogue | Tags: 1970s, andrea pfister, barry lategan, bernard nevill, christian dior, editorials, emanuel ungaro, inspirational images, liberty, liberty print, Pedro Garcia, vogue
Two silk prints in primary colours on beige. £69 at Liberty. Flower strewn hat by Christian Dior Chapeaux. Beige shoes by Andrea Pfister at Bata International. Necklaces and rings from Hope & Eleanor.
The new Liberty silks by Bernard Nevill are quintessential summer—sprigged or swagged with flower from the cornfield, the garden the riverbank, in primary colours on tinted grounds. For a hot sun day, a slate blue trellised blazer over a dress with sprigged pleats, for a sunshine evening, a dress of all sorts of flowers and paisley gathered into long skirt and round puff sleeves. The first look to make, the second to buy.
Prints from Liberty’s Chameleon range designed by Bernard Nevill.
Photographed by Barry Lategan.
Scanned by Miss Peelpants from Vogue, July 1971.
Quilted jacket and wildflower pleats, left: Slate and black blazer, Vogue Paris Original Pattern 2499, designed by Ungaro. Blue flowered beige dress with long sleeves, long torso. Vogue Pattern 2469. Panama hat, by Diorling, from Debenham & Freebody. Suede shoes by Pedro Garcia.
Posted: March 5, 2017 Filed under: 1970s, Ann Schaufuss, clive arrowsmith, hair, Hair and make-up, Inspirational Images, leonard, Make-up, pablo and delia, Revlon, Uncategorized, Vogue | Tags: 1970s, Ann Schaufuss, beauty in vogue, clive arrowsmith, guy nicolet, hair, inspirational images, leonard, make-up, pablo and delia, Revlon, vogue
Guy Nicolet, Revlon’s international director: he finds inspiration in a film or a record, a girl he sees in the street or at the theatre, translates the mood into colour and from then on thinks about the bone structure, “the most important feature of a woman’s face”. He has a great sense of fashion, lives a very fashionable life between his gothic Roman house and bishop’s palace in the country, and for him “fashion changes at the same moment for the designer and the visagiste”. His favourite colour is blue, a thousand different blues. Here, opposite, eyes of the water blue reflected from the ceilings of his house on Lake Bracciano. The pastel skin, Perfect Beige Perfect Make-Up dusted with Perfect Powder, from the Ultima II Collection. Eyes shaped with Plum Rose and Orchidaceous Eye Couture ’70 Make-Up, with Sable Plum Lash Make-Up Automatique. New Orange Jade lipstick from the Private Label Collection. Painted leather and bead chokers, by Pablo & Delia at The Shop, Vidal Sassoon, Sloane St. Hair by Oliver at Leonard.
Photographed by Clive Arrowsmith.
Scanned by Miss Peelpants from Beauty in Vogue, 1970/71
Posted: February 23, 2017 Filed under: 1970s, david bailey, emcar, ingrid boulting, Inspirational Images, liberty, Uncategorized, Vintage Editorials, Vogue | Tags: 1970s, david bailey, editorials, emcar, ingrid boulting, inspirational images, vogue
Think of the simple little suit, the kind that’s made up of swing skirt, sporty jacket, silk shirt, and you think of Emcar. Colours are fresh, always of the moment, fabrics the nicest to wear – flannels, smooth worsteds, good tweeds, crisp cottons. Each piece of each look is well cut, simply detailed. The total effect relaxed and happy, all together but naturally so. This is Emcar’s famous versatile coordinating idea – mix and match looks that you buy as a whole or collect piece by piece. Now they’ve added a new dimension to their collection – pretty and feminine special occasion dresses designed by their young new designer Kathy Welch. Her ides range from creamy lace dresses with matching trousers, to Liberty print part looks like the one here, from satin kimono jackets with bra top an baggy trousers to beautifully sleeved dresses – some smooth lined and silky with bouffant sleeves, others gathered and off the shoulder in Liberty prints, with puff sleeve and swirling deep hems.
Photographed by David Bailey.
Scanned by Miss Peelpants from Vogue, March 1973.
Posted: February 4, 2017 Filed under: 1970s, christian dior, Hair and make-up, Make-up, Vintage Adverts, Vogue | Tags: 1970s, dior, make-up, vintage adverts, vogue
Scanned by Miss Peelpants from Vogue, May 1971.
Posted: February 1, 2017 Filed under: 1970s, barry lategan, charles jourdan, Inspirational Images, missoni, moyra swan, Pedro Garcia, Russell & Bromley, The Purple Shop, Vintage Editorials, Vogue | Tags: 1970s, barry lategan, charles jourdan, missoni, moyra swan, Pedro Garcia, russell & bromley, The Purple Shop, vogue
Clothes by Missoni. Butterflies and beads from The Purple Shop.
Ottavio and Rosita Missoni are to Italian knit as Gucci is to leather. Using inspiration from original an unexpected quarters – a piece of antique porcelain, a fragment of embroidery, a picture painted by someone they then employ in their factory and train to use their knitting machines – together they produce the most beautiful knits in ravishing colours, extraordinary patterns and perfect shapes.
Photographed by Barry Lategan.
Scanned by Miss Peelpants from Vogue, April 1971.
Clothes by Missoni. Pendant from The Purple Shop. Shoes from K Shoes.
Clothes by Missoni. Claret platforms by Charles Jourdan.
Clothes by Missoni. Feather choker from The Purple Shop. Suede sandals by Pedro Garcia for Russell & Bromley.
Posted: January 23, 2017 Filed under: 1970s, charnos, Inspirational Images, loungewear, underwear, Vintage Adverts, Vogue | Tags: 1970s, charnos, loungewear, underwear, vintage adverts, vogue
Scanned by Miss Peelpants from Vogue, November 1971.