Alice Through Our Looking Glass

Alice Pollock is a dreamy sort of girl – incredibly thin with large, sullen eyes and wispy hair. Emancipated yet feminine she is the other half of the Quorum design team. She and Ossie Clark design beautiful clothes for their shop in the King’s Road and also produce a special budget range for Radley which is sold all over the country.

She lives in an enormous flat with her three children, a cat and a canary. At the moment she is in the throes of redecoration. One room she has already painted bright green – it is sparsely furnished with simple, modern furniture and some good paintings on the walls. The shelves are crammed with objects she has picked up in junk shops – glass cylinders filled with dried flowers, Art Nouveau statues and books.

Her bedroom is extremely large and feminine, with an old, junky dressing table covered with flowers. Tulips, freesias and azaleas are her favourites at the moment. Her vast wardrobe is crammed full of clothes – mainly her own designs and a few old clothes she has found in junk shops.

During the day Alice wears no make-up at all, and for the evening she makes up only her lips and eyes from a Leichner paintbox. Currently she is wearing a silvery green on her lips and a dark red on her eyes – which somehow looks all right. She washes her hair every day in a herb shampoo and never sets it – just shakes her head as it is drying and separates the ends with her fingers.

Her evenings she usually spends with friends, going out to dinner or occasionally to pop concerts, but the weekends she spends with her children.

Her spring collection has a very romantic, feminine feeling, the fabrics are the softest – chiffons, silks and occasionally cotton jersey – and the colours are palest blues, lemons, pinks and greys. She has maintained a long look for both day and evening, but in a few styles the length has crept up to just below the knee.

All clothes are by Alice Pollock.

Photographed by Caroline Arber.

Scanned from 19 Magazine, April 1970.

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Out of Focus

Illustration by Wendy Buttrose for a short story by Jennifer Caffrey.

Scanned from 19 Magazine, February 1970.


Time For Make Up

Scanned from 19 Magazine, September 1971.


The Spirit of Christmas

Silk lace dress with boxer shorts underneath by Poole at Shape. Shoes by Biba. Choker and fake violets from John Lewis.

Rich renaissance colours in velvet, lace and crepe reflect the mood for Christmas. Emphasis is on the shape of the body – necklines plunge, backs are bared, and skirts are slit in a demure, but wanton, fashion.

Photographed by John Bishop.

Scanned from 19 Magazine, December 1970.

Crepe dress in black, mauve and green by Alistair Cowin. Shoes from Biba.
Plum silk lace wrap over blouse with matching waist ties by Poole at Shape. Gored skirt in deep green velvet by Foale and Tuffin. Shoes from Biba.
Charcoal green dress and crepe shoes all from Biba.
Velvet cap from Feathers. Veiling from John Lewis. Crepe dress by Stirling Cooper. Shoes from Elliott.
Lilac velvet cap from Feathers. Blue Tricel wrap over top and flared skirt both by Poole at Shape. Shoes from Biba.
Brown, beige and rust panne velvet dress by Gillian Richard. Black shoes by Elliott.



The Great Coats

great coats 1

Black panne velvet hat from Feathers. Exotic black floor length beaver-look Borg fur fabric coat by Ossie Clark at Quorum.

The title of this editorial reminds me of being in Dublin earlier this year. Just arrived, walking along trying to find our hotel, I was wearing a Seventies brown nappa leather trench coat (it was February and freezing). A girl strode past and without pausing to wait for a reaction or looking me in the eye she just said ‘Great coat’ and carried on walking. I decided I loved Dublin right there and then.

This spread features the stunning Charlotte Martin and was photographed in Austria. I’m still in love with my brown leather trench coat but I wouldn’t say no if any of these coats (particularly that Quorum stunner above) were to land in my lap this winter…

Photographed by John Bishop.

Scanned from 19 Magazine, December 1970.

great coats 2

Black panne velvet hat by Feathers. Long chocolate jersey top with tight buttoned cuffs. Grey and rust mock Gonk shoulder cape. Both from Biba.

great coats 3

Hat from Feathers. Dark brown and black Forties-style mock chipmunk jacket with self tie belt. Black wool pants with turn ups. Both from Biba. Wet-look boots from Dolcis.

great coats 4

Plum Borg-lined jacket with leather elbow patches and trimmings by Daniel Hechter of Paris. Green barathea midi skirt by Gladrags. Tan leather leace up boots from Russell and Bromley.

great coats 5

Plum felt hat from Feathers. Pure wool shirt. Skirt in different prints panels of pure wool. Pure wool paisley printed waistcoat lined with fake fur. All by Foale and Tuffin. Browny-plum wet look lace-up boots from Dolcis.

great coats 6

Brown felt hat from Feathers. Brown Borg zip-front coat with tie belt by Marielle. Brown lace up boots by Dolcis.

great coats 7

Mock hamster pull on hat from Biba. Chocolate Shetland sweater by Hogg of Hawick. Suede gauchos from Bus Stop. Mock hamster wrap over coat from Biba. Lace up boots from Dolcis. // Mock hamster pull on hat from Biba. Black crepe shirt by Poole at Shape. Mock hamster belted jacket from Biba. Black velvet gauchos from Bus Stop. Lace up boots from Dolcis.

great coats 8

Mid brown Shetland sweater by Hogg of Hawick. Chocolate Borg-backed fly fronted jersey jacket with hood, cuffs and patch pockets by Weathergay. Black jersey knickerbockers with bootslace ties by Angela at London Town. Brown wet look boots by Dolcis.

great coats 9

Brown panne velvet hat from Feathers. Chocolate Shetland poloneck sweater by Hogg of Hawick. Suede gaucho pants from Bus Stop. Brown striped hooded floor length wool coat lined with fur fabric by Foale and Tuffin. Belt from Bus Stop.


Satin Goes To Blazers

gone to blazers 1

Purple satin blouse by Ann Reeves. Green satin jacket and matching green satin Oxford bags both by Sheridan Barnett for Copper Coin. Belt from Bus Stop. Rainbow brooch by Cash Graphics.

The original St Laurent satin blazer would cost you around £50, but otherwise they are available from about £10 and probably only you will know the difference. The best ones are from Bus Stop… very Joan Crawford, complete with ‘Forties’ shoulder pads. One thing’s for sure… you must have at least one in your wardrobe. They look particularly good worn over jeans and T-shirts, but if you want to look smart, wear them with matching trousers, a skirt, or over a printed dress.

Dreamy editorial which uses the brand spanking new Hard Rock Cafe on Park Lane in London as its backdrop.

Opened on 14th June 1971, by Isaac Tigrett and Peter Morton, its original decor was less memorabilia, more American-diner-transported-to-London. Sensing a gap in the market for musicians playing in London but unable to get a decent burger etc, within a decade they were expanding into the international chain it is now. The original is the only one I’ve ever visited, and it maintains a lot of its authentic charm – as long as you avoid the busy times. Oh how I wish I could time travel back to this era though.

This isn’t the first HRC-based photoshoot I have scanned, and I’m sure it won’t be the last. Its authentic-feeling interiors, much like Brighton’s seafront, seemed to lure photographers and models like moths to a flame.

Photographed by Harri Peccinotti.

Scanned from 19 Magazine, September 1971.

gone to blazers 2

Crepe shirt by Ronnie Stirling at Stirling Cooper. Jade green satin blazer with black check (has matching pleated skirt not shown) from Mr Freedom. Panda brooch from Susan Marsh, Chelsea Antique Market.

gone to blazers 3

Blue denim hat by Titfers. Yellow satin blouse by Jeff Banks. Green satin jacket with red buttons by Sheridan Barnett for Copper Coin. Elvis brooch by Cash Graphics. Parrot brooch from a selection at Hope and Eleanor.

gone to blazers 4

Long sleeved white satin blouse with bow at neck by Ann Reeves. Single breasted red and white striped blazer by Angela at London Town. Sunglasses from Biba. Hand brooch from Hope and Eleanor.

gone to blazers 5

Blue and red printed rayon crepe dress and blue satin blazer with red buttons, both by Lee Bender at Bus Stop.

gone to blazers 6

Black rayon shirt with floral print and tie belt. Black satin double breasted blazer with self buttons and padded shoulders, both by Lee Bender at Bus Stop. Aeroplane brooch from Cash Graphics.

gone to blazers 7

Red and white spotted cotton button through dress by Lee Bender for Bus Stop. Royal blue satin blazer from Crowthers.

gone to blazers 8

Red cotton hat from Titfers. Long sleeved white rayon blouse with sail boat print by Lee Bender at Bus Stop. Double breasted blue satin blazer with red buttons by Sheridan Barnett for Copper Coin. Sunglasses from Biba.


Autumn’s Prettiest Silhouettes

wool advert sept 70 b

Left to right: Berkertex, Mary Quant for Ginger Group, Clothes at Colin Glascoe, Gina Fratini, Frederick Starke, Polly Peck.

Scanned from 19 Magazine, September 1970.

 

wool advert sept 70 a

All clothes by Wallis.