Spring is a story of air spun with flowers – voile light as veils – with veil upon voile. Lyrical layers of patterns together. Bewitching play of light and limb – a gentle illusion to see through – or not – the legs veiled in trousers quite sheer, skirts long and then suddenly short at one side, a flurry of leg through the frills and the flowers. Mary Quant played Pied Piper to the young in the sixties, now she designs to the heart of the new mood with her prettiest collection in years.
Calf length New York skyline-printed crepe dress with deep neckline, narrow fitting sleeves and wide sash tied at the back. The same dress with wide bell shaped over sleeves. Both from Mr Freedom. Rings from Biba.
The look for Christmas is definitely one of bright colours and generally good cheer. Fabrics are crepes, satins and velvets in stained glass hues of rich reds, blues, greens, yellows and purples…
Photographed by Stephen Bobroff.
Scanned by Miss Peelpants from 19 Magazine, December 1969.
Long crepe kaftan style dress by Mr Freedom. Red chiffon scarf by Fenwicks. Yellow and black crepe trouser suit by Mr Freedom. Red leather boots from Sacha. Black crochet cap by Ritva at Feathers.
Ankle length satin dress over printed in mauve with floppy bell shaped sleeves and long matching scarf by Pourelle. Purple crepe calf length dress with narrow fitting sleeves, lace up neckline and wide cape style collar by Ossie Clark for Quorum. Boots by Sacha.
Purple narrow fitting t-shirt. Ankle length crushed velvet skirt in pink with purple velvet waistband. Both by Mr Freedom. Purple leather boots by Anello & Davide. Cardigan style dress in dark blue velvet splashed with yellow and red by Gordon King. Bright red crepe ankle length skirt by Ossie Clark for Quorum.
Pale pink acetate jersey ankle length skirt and v-shaped bra top with narrow straps crossing over at back by Wallis. Black crochet cap by Ritva at Feathers. Pale green crepe ankle length skirt with matching front lacing bra top by Tony Berkeley.
Long tapestry coat by Janice Wainwright at Simon Massey. Bright green narrow t-shirt by Mr Freedom. Pale pink damask narrow-fitting long coat by Janice Wainwright for Simon Massey. Silk scarves from Biba.
Ankle length zip fronted cafe crepe dress has softly gathered deep yoke by Tony Berkeley. Red, blue and yellow scarf by Sujon. Ankle length soft pink crepe dress by Tony Berkeley. Long printed Indian scarf from Feathers.
Bolero top and mid-calf skirt by Simon Jeffrey. Ankle length dress in pure Liberty wool and matching bolero by Gladrags. Red mid calf boots by Anello and Davide.
Sundress in deep blue rayon crepe with matching shorts by Stirling Cooper. Bikini in hand by Alistair Cowin. Sandals by Ravel.
Simply wizard playsuits. Sundresses with slightly flared shorts. Plenty of straps crossing bare backs. Lots and lots of buttons. Super colours. Cotton, crepe and jersey. Wish you were here and looking like this.
Photographed by Hans Feurer.
Scanned by Miss Peelpants from Vogue, May 1971.
Playsuit in chocolate jersey, ginger edged. By Copper Coin. Straw hat by Buckle Under. Shoes by Ravel.
Sunsuits in Madras patch cotton by Marielle. Sunhats by Titfers. Canvas shoes by Masotti. Right: Playsuit by Bus Stop. Sandals by Ravel.
Playsuit in canary yellow on dark brown cotton by Alistair Cowin. Shoes by Ravel.
Playsuit in Liberty print by John Marks. Liberty flower hat by Titfers Shoes by Ravel.
Two silk prints in primary colours on beige. £69 at Liberty. Flower strewn hat by Christian Dior Chapeaux. Beige shoes by Andrea Pfister at Bata International. Necklaces and rings from Hope & Eleanor.
The new Liberty silks by Bernard Nevill are quintessential summer—sprigged or swagged with flower from the cornfield, the garden the riverbank, in primary colours on tinted grounds. For a hot sun day, a slate blue trellised blazer over a dress with sprigged pleats, for a sunshine evening, a dress of all sorts of flowers and paisley gathered into long skirt and round puff sleeves. The first look to make, the second to buy.
Prints from Liberty’s Chameleon range designed by Bernard Nevill.
Photographed by Barry Lategan.
Scanned by Miss Peelpants from Vogue, July 1971.
Quilted jacket and wildflower pleats, left: Slate and black blazer, Vogue Paris Original Pattern 2499, designed by Ungaro. Blue flowered beige dress with long sleeves, long torso. Vogue Pattern 2469. Panama hat, by Diorling, from Debenham & Freebody. Suede shoes by Pedro Garcia.
Think of the simple little suit, the kind that’s made up of swing skirt, sporty jacket, silk shirt, and you think of Emcar. Colours are fresh, always of the moment, fabrics the nicest to wear – flannels, smooth worsteds, good tweeds, crisp cottons. Each piece of each look is well cut, simply detailed. The total effect relaxed and happy, all together but naturally so. This is Emcar’s famous versatile coordinating idea – mix and match looks that you buy as a whole or collect piece by piece. Now they’ve added a new dimension to their collection – pretty and feminine special occasion dresses designed by their young new designer Kathy Welch. Her ides range from creamy lace dresses with matching trousers, to Liberty print part looks like the one here, from satin kimono jackets with bra top an baggy trousers to beautifully sleeved dresses – some smooth lined and silky with bouffant sleeves, others gathered and off the shoulder in Liberty prints, with puff sleeve and swirling deep hems.