Kensington Girl

Kensington girl - Gerhard E Ludwig - 1974

While looking for pictures typical of ‘Young Swinging London’ (did such a place ever exist?) Ludwig found this girl in a Kensington shop.

No specific location credit but it looks like it’s probably Biba.

Photographed by Gerhard E. Ludwig.

Scanned by Miss Peelpants from The Photography Year Book 1974


Was Ophelia Pregnant?

queen - July 68 -john hedgecoe

Queen cover image with model wearing a nightdress by Angela Gore.

Photographed by John Hedgecoe.

Scanned by Miss Peelpants from Queen, 17th July 1968.


They think we’re just good friends…

smirnoff - cosmo - november 73

Scanned by Miss Peelpants from Cosmopolitan, November 1973


Charlotte Rampling by Hans Feurer

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Plunge-necked green shaded Trice! crepe dress, by John Bates for Jean Varon, approx. 14gns.

What is she really like? Very much a domesticated and warm-hearted girl, she is preparing to set up home with the man she loves. Although she usually favours clothes collected from Antique supermarkets, 19 chose these daringly-cut dresses to emphasise the underlying tiger in her make-up.

At twenty-three, and with five feature films to her credit, Miss Charlotte Rampling is now engaged in what is seemingly her most important project to date – setting up residence in a fashionable Westminster two-storey house with film-maker Tommy Weber, and his two shaggy-haired sons, Jake, aged nearly six, and Charlie, aged four.
Charlotte has been with Tommy for a year now, and when his divorce comes through, they plan to marry. Charlotte feels this will be ‘mostly for the children’s and my parents’ sake’.

She returned to England from Madrid four years ago, when she received her first film offer, landing a starring role in a Boulting Brothers comedy, Rotten To The Core. Following this movie, Charlotte appeared as Meredith, the super-shrew of Georgy Girl – and probably produced the totally misconceived image as a girl much like the one she played.

Charlotte describes Meredith as a real bitch’ of Georgy she says; “She was pathetic, but two-faced – not an admirable character.” Lyn Redgrave, however, was ‘absolutely beautiful’, and the film set was a happy one.

Charlotte has recently completed two films; Three, directed by Jim Salter, from an Irwin Shaw story, is spoken of with less than relish. What apparently started out as a free, flowing movie about three students bumming their may across Europe, ended up as a contused, under-budgeted affair, in which the hardships outnumbered the freedom.

Her most satisfying film to date, The Damned, is still being shot under the direction of Italy’s Luchino Visconti and she feels this was an invaluable experience. It is the story of the Krupp family, who rose to power in Hitler’s Germany.

Charlotte Rampling is now in the enviable position of having completed a major role, and possessing the chance to choose what she wants for the future.

Photographed by Hans Feurer.

Scanned by Miss Peelpants from 19 Magazine, May 1969.

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Ribbon-trimmed plunge-necked blue shaded Tricel crepe dress, by John Bates for Jean Varon, approx. 13gns.

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Culotte dress in shaded beige to bream 7-ricel crepe, with tiny bodice and trans-parent nylon organza back, by John Bates for Jean Varon, approx. £17 6s. 6d. Gold sandals, by Ronald Keith, 5gns.

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Silk jersey black tie top and layered skirt, by Lizzy Carr, approx. 71/2gns. each.


Enigma Variations

enigma variations - packy cannon - 1

Dove grey crepe edge to edge jacket. Dove grey crepe mid-calf skirt. Pink silk shirt with finely pleated collar. All by Zandra Rhodes.

Zandra Rhodes has come up with a brand new collection for her brand new shop at 14a Grafton Street, W1. Using crepe and pure silk, in muted colours – grey, black and bois de rose, and always with her characteristic love of detail, she has produced immensely wearable clothes to see you through the day, and into the evening.

Photographed by Packy Cannon.

Scanned by Miss Peelpants from Harpers & Queen, July 1975.

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Bois de rose pleated v-neck top and narrow silk cord tie-belt. Bois de rose wide crepe trousers with one lily type pocket in pleated crepe. Both from Zandra Rhodes. Peach leather sandals by Charles Jourdan.

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Cream silk shirt with finely pleated collar. Bois de rose crepe mid-calf skirt with pockets in panels of finely pleated crepe. Both from Zandra Rhodes Sling back wedge sandals by Charles Jourdan.

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Black finely pleated crepe v-neck top with cap sleeves and silk cord tie belt. Black crepe ankle-length skirt. Both from Zandra Rhodes. Shoes by Saint Laurent Rive Gauche.

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Floor length black crepe dress with buttoned cuffs. From Zandra Rhodes. Shoes by Saint Laurent Rive Gauche.


Sentimental Journey

sentimental journey - gian barberis - 1

Striped top and matching crepe cardigan. Cream crepe trousers, all by Jackie Ross at Jon Elliot. Clutch bag by Biba. Blue and white striped scarf from Essences. Beige straw hat by Diane Logan / Green,, white and black striped cardigan is a 19 Magazine knitting pattern. Long cream gored skirt by Brave New World. Cream strappy straw sandals from Chelsea Cobbler.

back to romance with nostalgia and nostalgic clothes in romantic settings. Long, flowing scarves, mysterious veils and soft, sensuous fabrics for Sunday strolls or super dates — a wardrobe for summer sentimentalists

Hair by Robert at Ricci Burns.

Photographed by Gian Barberis.

Scanned by Miss Peelpants from 19 Magazine, May 1974.

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Green straw hat by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Cream knitted cardigan from Essences. Grey suede shoes from Bombacha. / Dark green chip straw ht by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Navy blue shoes from Bombacha.

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Cream beret by Kangol. Halter top, matching white and blue silk knitted long cardigan. Matching calf-length knitted skirt all by Lison Bonfils at Joseph. Grey suede shoes from Bombacha. / Salmon pink beret by Kangol. Cream crepe sleeveless top with sequin motif. Matching below-the-knee culottes. Both by Jackie Ross for Jon Elliot. Salmon pink silky cardigan from Essences. Sandals from Chelsea Cobbler.

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Brown felt hat from Nostalgia. Black and white crepe de chine dress by Jeff Banks. Cream cardigan by Essences. Shoes from Bombacha. / White suit with black pattern and reverse on cuffs and collar from Essences. Black suede shoes from Bombacha. Black scarf from Bus Stop.

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Pink straw hat by Diane Logan. Crepe crepe jacket and matching mid-calf skirt by Bus Stop. Cream straw shoes by Chelsea Cobbler. / Black and tan cloche from Diane Logan. V neck top and matching crepe jacket and skirt all from Bus Stop. Straw shoes by Chelsea Cobbler. Scarf to match suit from Bus Stop.


Soft Summer Shape-ups

Soft Summer Shape-ups 2

Gillian Richard pinny. Van der Fransen sailor blouse. Biba espadrilles. Cotton blouse and animal print winceyette shirt, both by Richard Green at Lady M ships. Raffia beret, wire bracelet and cherries, all from Biba.

This is the freshest summer fashion story so far. The prettiest pastel shades with tiny nursery prints you must be happy in. These clothes do the most for a girl and whatever your shape you’ll find all manner of pants, aprons and shirts to match your own personality.

Photographed by John Carter.

Scanned by Miss Peelpants from Petticoat Magazine, June 1972.

Soft Summer Shape-ups 3

Jasper shirt. Pants by Lizzie Carr for Plain Clothes. Biba beret.

Soft Summer Shape-ups 4

Shirt by Lizzie Car for Plain Clothes. Canvas pants at Stirling Cooper.

Soft Summer Shape-ups 5

Crochetta sweater at Knits and Leathers. Satin pants by Lizzle Carr for Plain Clothes. Edward Mann hat. Ankle strap shoes by Samm.

Soft Summer Shape-ups 1

Satin bermudas and satin smock, both by Lizzie Carr for Plain Clothes. Rosebud vest from Bus Stop. Edward Mann hat.