Photographed by Sam Haskins.
Scanned by Miss Peelpants from The Photography Year Book, 1974.
Photographed by John Bishop.
Make-up by Richard Sharah.
Scanned by Miss Peelpants from.Over 21 Magazine, December 1975.
Scanned by Miss Peelpants from Vogue, May 1971.
This picture isn’t a ludicrous flight of fancy. Those nails belong to Bonnie, a girl who really does scrabble about under the bonnet of her car checking oil, batteries and spark plug. She also shoes the odd bit of typing and her fair share of washing up, plug changing and picture hanging.
But maybe we have been a little unfair. Bonnie is not only one of our favourite make-up artists (working for Elizabeth Arden) but she’s a fully trained manicurist too.
Photographed by David Anthony.
Scanned by Miss Peelpants from Honey, May 1973.
Cecil Beaton took pictures of Penelope Tree wearing new Ossie Clarks in his Wiltshire winter garden and David Bailey filmed them both, below. Double take—like a scene from the film with Cecil Beaton as the star that David Bailey is making and everyone can see in colour on ATV early next year. When I Die I Want to Go to Vogue was Bailey’s idea of a title: nobody agreed with this. For one thing it would only reflect one aspect of the Beaton legend writer, of more than twenty books; painter, with at least five major exhibitions; designer, of just about everything—opera, ballet, theatre, film—and one-man commentator, whose eye has always focused unerringly, and wittily, on the moment—this moment.
“An epic with a cast of thousands,” says Bailey about the film. There’s Mick Jagger, Jean Shrimpton, Lord David Cecil, Nureyev, Twiggy and many, including Sir Frederick Ashton, Dr Roy Strong, Sir George and Lady Weidenfeld, David Hockney, Patrick Procktor, Ossie Clark, Celia Birtwell, Mrs Anne Fleming, Lord and Lady Harewood, Lady Antonia Fraser and Edna O’Brien, who came to the now famous party that Cecil Beaton gave, and David Bailey filmed, in his London house. “I told everyone beforehand that there would be cameras and told them not to come if they minded. Nobody did mind.” “The worst moments,” says a guest, were when you knew the cameras were not on you.” And Beaton added, It was a mixture of people all looking very interesting in their new autumn clothes. Many looked beautiful.” Beautiful Tree with the mysterious Mexican Datura lily, right. Black panne velvet suit with great gathered Edwardian sleeves, a cowl and long panelled skirt; to order. Black crepe dress, side-buttoning collar, then split, long split skirt with pleated panel, 17 gns. Both at Quorum. Victorian silver choker, Sarah Dwyer and Tony Giorgi, The Chelsea Antique Market. Hair by Celine of Leonard.
Above photographed by Cecil Beaton. Below photographed by David Bailey.
Scanned by Miss Peelpants from Vogue, December 1970.
Not one, but two Madeline Smith modelling jobs in one copy of 19 Magazine. What a beauty!
Scanned by Miss Peelpants from 19 Magazine, September 1969.
Scanned by Miss Peelpants from Honey Magazine, October 1970