Just Like Granny Used To Wear

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Very Thirtyish, with its floral print and elbow length sleeves, a Liberty print cotton dress by Foale and Tuffin. Leather shoes by Ravel. Crochet straw hat by Biba.

Granny’s clothes are coming back. Trend-setting girls saw some time ago what pinched-in waists and long clinging crepes could do for them. Now manufacturers and boutiques have seen the potential. But beware – for it is only on the very young that granny’s clothes look very new.

Hair by Howard at Vidal Sassoon. Make-up by Yardley. Fashion by June McCallum.

Photographed by Hiroshi.

Scanned from The Telegraph Magazine, August 7th 1970.

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Small white flowers are printed on the black background of a cotton jersey dress that granny might have worn as a girl. Designed by Lee Bender at Bus Stop. The shiny leather lace-up shoes are by Ravel.

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Far from looking old-fashioned, this printed cotton suit from Biba is beautifully up-to-date with its fitted waist, peplum and long skirt. the lace-up granny boots are from Ravel.

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Double chiffon dress for serious occasions has the dropped waistline, sash and long sleeves with scalloped trim of the Twenties. By Mary Quant’s Ginger Group.

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Printed crepe suit with a fitted shape that is a reminder of the Forties. By Lee Bender at Bus Stop. Shoes are from Ravel.

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And now for the amazing… Kansai Yamamoto

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On our left, this page, the satin Samurai appliquéd on a satin polyester T-shirt, £18; with sashiko—pure black cotton,–hip shorts. Black raggedy jacket of peacock feathers, with feather chaps buckled to the legs. Black patent boots on red satin platform soles,£28.
Centre, copper satin coat covered with navy and white cotton discs filled with butterflies, zipped up side, round the armhole to the collar and down the other side. Right, sashiko with a plaid of coloured lines, a violent satin hara kiri committed on the back (switched round here), £75. Black patent boots with turquoise satin platforms, £28. Wooden comb in the hair.

… and his marvellous painted circus of clothes. Twenty-seven years old, from Tokyo, he sells these unique clothes at Boston-1.51 where they hang like brilliant puppets, all the tradition of the Japanese theatre behind them. All clothes at Boston-1 51. Kansai Yamamoto oversees them in traditional kabuki stage manager’s kimono. Make-up, by Sachiko Shibayama, who has studied kabuki make-up for eight years.

Photographed by Clive Arrowsmith.

Scanned from Vogue, July 1971.

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Above left, scarlet, black and white kimono blouse, wide skirt with dragon teeth hem, big curved belt that says “fireman!” about £95. Black patent boots on scarlet satin, £28. Centre, “Fireman’s boss” sashiko vest with scarlet words, about £30. Sashiko tied leggings. Right, spiral zipped coat flared through six orders of plaid, all crossed again with quilting, in brown, rust, blue, dark red, lined with black cotton, £30.


Red, white and you

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Red and white striped halter neck sweater by Crochetta. Black cotton pants by Sujon. Shoes by Chelsea Cobbler. Red leather belt from Bus Stop.

Relax in these beautiful cruise clothes. Wear your white baggy pants with red and white striped tops, cotton berets or little ‘Forties’ pull on hats. Wear white leather shoes with bows or ruched fronts and high heels. White pearls and bangles look just right this summer. This is the year of the female female, so start purring…

Photographed by Karl Stoecker

Scanned from 19 Magazine, April 1971.

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Red and white striped beret by Titfers. Halter neck wool sweater by Stirling Cooper. White cotton suit by Sheridan Barnett for Simon Massey. White leather shoes from Biba. / White cotton beret by Titfers. Cotton windcheater by Lizzie Carr for Plain Clothes. White trousers by Sheridan Barnett for Simon Massey. Striped socks by Mr Freedom. White leather shoes from Biba.

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White sailor hat by Titfers. Red and white striped halter neck and Oxford bags all in one by Sheridan Barnett for Simon Massey. White leather shoes by Biba.

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White cotton hat by Herbert Johnson. White acrylic sweater by Harold Ingram. Blue palm tree with white lady and black tree print jacket by Stirling Cooper. White cotton bags by Sheridan Barnett for Simon Massey. White leather sandals by Biba.

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White cotton beret by Titfers. Red cotton shirt, red and white cotton blazer and white cotton bags all by Sheridan Barnett for Simon Massey. Red leather sandals by Chelsea Cobbler.

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White straw hat by Herbert Johnson. Navy acrylic singlet by John Craig. White cotton bags by Sheridan Barnett for Simon Massey. White leather shoes from Biba.

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White hat by Herbert Johnson. White cotton suit, top trimmed in tartan, huge wide clown pants by Sujon. White leather shoes by Biba. Red and white scarf from Herbert Johnson.

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White angora sweater by Crochetta. White cotton bags by Sheridan Barnett for Simon Massey. Red leather shoes by Chelsea Cobbler. Headscarf by Herbert Johnson.


Day Trippers

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White dress with music and rose print by Miss Mouse. Snakeskin shoes from Bilbo. Red and white spotted dress with white trimming by Miss Mouse.

Photographed in Singapore by Harri Peccinotti.

Scanned from 19 Magazine, May 1975.

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Black and green floral print halterneck dress from Biba. Black and gold shoes by Sex. Green floral halterneck dress by Biba. Black and gold brocade shoes by Biba.

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Shocking pink pintucked cotton dress by Sheridan Barnett at Quorum. Black snakeskin shoes by Bilbo. Red cotton sack dress with hip pockets by Sheridan Barnett at Quorum. Red suede and snakeskin shoes by Terry de Havilland.

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Dusty pink sun dress with black piping by Strawberry Studio. Grey suede shoes by Terry de Havilland.

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Blue cotton dress with Dorchester motif. Coffee dress with Savoy motif, both by Jeff Banks.

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White cotton culotte dress by Stirling Cooper. White shoes from Secondhand Rose, Chelsea Antique Market. White cotton sun dress by Stirling Cooper. White shoes from Secondhand Rose.

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Navy cotton sundress with cross over straps by Gordon King.


Romantic Summer

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Miss Fortnum swings into a romantic summer with Gina Fratini’s Impressionist prints. Rust midi dress, £37.50. Grey-blue medieval gown, £49.

Illustrated by David Wolfe

Scanned from Vogue, May 1971.


Where have all the flowers gone?

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Blooming red peonies on a navy rayon georgette dress, Florrie Carr. Flower trimmed straw hat, Crowthers. Shoes, Sacha. Rose print crêpe de chine dress, Crowthers. Straw hat, Bermona. Shoes, Sacha.

…To the seaside, where they’re blossoming out all over flimsy crêpe de chine summer dresses. So, if like most of us, you’re searching the shops for cool holiday clothes, now is the time to take your pick from our bunch.

Photographed by Richard Selby.

Scanned from Honey, August 1971

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Fruit and flower crêpe de chine dress, Crowthers. Orange suede cork soled shoes, Sacha. Pastel tulip printed crêpe de chine skirt and matching blouse, Crowthers. Criss cross suede shoes, Crowthers. Plastic and raffia choker, Adrien Mann.

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Swirling sunflower print dress in cinnamon and cream, Biba. White raffia sunhat, Herbert Johnson. Blue and white daisy patterned crêpe de chine dress, Ossie Clark for Radley. Burgundy straw hat, Biba.


Decent Exposure

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Tiny cut away bra and pants both by Mary Quant.

See-through dresses and communal changing rooms call for something more flamboyant than chainstore underwear. What’s needed is a bit of…

Illustrated by Caroline Smith.

Scanned from 19 Magazine, April 1970.

 

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White cotton jersey bra and boxer shorts printed with red stars by Mr Freedom

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Black and white delicately patterned set by Emmanuelle Khanh.

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Pink purple and black print bra and matching pants by Janet Reger. Metal armlet tied by coloured leather thongs from Mr Freedom.

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White lacey bra and white nylon culottes both from Fenwicks.

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Tiny white and grey nylon jersey bra and pants by Margit Brandt. Hand-engraved metal armbands from Mr Freedom.