Stars of the ’70s

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Camoflage raincoat by Valstar

Rainwear has definitely taken on a new look. The styles are more sophisticated and glamorous. They are the kind of clothes that Marlene Dietrich, Joan Crawford and Greta Garbo would have worn had they been designed earlier. When you invest in a raincoat these days it does not mean that you can, or should, wear it only on a rainy day. A garment that is waterproof, wind-proof and warm can be worn almost every day. The new raincoats are very practical and hardly crease. At the most they only need to be sponged with a damp cloth. So throw away that old plastic mac. ..and take a long, new look at what the Stars are wearing. 

Stunning editorial beautifully illustrated by the legendary Michael Roberts.

Scanned by Miss Peelpants from 19 Magazine, October 1970.

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Rubberised cotton raincoat by Valstar

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Corduroy trench coat by Wethergay

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Left: Gabardine raincoat by Lee Bender for Bus Stop / Right: Red, grey and olive check raincoat by Valstar

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Midi raincoat by Valstar

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Left: Polyurethane rain suit by John Bates for Jean Varon / Right: Brown polyurethane raincoat by Weathergay

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New for Autumn/Winter

Chelsea Girl

Chelsea Girl

Tsk tsk. Slap my wrist. I’m pretty slack about putting website listings here on the blog, and I can only apologise. Here are some edited highlights (but there are plenty more already listed and more to come before Christmas!). Personal favourites are the original 1970s Chelsea Girl platform shoes, the black lace 1930s evening dress and Erte-printed John Bates for Jean Varon dress…

Unsigned original 1930s

Unsigned original 1930s

John Bates for Jean Varon

John Bates for Jean Varon

Roland Klein for Marcel Fenez

Roland Klein for Marcel Fenez

Forbidden Fruit

Forbidden Fruit

Unsigned original 1960s

Unsigned original 1960s

Terry de Havilland

Terry de Havilland

Young Innocent

Young Innocent

Lee Bender for Bus Stop

Lee Bender for Bus Stop

Wallis Fashion Shops

Wallis Fashion Shops

Miss Impact

Miss Impact

Louis Caring

Louis Caring

Unsigned original 1970s

Unsigned original 1970s


Curious Coincidences: Talented 1930s artist vs. Hemingway Design

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Left: Original 1930s illustrated booklet / Right: 2013 Hemingway Design at John Lewis bag (£30)

How VERY curious.

The John Lewis website says ‘Designed by Hemingway Design and inspired by the Art Deco era’. Miss Peelpants says ‘lazy and unscrupulous’.

With thanks to Mr Brownwindsor for the original and to Nat Ainscough for the spot.


We are not the first, and we will not be the last…

I think it is safe to say that I love old clothes. I dream them, I live in them and I covet the ones I don’t have. But I am under no illusion that there is anything inherently unique or radical about this. The uniqueness comes from the impression of your personality in whatever you choose to wear. The fabrics, the colours, the shapes, these are the expression of my inner self in one, superficially superficial, way.

It is important to remember this: each generation thinks it invented sex, and I fear the same goes for ‘vintage’ clothing. This article makes for fascinatingly familiar reading. Commercialisation is the death knell each time, but in turn becomes the coveted piece of history for the next generation of disillusioned people (see the mention of Catherine Buckley’s old jacquard fabrics in the text of the article. My Buckley skirt is one of these pieces). The irony does not escape me; I wear clothes by Ossie Clark, Biba, Bus Stop… all of who were creating clothes heavily inspired by their own childhoods.

Just wanting a period look is not the important part, anyone can buy a reproduction and plenty of people will, the expression comes from the colours, fabrics, shapes and accoutrements you pick. There is absolutely nothing wrong with new clothing taking influence from old, although my thoughts on direct duplication are well known, but why would you limit yourself to the prints they have chosen this season? There are limitless possibilities when you look around you and take inspiration from a variety of sources other than from conventional fashion magazines or ‘how to’ guides.

That is partly the aim of this blog, and I hope to continue in such a vein for a long time yet…

The Cosmo Girl’s Guide to the Cast-Offs Cult… Cosmopolitan, August 1974.


Inspirational Images: Value Added Fashion

Everyone is looking back in nostalgia – especially in fashion. But authentic Twenties and Thirties clothes can be expensive to buy so sew your own and save money. Use crêpe de chine and bias-cut voiles and leave out the linings for an authentic swing and flair. Choose eau de Nil, bois de rose and the pale sorbet shades for pure, undiluted nostalgia.

Cosmopolitan magazine, June 1974. Photos by Rolph Gobits. Scanned by Miss Peelpants.



The most nostalgic clothes of all…

Rosalind Russell wore this soft grey georgette evening dress with cross-draped bodice, for The Velvet Touch.

[Proving that nostalgia is nothing new…]

You are forgiven if you think the pictures on these pages are fashion circa 1971. In a sense, they are; but in fact, these are original Hollywood – the clothes of the stars, people like Bette Davis, Katherine Hepburn, Olivia de Havilland, Jean Seberg, Shirley Temple — worn in their films, coming up for a gala auction at Sotheby’s Pantechnicon in Motcomb Street at 7pm on December 1.

The man who made it possible is Michael Fish — Mr Fish, no less — who bought the whole collection of 30s, 40s and 50s creations from Max Berman & Son of Hollywood, and is putting them to auction in aid of Immigrant Community Services. So you could help to provide a new children’s playground in Brixton, say, while treating yourself to a great fashion original . . . like Jane Russell’s navy pleated chiffon coat over crepe culottes ; Bonita Granville’s pink chiffon dress with Alencon lace and fine pleating; not to mention the original mini worn by Betty Hutton in Annie Get Your Gun. 

Patrick Procktor is contributing to the programme for Mr Fish’s ‘frock fantasy’. Ossie Clark’s sensational model, Gala, will wear some of the clothes, as she did for us in company with Barbara Trentham. Make-up here by Barbara Daly; hair by Smile; location, Mr Paul Hamlyn’s house. 

Harpers and Queen, December 1971. Photographs by Tim Street-Porter

Square-shouldered 40s suits, as worn by Maureen O’Hara and Ginger Rogers.

Agnes Moorehead starred in this vampy black crepe dress with sequins and a matching shoulder cape fastened with jet.


Old graces never die

Hats from C&A. Racoon jacket (left) by Tuttabankem for Philip Hockley. Furs (centre and right) by Femina Furs.

Dress like a little old lady and bring back a little grace to your life. It takes thin little frocks in fabrics for all season, new or second-hand; warmed up with wooly things next to the skin, cardigans and old furs, all shoulders, or old-looking brand-new furs. Flapper hats, lace-up shoes, fine jewels and a handbag to hang on to for dear life.

Photographed by Sarah Moon. Nova, October 1972

I’m looking to bring back the term ‘second-hand’, or even just ‘old’. Although I realise this is a hard one, given my website name. I liketo wear things that are second-hand and/or old. Thank you Nova and Sarah Moon for such immense beauty…

Left: Second hand dress from Civil Service Stores and cardigan from Charley’s. Centre: Fox cape by Femina Furs, dress by Jean Muir. Right: Jacket and skirt by Caroline Charles. Blue fox boa by Femina Furs.

Left: Second hand dress and cardigan from Charley’s. Centre: Skirt by Sheilagh Brown for Coopers. Blouse and fur cape second-hand from Charley’s. Right: Cardigan by Carroll at Joseph, second-hand dress and handbag from Virginia, blue fox boa from Femina Furs.

Left: Crepe wrap-around dress by Ossie Clark for Quorum, thermals by Damart, stockings at Donald Davies. Centre: Second hand blouse at Virginia, panties by Lux Lux. Right: Cardigan by Lil at Josephs, crepe skirt by Pierre Elegant, antique handbag at Virginia.