Photographed by Peter Knapp.
Scanned by Miss Peelpants from Vogue, June 1972
One of my favourite fashion shoots of, ooh, forever, I have no idea why I have only just got round to scanning it in. This look appeals to me more and more every time I look at it. Part of what I love about the Seventies is the way they were influenced by the styles of earlier eras, and yet the result is always so perfectly Seventies and, inexplicably, preferable to the original. Speaking for myself, anyway…
Photographed by Eva Sereny. Scanned from The Sunday Times Magazine, October 1972
“At the Paris winter collections no-one seemed to have any scruples about cribbing from the Fifties. However, Dorothée Bis, one of the most influential ready-to-wear designers, did it better than anybody else because the clothes managed to look far sexier than they ever did at the time. Big baggy men’s department sweaters; jackets and coats, swagger-backed or lumberjack style, in cloth or fake fur; tight skirts hobbled over seamed lurex tights – in fact, everything that could be worn with a waspie belt like the one shown here, giving more shape tot he shapely and hope to the straight. On the cover and on these pages actress Fiona Lewis shows how she wears waist-clinchers.”
. . . in 1973. Life is beautiful, the girls are beautiful, the clothes are beautiful. In fact, life, 1973-style, is a cabaret and here we present the cabaret-girls, with a few tips – picked up at the Paris fashion shows – on how to dress the part without using up too much money
LEFT TO RIGHT: Martine in a chemise dress inspired by Roland Chakkal at Mendes. Make one yourself from a ‘Twenties‘ slip. She amuses herself by.toying with her cigarette holder (held just for show), while listening to the jangling of her nine A bangles. Her drop-earrings glitter, her tight bead choker sparkles and one arm is snug in its elbow-length glove.
Janine tangos giddily with her partner. but nevertheless looks chic in a little soup-plate hat, perched jauntily over a printed scarf inspired by Karl Lagerfeld at Chloe. Thrown into a state of ecstasy by the Jap Collection, she has naturally teamed a long striped jumper with a neat box-pleated skirt.
Her partner, in pinstriped suit (inspired by designer Dorothée Bis), white-wing collar and bow tie (available in father`s top drawer), wears drop-earrings as a concession to femininity.
Neatly fandangoing into the spotlight – Katherine and Margaret. Katherine’s favourite designer is Karl Lagerfeld at Chloe. How right then for her to be attired in printed bra top and skirt. But paradox, paradox. She also fell in love with the stripey pixie hat seen at Dorothee Bis. Happily, she’s thrown caution to the wind and wears them together.
Margaret looks soulful. That is the only way one can look in an eye-shading, pull-on hat, all the rage for lovers of designer Emmanuelle Khanh
Zizi, as always, simply had to be different. A monocle. Only she could get away with this, but the rest of her accessories should be simple to copy.