The new Liberty silks by Bernard Nevill are quintessential summer—sprigged or swagged with flower from the cornfield, the garden the riverbank, in primary colours on tinted grounds. For a hot sun day, a slate blue trellised blazer over a dress with sprigged pleats, for a sunshine evening, a dress of all sorts of flowers and paisley gathered into long skirt and round puff sleeves. The first look to make, the second to buy.
Prints from Liberty’s Chameleon range designed by Bernard Nevill.
Photographed by Barry Lategan.
Scanned by Miss Peelpants from Vogue, July 1971.
Quilted jacket and wildflower pleats, left: Slate and black blazer, Vogue Paris Original Pattern 2499, designed by Ungaro. Blue flowered beige dress with long sleeves, long torso. Vogue Pattern 2469. Panama hat, by Diorling, from Debenham & Freebody. Suede shoes by Pedro Garcia.
This is Paris, Spring ’70, though to the uninitiated it might look more like the Wild West than the Right Bank. Some designer are familiar, some so beyond the fringe as to pass without comments, and some so beautiful that you’ll stop at nothing to get your hands on them. High on the wanted list are suedes with Aztec-Indian embroidery and tiny, chin-knotted scarves and long-line boots. There are extra-bulbous knickerbockers with tunic tops that halt firmly at the buttocks, midi-length satin or silk-jersey, pintucked or slit way to the waist, spotted suede, squaw fringing, lace-up sleeves — in every length from mini to maxi!
Fashion by Sue Hone. Illustrated by Leslie Chapman.
Scanned by Miss Peelpants from Petticoat, 4th April 1970
“My clothes make my statement… that a woman is to be treated with care…”.
Photographed by Norman Parkinson.
Scanned by Miss Peelpants from Vogue, September 1974