Go to a party

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Wonderful in white… snowy crepe, sleeves long and ringed with Irish thread work. By John Bates at Jean Varon. Jewellery by Adrien Mann. Man’s shirt to order from Thea Porter.

Photographed by Paul Orssich.

Scanned from Vanity Fair, November 1968.

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Glamorously Grecian… pure white crepe, beautifully braided. By Young Ideas at Rhona Roy. Jewellery by Adrien Mann. Man’s black braided suit is from Just Men.

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Beautiful in black seductive plunging rayon jersey. By Foale and Tuffin. Jewellery by Adrien Mann. Shoes by Lilley and Skinner. Man’s evening suit and shirt all from Take 6.

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Stunning in satin… timeless dress as bewitching as a glimmer of midnight. By Bernard Freres. Man’s velvet jacket from Take 6. Man’s be-ruffled shirt from Kleptomania.

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Perfect in pink… sugared almond crepe falling soft to the wrist and waist. Designed by Anne Tyrrell at John Marks. Jewellery by Adrien Mann. Man’s red velvet jacket and silk scarf from Trend at Simpson.

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Reassured in red. Skimmy shaped wool crepe party-goer cut away at the shoulders. By Sujon. Jewellery by Adrien Mann. Man’s evening suit and polo shirt both from Club 92.

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April Flower Evenings

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Primrose silk georgette camisole top and handpainted satin jacket by Bellville-Sassoon.

Delicate flower evening dresses, in silks and chiffons… Beauty far beyond the English flower garden…

Photographed by Toscani. Make-up by Richard Sharah.

Scanned from Vogue, April 1975.

April Flower Evenings 1

Honey coloured silk dress by John Bates. Sandals by Saint Laurent Rive Gauche.

April Flower Evenings 2

Silk chiffon by Zandra Rhodes. Pink sandals by Rayne.

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Banana silk georgette printed with apricot flowers by Yuki.

April Flower Evenings 4

Pale peach silk chiffon with sheer sleeves by Thea Porter.

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Snow orchid chiffon by Sue & Helen. White sandals by Rayne.

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Drift of frilled white silk organza printed with snowdrops by Gina Fratini. Sandals by Rayne.

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Blackberry printed organza by Gina Fratini.

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Cream lace jacket and skirt by Bill Gibb.

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Palest pink silk chiffon by Bill Gibb.


The Evening After Summer’s End

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Turban £50, skull cap £6, at Thea Porter. Pearls, Paris House. Blouse by John Bates for Jean Varon

Photographed by Guy Bourdin.

Scanned by Miss Peelpants from Vogue, October 1969.


Easy Party Pieces

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Satin crepe de chine tie neck dress and chequered over jacket by Anne Tyrrell at John Marks. Suede shoes by Mondaine.

When it comes to dressing up tonight there’s no such thing as a party line. Redheads come into their own with sleek Garboesque hairdos to set off shiny battledress tops and trousers. Jazzily printed crepe de chine dresses and jackets mix with jersey and velvet, softly innocent or dangerously backless and halternecked. Diamante remains the vital accessory – shining in the hair as well as sprinkled on bodices. The choice is yours and glamour the mood.

Photographed by John Carter.

Scanned by Miss Peelpants from Flair, December 1971

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Cream jersey top and matching skirt by Mary Quant

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Both dresses by Harriet

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Liberty print cotton blouses and skirts, both by Courchevel. Choker by Ken Lane. Suede bar shoes by Russell & Bromley.

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Pleated cotton voile horseman print dress by Thea Porter. Gilt and mock turquoise belt by Ken Lane.

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Left: Dress by Reflections at Reldan. Right: Jersey dress by Baltrik.

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Left: Ban-lon halterneck dress by Wallis. Right: Brown crepe de chine dress by Annacat.

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Black jersey dress by Polly Peck. Inset: Jersey dress by Baltrik. Shoes by Russell & Bromley.

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Black satin battledress jacket and trousers by Juliet Dunn.

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Grey and red short wooly jackets by Elgee.

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Fringed black shawl from Emmerton and Lambert.

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Grey wool flannel full length cape by Christopher McDonnell for Marrian-McDonnell.


Happily Ever After

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White lawn dress printed with butterflies and flowers by Thea Porter. Straw hat by Buckle Under. Red wedge shoes by Kurt Geiger. Belt by Shape.

There’s a good reason why Vanity Fair is possibly my favourite magazine of this period. They were relatively conventional in the 1960s, and would ‘merge’ with Honey magazine around 1972, but in their death knells they were just about the most innovative magazine in the UK. Issues were often themed around ‘issues’, for example this one is entirely themed around break-ups and divorces (including a story on what a divorced man should wear when taking his kid out for the day).

Nor did they shy away from more expensive designer names, such as Thea Porter and Zandra Rhodes here, mixing them happily with the more affordable but still iconic boutique names like Stirling Cooper and Mr Freedom. Adding Foale and Tuffin, Pablo and Delia and Terry de Havilland into the mix for good measure, and all those stunning illustrations by Michael Foreman… this is one of my favourite editorials of all time.

Vanity Fair is also, frankly, a nightmare to scan because it falls apart at the binding with the lightest touch, which is why I don’t scan them as often. So enjoy the heaven of Harri Peccinotti’s work while I gently shuffle all the pages back into the magazine…

Photographed by Harri Peccinotti.

Illustrations by Michael Foreman.

Scanned by Miss Peelpants from Vanity Fair, April 1971.

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Long grey crepe dress patterned with purple, green and red birds by Shape. Pablo and Delia suede thong necklace. Blue suede shoes at Sacha.

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Beige suede skirt with applique shapes and matching shawl by Mary Quant. Necklace from Buckle Under. Beige suede boots by Guy Humphries.

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Blue and white feather printed chiffon dress by Zandra Rhodes.

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Left to right: Chiffon blouse and multi-coloured skirt by Foale and Tuffin. Painted rainbow shoes from Mr Freedom. Painted belt by Shape. // Cream and red jersey catsuit (top only showing) and banded red and cream skirt both from Stirling Cooper. Red shoes by Kurt Geiger. // Cream, yellow and red jersey dress by Stirling Cooper. Pull on hat by Janice Peskett. // Red cotton t-shirt by Erica Budd. Cream dungarees from Stirling Cooper. Red python sandals at Elliotts.

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Above: Mauve satin cotton pinafore dress and blouse by Gladrags. Right: Bottom half of Alistair Cowin calico trousers with green printing. Green and yellow shoes by Terry de Havilland. Far right: Black velvet dungarees with white satin applique heart from Mr Freedom. Chiffon blouse from Foale and Tuffin. Mauve canvas boots at Charles Jourdan.


The Present Shape of Christmas

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…can be coped with from bed If you have a telephone, a writing hand, and a London address, why walk? Christmas can come to you.

Pretty much my idea of perfection, from the Thea Porter kaftan to the Caroline Smith poster on the wall…

Photographed by Richard Winslade.

Scanned by Miss Peelpants from Queen, December 1969.

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Celtic Summer

Fire Red Paisley - Norman Parkinson

Fire red paisley for a Celtic summer: The haunted house at Parc, near Afon Crosesor, where ghostly things happen all the time. Wild red flickering skirt, paisley and red gold organdie blouse with gold Turkish bodice. Skirt, blouse and top to order from Thea Porter. Fire red boots by Elliott. Sash pin from Ken Lane. Amber beads ,wrist scarf and long red scarf by Ascher.

Photographed by Norman Parkinson.

Scanned by Miss Peelpants from Vogue, July 1969.