Posted: April 17, 2018 Filed under: 1970s, belinda bellville, bill gibb, Gina Fratini, Inspirational Images, john bates, oliviero toscani, Rayne, Richard Sharah, Sue & Helen, thea porter, Toscani, Uncategorized, Vintage Editorials, Vogue, yves saint laurent, zandra rhodes
Primrose silk georgette camisole top and handpainted satin jacket by Bellville-Sassoon.
Delicate flower evening dresses, in silks and chiffons… Beauty far beyond the English flower garden…
Photographed by Toscani. Make-up by Richard Sharah.
Scanned from Vogue, April 1975.
Honey coloured silk dress by John Bates. Sandals by Saint Laurent Rive Gauche.
Silk chiffon by Zandra Rhodes. Pink sandals by Rayne.
Banana silk georgette printed with apricot flowers by Yuki.
Pale peach silk chiffon with sheer sleeves by Thea Porter.
Snow orchid chiffon by Sue & Helen. White sandals by Rayne.
Drift of frilled white silk organza printed with snowdrops by Gina Fratini. Sandals by Rayne.
Blackberry printed organza by Gina Fratini.
Cream lace jacket and skirt by Bill Gibb.
Palest pink silk chiffon by Bill Gibb.
Posted: November 15, 2017 Filed under: 1960s, guy bourdin, Inspirational Images, jean varon, john bates, thea porter, Vogue
Turban £50, skull cap £6, at Thea Porter. Pearls, Paris House. Blouse by John Bates for Jean Varon
Photographed by Guy Bourdin.
Scanned by Miss Peelpants from Vogue, October 1969.
Posted: October 18, 2017 Filed under: 1970s, annacat, Anne Tyrrell, Baltrik, Courchevel, flair magazine, harriet, Inspirational Images, John Carter, Juliet Dunn, Ken Lane, mary quant, polly peck, Russell & Bromley, thea porter, Vintage Editorials, wallis
Satin crepe de chine tie neck dress and chequered over jacket by Anne Tyrrell at John Marks. Suede shoes by Mondaine.
When it comes to dressing up tonight there’s no such thing as a party line. Redheads come into their own with sleek Garboesque hairdos to set off shiny battledress tops and trousers. Jazzily printed crepe de chine dresses and jackets mix with jersey and velvet, softly innocent or dangerously backless and halternecked. Diamante remains the vital accessory – shining in the hair as well as sprinkled on bodices. The choice is yours and glamour the mood.
Photographed by John Carter.
Scanned by Miss Peelpants from Flair, December 1971
Cream jersey top and matching skirt by Mary Quant
Both dresses by Harriet
Liberty print cotton blouses and skirts, both by Courchevel. Choker by Ken Lane. Suede bar shoes by Russell & Bromley.
Pleated cotton voile horseman print dress by Thea Porter. Gilt and mock turquoise belt by Ken Lane.
Left: Dress by Reflections at Reldan. Right: Jersey dress by Baltrik.
Left: Ban-lon halterneck dress by Wallis. Right: Brown crepe de chine dress by Annacat.
Black jersey dress by Polly Peck. Inset: Jersey dress by Baltrik. Shoes by Russell & Bromley.
Black satin battledress jacket and trousers by Juliet Dunn.
Grey and red short wooly jackets by Elgee.
Fringed black shawl from Emmerton and Lambert.
Grey wool flannel full length cape by Christopher McDonnell for Marrian-McDonnell.
Posted: February 16, 2017 Filed under: 1970s, alistair cowin, Buckle Under, charles jourdan, Elliott, erica budd, Foale and Tuffin, gladrags, Guy Humphries, Harri Peccinotti, Inspirational Images, kurt geiger, mary quant, Michael Foreman, mr freedom, pablo and delia, Sacha, shape, stirling cooper, terry de havilland, thea porter, vanity fair, Vintage Editorials, zandra rhodes | Tags: 1970s, alistair cowin, foale and tuffin, Harri Peccinotti, mary quant, Michael Foreman, mr freedom, pablo and delia, stirling cooper, terry de havilland, thea porter, vanity fair, Zandra Rhodes
White lawn dress printed with butterflies and flowers by Thea Porter. Straw hat by Buckle Under. Red wedge shoes by Kurt Geiger. Belt by Shape.
There’s a good reason why Vanity Fair is possibly my favourite magazine of this period. They were relatively conventional in the 1960s, and would ‘merge’ with Honey magazine around 1972, but in their death knells they were just about the most innovative magazine in the UK. Issues were often themed around ‘issues’, for example this one is entirely themed around break-ups and divorces (including a story on what a divorced man should wear when taking his kid out for the day).
Nor did they shy away from more expensive designer names, such as Thea Porter and Zandra Rhodes here, mixing them happily with the more affordable but still iconic boutique names like Stirling Cooper and Mr Freedom. Adding Foale and Tuffin, Pablo and Delia and Terry de Havilland into the mix for good measure, and all those stunning illustrations by Michael Foreman… this is one of my favourite editorials of all time.
Vanity Fair is also, frankly, a nightmare to scan because it falls apart at the binding with the lightest touch, which is why I don’t scan them as often. So enjoy the heaven of Harri Peccinotti’s work while I gently shuffle all the pages back into the magazine…
Photographed by Harri Peccinotti.
Illustrations by Michael Foreman.
Scanned by Miss Peelpants from Vanity Fair, April 1971.
Long grey crepe dress patterned with purple, green and red birds by Shape. Pablo and Delia suede thong necklace. Blue suede shoes at Sacha.
Beige suede skirt with applique shapes and matching shawl by Mary Quant. Necklace from Buckle Under. Beige suede boots by Guy Humphries.
Blue and white feather printed chiffon dress by Zandra Rhodes.
Left to right: Chiffon blouse and multi-coloured skirt by Foale and Tuffin. Painted rainbow shoes from Mr Freedom. Painted belt by Shape. // Cream and red jersey catsuit (top only showing) and banded red and cream skirt both from Stirling Cooper. Red shoes by Kurt Geiger. // Cream, yellow and red jersey dress by Stirling Cooper. Pull on hat by Janice Peskett. // Red cotton t-shirt by Erica Budd. Cream dungarees from Stirling Cooper. Red python sandals at Elliotts.
Above: Mauve satin cotton pinafore dress and blouse by Gladrags. Right: Bottom half of Alistair Cowin calico trousers with green printing. Green and yellow shoes by Terry de Havilland. Far right: Black velvet dungarees with white satin applique heart from Mr Freedom. Chiffon blouse from Foale and Tuffin. Mauve canvas boots at Charles Jourdan.
Posted: December 13, 2016 Filed under: 1960s, caroline smith, Queen magazine, Richard Winslade, thea porter | Tags: 1960s, caroline smith, Queen magazine, Richard Winslade, thea porter
…can be coped with from bed If you have a telephone, a writing hand, and a London address, why walk? Christmas can come to you.
Pretty much my idea of perfection, from the Thea Porter kaftan to the Caroline Smith poster on the wall…
Photographed by Richard Winslade.
Scanned by Miss Peelpants from Queen, December 1969.
Posted: May 11, 2016 Filed under: 1960s, Elliott, Inspirational Images, Ken Lane, Lida Ascher, norman parkinson, thea porter, Uncategorized, Vogue | Tags: 1960s, norman parkinson, thea porter
Fire red paisley for a Celtic summer: The haunted house at Parc, near Afon Crosesor, where ghostly things happen all the time. Wild red flickering skirt, paisley and red gold organdie blouse with gold Turkish bodice. Skirt, blouse and top to order from Thea Porter. Fire red boots by Elliott. Sash pin from Ken Lane. Amber beads ,wrist scarf and long red scarf by Ascher.
Photographed by Norman Parkinson.
Scanned by Miss Peelpants from Vogue, July 1969.
Posted: March 21, 2016 Filed under: 1970s, bill gibb, In Britain Magazine, Inspirational Images, Peter Kent, thea porter, Uncategorized, Vintage Editorials, zandra rhodes | Tags: 1970s, bill gibb, thea porter, Zandra Rhodes
If I were an elegant lady Jet-Setter, with empty closets to be filled and a blank chequebook – where in the world would I buy my clothes? Italy, for divinely coloured mix-match knitted tweeds and marvellous bags and shoes. Then Paris for shirts and skirts and trousers, made the way only the French know how, signed Dior and Lanvin and Eres and you-name-it. New York, why not, for the perfect sporty shirtwaister, signed Halston. And for that absolutely smash-hit long thing to wear any time after 6pm? London, without hestitation. Signed Bill Gibb. Or Zandra Rhodes. Or Thea Porter. How or why London suddenly happens to possess three such blazing talents in this specialised field is a mystery: but there they are, all three of them turning out dresses of such individuality and beauty that if I just spotted the name in a sale I’d snap it out almost without pausing to examine it: alas I could hardly afford it otherwise, for these designers are hardly typical. They are absolutely top-of-the-tree.
I was delighted to find this piece in a copy of ‘In Britain’ magazine, which appears to have been a magazine specifically for the high-end tourist market (perhaps for airports or travel agents?). Written by the Fashion Editor of the Daily Mail, Barbara Griggs, it covers three of Britains most ‘couture’ designers: Thea Porter, Bill Gibb and Zandra Rhodes. Firstly I bring you, Thea Porter.
Thea Porter is small and auburn-haired and quiet. She works flat out, dressed in ankle-length black velvet, in her small Soho shop crammed with precious scraps of brocade and prints and embroidery. There are rails full of her beautiful robes: the abayas – floaty dresses cut almost in a square – the clinging printed chiffons, the lavishly embroidered jackets to be worn with a plain black shirt, the silky pyjamas. Hallmark of the perfect Thea Porter: an oriental richness. If the fabric is an exotic print or mix of them, the seams of the dress are piped in gold, or the belt encrusted with embroidery, or the skirt trimmed with frilled pleating. But Thea insists: “They’re meant to be worn very, very simply – with just a little real antique jewellery, perhaps.” Many of her dresses are sold straight off the peg: more are made up to order for favourite customers like Sarah Miles and Eartha Kitt.
Photographed by Peter Kent.
Scanned by Miss Peelpants from In Britain, May 1973.