Posted: December 12, 2017 Filed under: 19 magazine, 1960s, anello and davide, biba, Feathers, gladrags, gordon king, Inspirational Images, janice wainwright, liberty, mr freedom, ossie clark, Pourelle, quorum, ritva, Sacha, Sacha, simon massey, Stephen Bobroff, Sujon, Tommy Roberts, Tony Berkeley, Tony Berkley, Vintage Editorials, wallis
Calf length New York skyline-printed crepe dress with deep neckline, narrow fitting sleeves and wide sash tied at the back. The same dress with wide bell shaped over sleeves. Both from Mr Freedom. Rings from Biba.
The look for Christmas is definitely one of bright colours and generally good cheer. Fabrics are crepes, satins and velvets in stained glass hues of rich reds, blues, greens, yellows and purples…
Photographed by Stephen Bobroff.
Scanned by Miss Peelpants from 19 Magazine, December 1969.
Long crepe kaftan style dress by Mr Freedom. Red chiffon scarf by Fenwicks. Yellow and black crepe trouser suit by Mr Freedom. Red leather boots from Sacha. Black crochet cap by Ritva at Feathers.
Ankle length satin dress over printed in mauve with floppy bell shaped sleeves and long matching scarf by Pourelle. Purple crepe calf length dress with narrow fitting sleeves, lace up neckline and wide cape style collar by Ossie Clark for Quorum. Boots by Sacha.
Purple narrow fitting t-shirt. Ankle length crushed velvet skirt in pink with purple velvet waistband. Both by Mr Freedom. Purple leather boots by Anello & Davide. Cardigan style dress in dark blue velvet splashed with yellow and red by Gordon King. Bright red crepe ankle length skirt by Ossie Clark for Quorum.
Pale pink acetate jersey ankle length skirt and v-shaped bra top with narrow straps crossing over at back by Wallis. Black crochet cap by Ritva at Feathers. Pale green crepe ankle length skirt with matching front lacing bra top by Tony Berkeley.
Long tapestry coat by Janice Wainwright at Simon Massey. Bright green narrow t-shirt by Mr Freedom. Pale pink damask narrow-fitting long coat by Janice Wainwright for Simon Massey. Silk scarves from Biba.
Ankle length zip fronted cafe crepe dress has softly gathered deep yoke by Tony Berkeley. Red, blue and yellow scarf by Sujon. Ankle length soft pink crepe dress by Tony Berkeley. Long printed Indian scarf from Feathers.
Bolero top and mid-calf skirt by Simon Jeffrey. Ankle length dress in pure Liberty wool and matching bolero by Gladrags. Red mid calf boots by Anello and Davide.
Posted: October 12, 2014 Filed under: 1960s, british boutique movement, bus stop, clobber, Inspirational Images, janice wainwright, jeff banks, lee bender, observer magazine, ritva, simon massey, Steve Hiett, Vintage Editorials
Rich brown satin dress slashed to the waist by Lee Bender for Bus Stop
An expensive dress bought to wear just for evenings can spoil your party fun. You’ll worry about spilt wine and cigarette burns while you’re engaged in unarmed combat with the crowd. You don’t want to pay a lot for something you and your friends might tire of after just one round of parties. So find yourself a dress that’s memorable like the four shown on these pages, in shiny satin, cire, Tricel, jersey or sparkling Lurex, and if its life is hort, it might break your heart but not your bank. So buy your glitter cheaply, and spend your sixpences on having fun.
Photographed by Steve Hiett.
Scanned by Miss Peelpants from The Observer Magazine, 7th December 1969
Purple tricel jersey shirtdress shimmying to ankle length by Clobber. Smoky grey pearl rope, 10 feet long, from Paris House.
Lurex jersey dress, memorably low-cut, by Janice Wainwright for Simon Massey. Pale silver crochet hat from Ritva.
Posted: September 17, 2014 Filed under: 1970s, alice pollock, british boutique movement, Celestia Sporborg, Foale and Tuffin, Frank Horvat, Inspirational Images, just looking, kurt geiger, ossie clark, radley, ritva, stirling cooper, vanity fair | Tags: 1970s, 1971, alice pollock, Celestia Sporborg, foale and tuffin, frank horvat, glam rock, ossie clark, radley, ritva, stirling cooper, vanity fair
This photoshoot, featuring the brilliantly named Celestia Sporborg, is another one of my all-time favourites, and one I have put off scanning for a long while because Vanity Fair is actually a rather painful magazine to scan. The gummed spine, with age, does not enjoy being flattened so it requires extra effort to maintain some kind of structural integrity. I couldn’t NOT scan though. I love these images. I love the blurriness, her natural facial expressions, the very domestic backdrop and, of course, the completely mind-blowingly fabulous clothes. I don’t know where to start. That Stirling Cooper above is just so modern. And the Radley playsuit, so very Glam. And the Ossie… Plus Alice Pollock, Foale and Tuffin and a Ritva sweater I sold on Vintage-a-Peel a few years back…
It also identifies the shots from Vanity Fair’s Guide to Modern Etiquette, ‘Nice Girls Do’, which I posted about before. To contextualise this shoot, the entire June issue is dedicated to feminism and liberation. Certainly one of the main reasons I love Vanity Fair almost above all other magazines of the period is the fact that they would theme all the contents of an issue, including the fashion spreads.
Celestia Sporborg is now a casting director herself, with over a hundred film credits on IMDB. She married theatre and film producer Robert Fox (brother of James and Edward) in 1975 and they had three children together.
Photographed by Frank Horvat.
Scanned by Miss Peelpants from Vanity Fair, June 1971
Foale & Tuffin
Posted: October 21, 2010 Filed under: bus stop, carry on films, dollyrockers, Gina Fratini, hardy amies, lee bender, ossie clark, ritva
This is mainly a post about new listings, but I’m very behind in everything at the moment so the phrase ‘Carry On Behind’ keeps popping into my head. I caught the second half of that film a few weeks back and, as with most British films of that era, it right proper cheered me up. If I was going to have to live through an era of gloomy economics, I’d much rather have lived through the Seventies…
I’m also wondering whether there’s a gap in the heaving burlesque market for a naff Seventies stripper type? There are so many Bettie Page wannabes, and even a few Sixties-style go-go girls, but I would personally love to see some jiggling in nylon ruffles and bubble perms going on.
Anyway, there aren’t too many nylon ruffles and sequins in my latest batch of listings. But that’s because there are some seriously scrumptious moss crepe, satin, velvet and jersey goodies. Ossie Clark (twice! I’m too good to you….), Gina Fratini, Dollyrockers, Ritva, Lee Bender for Bus Stop, Hardy Amies and some beautiful unlabelled pieces as well. I hope you see something which tickles your fancy, and I’ll work on the whole nylon ruffles thing in the meantime….
Dollyrockers – psychedelic printed dress
Gina Fratini – Black jersey goddess dress
Ritva – nautical-themed knit sweater
Paul Nicholas & Co – Black moss crepe & chiffon dress
Hardy Amies – Printed silk chiffon dress
Lee Bender for Bus Stop – Black crushed velvet peephole dress
Vivid art deco printed jersey dress
Strapless cut-out flower dress
Ossie Clark – rust crinkle crepe satin dress
Posted: September 3, 2010 Filed under: 1970s, antony price, british boutique movement, bus stop, celia birtwell, christian dior, clobber, Diana Crawshaw, hotpants, mary quant, mr freedom, ossie clark, Patrick Russell, ritva, stirling cooper, telegraph magazine, universal witness, yves saint laurent
Shorts have been with us for some time now – “hot pants” making even starlets front page news – but the big question was whether they were here to stay, or were just a gimmick. Increasing sales seem to show that they are really catching on, and now the big stores are stocking them. For those with the youth and legs to enjoy them, we bring the very latest designs.
Photographed by Patrick Russell.
Scanned by Miss Peelpants from The Telegraph Magazine, April 1971
Outfit by Antony for Stirling Cooper. All menswear by YSL.
Shorts and top by Bus Stop. Shirt by Toto from Crowthers
Outfit by Diana Crawshaw for Mr Freedom
Top and scarf by Ossie Clark from Quorum. Shorts by Clobber
Outfit on left by Diorling at Christian Dior. Outfit on right by Sheilagh Blagden at Stirling Cooper
Outfit on left by Ritva. Outfit on right by Paul Reeves for Universal Witness.