Crêperie

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Poppy field morocaine dress with drawstring neck by Ossie Clark for Radley. Plaited suede sandals by Bata.

Flirty little crêpe dresses so irresistibly feminine you’ll never be alone for long.

Anyone who knows me at all will know that *I* cannot resist crêpe, never mind what a fella thinks. This is a stunning editorial, with a model I’m not sure I recognise from anywhere else – so do comment if you can identify her. Featuring two covetable dresses by Ossie Clark but also featuring two by the mysterious ‘Boobs’ boutique label (by designer Linda Warren). I have found mention of a ‘Boobs’ boutique in Edinburgh, but I think it might just be coincidence. Again, holler if you know anything!

Photographed by Roy A. Giles.

Scanned from Honey, November 1971.

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Daring slash necked lemon and lime striped Dicel crêpe dress with paste brooch by Linda Warren at Boobs. Suede plaited shoes by Bata. Tights by Mary Quant.

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Chocolate brown Dicel crêpe dress with wide accordian pleated sleeves gathered into deep buttoned cuffs by Linda Warren for Boobs. Scarlet and black scalloped shoes by Ravel. Red art deco compact from Universal Witness.

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Skimpy jet black halter neck bonded moss crêpe dress with pink and black polka dot fluted bolero jacket by Rosy Bradford for Quorum. Scarlet glacé leather peep toe shoes from Zapata. Flocked red cherries by Adrien Mann.

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Button-through bow-scattered gently flaring crêpe dress from Bus Stop. Black sude sandals by Bata.

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Slippery satin dress with palm tree printed bodice by Ossie Clark for Radley. Scarlet leather peep toe shoes by Zapata.

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The Grand Affair

Grand affairs call for grand clothes, and provide a welcome opportunity to get out of our peasant blouses and jeans and dress accordingly. The nicest thing about fashion at the moment is that everyone is so confused as to what they should be wearing, that you can wear exactly what you like. We opt for the romantic Garbo fashion, tarted up in the ’71 style, because girls are beginning to look like girls again and, although we sympathise with Women’s Lib., we don’t believe you have to look like a fella to get equal rights!

Possibly the most perfect encapsulation of the Seventies-does-Thirties aesthetic, this homage to Art Deco features some of the most lust-worthy clothes from my favourite designers and boutiques. Including Biba, Ossie Clark and some rare Antony Price for Stirling Cooper!

Photographed in the home of interior designer Graeme Gibson rather than in a studio, the authenticity is heightened by the location and the props, and then finished with the sweet illustrated photoframes.

Photographed by David Tack.

Scanned by Miss Peelpants from 19 Magazine, January 1971.

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Crepe dress by Antony Price for Stirling Cooper. T-strap shoes from Sacha.


New listings: Rive Gauche and more

Yves Saint Laurent Rive Gauche

Yves Saint Laurent Rive Gauche

Plenty of new listings at Vintage-a-Peel (also available on Etsy) at the moment, including a superb 1970s Saint Laurent Rive Gauche silk wrap dress. There’s also a Celia Birtwell-print Radley dress, a Zandra Rhodes-print Hildebrand dress, Ossie-esque Janice Wainwright maxi, a rare James Wedge hat and the loveliest chiffon Jean Varon dress. Enjoy!

John Bates for Jean Varon

John Bates for Jean Varon

James Wedge

James Wedge

Hildebrand with print by Zandra Rhodes

Hildebrand with print by Zandra Rhodes

Radley of London with print by Celia Birtwell

Radley of London with print by Celia Birtwell

Jeff Banks

Jeff Banks

Chelsea Girl

Chelsea Girl

Janice Wainwright for Simon Massey

Janice Wainwright for Simon Massey


Inspirational Editorials: Fashion Spectacular

Left: Satin wrap top. Voile shirt worn underneath. Crepe trousers. Right: Cotton top. Satin trousers. All from Crowthers.

Left: Satin wrap top. Voile shirt worn underneath. Crepe trousers. Right: Cotton top. Satin trousers. All from Crowthers.

Haircuts aside, this editorial is all the things I love. Plus it’s kind of goofy, in a Mirabelle Magazine kind of way, which I find charmingly refreshing in amongst high serious Vogue and Nova photoshoots…

Photographed by Tim Marlborough.

Scanned by Miss Peelpants from Mirabelle, November 1970

Left: Velvet gaucho pinafore from Bus Stop. Jumper by John Craig. Right: Velvet pinafore. White cotton blouse. Both by Bus Stop.

Left: Velvet gaucho pinafore from Bus Stop. Jumper by John Craig. Right: Velvet pinafore. White cotton blouse. Both by Bus Stop.

Left: Crepe dress by Radley. Suede choker with snakeskin applique from Bus Stop. Right: Crepe dress from Crowthers.

Left: Crepe dress by Radley. Suede choker with snakeskin applique from Bus Stop. Right: Crepe dress from Crowthers.


Inspirational Editorials: Weekend Leave

She: Felt hat by Edward Mann. Pink sweater and matching cardigan by Ossie Clark for Radley. Skirt by Danielle Claire. Scarf from Essenses. He: Army sweater from Laurence Corner. Cord jodhpurs from Badges and Equipment.

She: Felt hat by Edward Mann. Pink sweater and matching cardigan by Ossie Clark for Radley. Skirt by Danielle Claire. Scarf from Essenses. He: Army sweater from Laurence Corner. Cord jodhpurs from Badges and Equipment.

Featuring the beautiful Pat Cleveland…

Photographed by Pelito Galvez.

Scanned by Miss Peelpants from 19 Magazine, September 1975

She: Red beret by Kangol. White blouse with red velvet ribbon tie by Sheridan Barnett at Quorum. Grey fleck suit by Strawberry Studio. Snakeskin strappy shoes by Sacha. Scarf from Essenses. He: Army jacket and trousers from Laurence Corner. Boots from Badges and Equipment.

She: Red beret by Kangol. White blouse with red velvet ribbon tie by Sheridan Barnett at Quorum. Grey fleck suit by Strawberry Studio. Snakeskin strappy shoes by Sacha. Scarf from Essenses. He: Army jacket and trousers from Laurence Corner. Boots from Badges and Equipment.

She: Hat, sweater and scarf all by Lionel Fisher. Skirt by Danielle Claire. Shoes by Mary Graeme. He: Cream and black pin stripe shirt by Nostalgia. Jodhpurs and boots from Badges and Equipment.

She: Hat, sweater and scarf all by Lionel Fisher. Skirt by Danielle Claire. Shoes by Mary Graeme. He: Cream and black pin stripe shirt by Nostalgia. Jodhpurs and boots from Badges and Equipment.

She: Black felt hat by Charles Batten. Black skirt and cream coat both by Sheridan Barnett at Quorum. Black suede shoes by Russell and Bromley. Clutch bag from Boots. Black scarfr from BHS. He: Army jacket and trousers from Laurence Corner. Boots and kit bag from Badges and Equipment

She: Black felt hat by Charles Batten. Black skirt and cream coat both by Sheridan Barnett at Quorum. Black suede shoes by Russell and Bromley. Clutch bag from Boots. Black scarf from BHS. He: Army jacket and trousers from Laurence Corner. Boots and kit bag from Badges and Equipment


Inspirational Editorials: Maybe I was just born liberated

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Stirling Cooper

This photoshoot, featuring the brilliantly named Celestia Sporborg, is another one of my all-time favourites, and one I have put off scanning for a long while because Vanity Fair is actually a rather painful magazine to scan. The gummed spine, with age, does not enjoy being flattened so it requires extra effort to maintain some kind of structural integrity. I couldn’t NOT scan though. I love these images. I love the blurriness, her natural facial expressions, the very domestic backdrop and, of course, the completely mind-blowingly fabulous clothes. I don’t know where to start. That Stirling Cooper above is just so modern. And the Radley playsuit, so very Glam. And the Ossie… Plus Alice Pollock, Foale and Tuffin and a Ritva sweater I sold on Vintage-a-Peel a few years back

It also identifies the shots from Vanity Fair’s Guide to Modern Etiquette, ‘Nice Girls Do’, which I posted about before. To contextualise this shoot, the entire June issue is dedicated to feminism and liberation. Certainly one of the main reasons I love Vanity Fair almost above all other magazines of the period is the fact that they would theme all the contents of an issue, including the fashion spreads.

Celestia Sporborg is now a casting director herself, with over a hundred film credits on IMDB. She married theatre and film producer Robert Fox (brother of James and Edward) in 1975 and they had three children together.

Photographed by Frank Horvat.

Scanned by Miss Peelpants from Vanity Fair, June 1971

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Foale & Tuffin

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Radley

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Ossie Clark

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Ritva

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Alice Pollock


Inspirational Editorials: Splitting the Difference

Crepe skirt and printed chiffon blouse both at Quorum. Pink patent shoes at Elliott. Tights from Bus Stop.

Crepe skirt and printed chiffon blouse both at Quorum. Pink patent shoes at Elliott. Tights from Bus Stop.

If you are prepared to forsake the mini this summer for the midi or maxi, you will find that designers have compensated for covering the legs by boldly slashing the skirts at the front, the back and the sides. Photographed at The Chelsea Drug Store.

This is a fascinating editorial for a few reasons. Firstly it is photographed at the legendary Chelsea Drug Store, showing off the incredible interior to perfection. It singularly fails to credit Ossie Clark and Celia Birtwell with their garments for Quorum (an odd oversight given their fame at the time…). It is also a glorious insight into the mini/midi/maxi debate of 1970 and shows us the transition between late Sixties style and the early Seventies. The clothes are familiar as early Seventies, but the shoes are not yet platform and still stuck in a low block heel.

Photographed by Hans Feurer. Styled by Cherry Twiss.

Scanned by Miss Peelpants from The Telegraph Magazine (exact date unknown, Spring 1970)

Cream jersey dress at Marrian McDonnell. Gold sandals at Elliott. Onyx and silver ring from The Purple Shop.

Cream jersey dress at Marrian McDonnell. Gold sandals at Elliott. Onyx and silver ring from The Purple Shop.

Printed voile dress by Mary Quant. Suede granny shoes by Elliott. Victorian pendant at The Purple Shop, Chelsea Antiques Market.

Printed voile dress by Mary Quant. Suede granny shoes by Elliott. Victorian pendant at The Purple Shop, Chelsea Antiques Market.

Orange crepe dress at Bus Stop. Orange suede sandals at Elliott.

Orange crepe dress at Bus Stop. Orange suede sandals at Elliott.

Dress by Radley Gowns from Quorum. Shoes from Kurt Geiger. Victorian pendant from The Purple Shop.

Dress by Radley Gowns from Quorum. Shoes from Kurt Geiger. Victorian pendant from The Purple Shop.