Posted: February 7, 2018 Filed under: 1970s, Adrian Mann, alice pollock, alkasura, Butler & Wilson, cacharel, che guevara, Dick Polak, Honey Magazine, Ian Batten, Inspirational Images, jeff banks, Joseph, marie france, quorum, Roger Nelson, stirling cooper, Susie Craker, universal witness, van der fransen, Vintage Editorials
LEFT: Salmon pink crepe overblouse with short fluted sleeves, Marie France for Quorum £10 approx, from Quorum, 52 Radnor Wealk, SW3 and Heath Street, NW3 ; Quorum shops at all branches of Peter Robinson. Satin trousers, Alkasura £6.50, ,from Alkasura, 304 King’s Road, SW3. Apricot beads £5, amber bangles from 20p each, wide yellow bangle £2, all from Emeline. RIGHT: Crêpe shirred blouse. with tie neck, Alice Pollock at.Quorum £10 approx, from Quorum, 52 Radnor Walk, SW3 and Heath Street, NW3; Quorum shops at all branches of Peter Robinson. Green satin trousers, Jeff Banks £7.50, from Jeff Banks Shop at Peter Robinson, Oxford Circus, W1; City Stylish, Newcastle. Gilt dress clips, Universal Witness from 25p each.
The season of the shirt. Wild and waisted. Smart, sharp and snappy. Crisp, cuffed sleeves for the new tight and tailored look. Soft and slinky overblouses to revive the romantic 40s.
The first picture has got to be one of my favourite fashion shots of all time. Such joy in movement, perfect lighting, and harmonious colours from the most heavenly Quorum clothes.
Photographed by Dick Polak.
Scanned by Miss Peelpants from Honey Magazine, May 1973.
LEFT: Crisp white crêpe pintucked overblouse £8.50, from all branches of Bus Stop (mail order 30p from 3 Kensington Church Street W8). Satin trousers, Alkasura £6.50, from Alkasura, 304 King’s Road, SW3, Thin patent belt, Gay Designs 69p; sea green waist-length bead necklace £4.50, short green necklace £3, and art-deco bangles £2 each, all from a selection at Butler & Wilson. RIGHT: Neat cotton sports shirt with patch pockets, Cacharel at Joseph £8.50, from Joseph, 33b King’s Road, SW3 (mail order 25p). White cotton trousers, Jeff Banks £7.50, from Che Guevara, Kensington High Street, W8 (mail order 25p) ; Jeff Banks shop at Peter Robinson, Oxford Circus, W1. Thin leather belt, Baggage Et General £1.10; plum plastic bangles, Adrien Mann 25p.
LEFT: Finely striped cotton casual shirt, Ian Batten at Stirling Cooper £6.50, from Stirling Cooper, 94 New Bond Street, W1 ; Stirling Cooper shops at DH Evans, Oxford Street, W1 ; Peter Robinson, Oxford Circus, W1, Leeds, Norwich and Cardiff ; Escalade, Brompton Road, SW3; Kendal Milne, Manchester. Gaberdine Oxford bags, Alkasura £9.50, from Alkasura, 304 King’s Road, SW3. Long polka-dot scarf, Van der Fransen £1 ; wide amber bangle, Paul Stephens 25p; ebony clutch bangle, Adrien Mann £1 ; stretchy webbing belt, Gay Designs £4. RIGHT: Button-through striped cotton blouse with matching attached cravat and deep cuffed sleeves, Ian Batten at Stirling Cooper £7.50 (stockists as for shirt above). Cotton trousers, Jeff Banks £7.50, from Che Guevara, Kensington High Street, W8 (mail order 25p) ; Jeff Banks shop, Peter Robinson, Oxford Circus W1. Enamel dress clips, Universal Witness from 25p each; wavy webbing belt, Gay Designs £4; amder bangles, Emeline 20p each.
LEFT Smartly striped square-necked. crepe-de-chine overblouse with set-in short sleeves, Suzy Craker at Roger Nelson £9.50, from Way In, Harrods, Knightsbridge, SW1 (mail order 25p) Che Guevara, Kensington High Street, W8 ; Crocodile, Kensington High Street, W8 and .branches. Lilac Trevira trousers, Jakie Ross at Jon Elliott £6.70, from D H Evans, Oxford Street, W1 ; I Spy, Oxford Street, W1 ; Sidney. Smith, King’s Road, SW3; Hendersons, Liverpool. Elastic and leather belt from a selection at Escalade ; bangles, Emeline £2 each. RIGHT : Rainbow striped loose overblouse with sweetheart neckline and puff sleeves, Ian Batten at Siding Cooper 16.50, from Stirling Cooper, 94 New Bond Street, W1 ; Stirling Cooper shops at D H Evans, Oxford Street, W1 Escalade, Brompton Road, SW3; Peter Robinson, Oxford Circus, W1, Leeds, Norwich and Cardiff ; Kendal Milne, Manchester. Gaberdine Oxford bags. Alkasura £8, from Alkasura, 304 King’s Road, SW3. Lime green patent belt, Gay Designs 69p; long bobble beads, Paul Stephens, 85p.
Posted: December 12, 2017 Filed under: 19 magazine, 1960s, anello and davide, biba, Feathers, gladrags, gordon king, Inspirational Images, janice wainwright, liberty, mr freedom, ossie clark, Pourelle, quorum, ritva, Sacha, Sacha, simon massey, Stephen Bobroff, Sujon, Tommy Roberts, Tony Berkeley, Tony Berkley, Vintage Editorials, wallis
Calf length New York skyline-printed crepe dress with deep neckline, narrow fitting sleeves and wide sash tied at the back. The same dress with wide bell shaped over sleeves. Both from Mr Freedom. Rings from Biba.
The look for Christmas is definitely one of bright colours and generally good cheer. Fabrics are crepes, satins and velvets in stained glass hues of rich reds, blues, greens, yellows and purples…
Photographed by Stephen Bobroff.
Scanned by Miss Peelpants from 19 Magazine, December 1969.
Long crepe kaftan style dress by Mr Freedom. Red chiffon scarf by Fenwicks. Yellow and black crepe trouser suit by Mr Freedom. Red leather boots from Sacha. Black crochet cap by Ritva at Feathers.
Ankle length satin dress over printed in mauve with floppy bell shaped sleeves and long matching scarf by Pourelle. Purple crepe calf length dress with narrow fitting sleeves, lace up neckline and wide cape style collar by Ossie Clark for Quorum. Boots by Sacha.
Purple narrow fitting t-shirt. Ankle length crushed velvet skirt in pink with purple velvet waistband. Both by Mr Freedom. Purple leather boots by Anello & Davide. Cardigan style dress in dark blue velvet splashed with yellow and red by Gordon King. Bright red crepe ankle length skirt by Ossie Clark for Quorum.
Pale pink acetate jersey ankle length skirt and v-shaped bra top with narrow straps crossing over at back by Wallis. Black crochet cap by Ritva at Feathers. Pale green crepe ankle length skirt with matching front lacing bra top by Tony Berkeley.
Long tapestry coat by Janice Wainwright at Simon Massey. Bright green narrow t-shirt by Mr Freedom. Pale pink damask narrow-fitting long coat by Janice Wainwright for Simon Massey. Silk scarves from Biba.
Ankle length zip fronted cafe crepe dress has softly gathered deep yoke by Tony Berkeley. Red, blue and yellow scarf by Sujon. Ankle length soft pink crepe dress by Tony Berkeley. Long printed Indian scarf from Feathers.
Bolero top and mid-calf skirt by Simon Jeffrey. Ankle length dress in pure Liberty wool and matching bolero by Gladrags. Red mid calf boots by Anello and Davide.
Posted: November 22, 2017 Filed under: 19 magazine, 1970s, Albini, biba, bus stop, Derber, erica budd, gillian richard, Harri Peccinotti, Inspirational Images, miss mouse, quorum, ravel, Richard Green, universal witness, Vintage Editorials, zapata
Long silver, gold and blue taffeta dress with huge puff sleeves nd ruched bodice, £22. Blue leather court shoes on high platforms and very high heels, £7.45. Blue shot lurex chiffon scarf, 20p. All from Biba.
Unwrapping Christmas presents can cause thrills of excitement or groans of despair but, whatever you find inside, the sense of occasion is always there. We’ve proved our sense of occasion by wrapping up the best Christmas clothes for your parties; showing off the lovely, sexy, lurex, satins and natty netting you’ll be adorning yourself with this party season. Glamour and glitter are here to stay, so wrap yourself up in our Christmas wrapping and you’ll be the best Christmas present anyone’s had this year!
I can only hope in vain that I will find boxes of Biba and Miss Mouse under my Christmas tree, but still it’s a nice fantasy to have! As always, a deliciously quirky concept by Mr Peccinotti and 19’s usual flawless taste in clothes…
Photographed by Harri Peccinotti.
Scanned by Miss Peelpants from 19 Magazine, December 1972.
LEFT: Black satin elasticated tube sweater, covered in stretch netting, £7. Matching black skirt with silver braid and silver spots, £10-50. Both by Miss Mouse. Green tights, from Biba, 30p. Black suede shoes with silver snake-skin trim on heel and toe, from Derber, £13-99. Lurex shot chiffon scarf, 20p. Tiny fake diamond rings, 5p. each. Both from Biba. Green glass bead bracelet, by Paul Stephens, 25p. RIGHT: Black satin heart-shaped strapless top, with gold and silver spots in lurex. Matching Oxford bags. Both by Miss Mouse, £20 the set. Silver shoes with very high heels, by Zapata, £15.75. Red shot lurex scarf, 20p. Red stud ear- rings with gold flecks, 20p. Matching bracelets, £1.20 each. All from Biba.
Black jersey dress with silver lurex spotted top and inset pleats has long sleeves, by Gillian Richard, £8.20. Silver lurex tights, by Mary Ouant. £1-50. Black suede shoes with silver snake-skin print, from Derber, £13.99. Diamante choker, by Paul Stephens, 40p. Black wool halter-neck top spotted with silver lurex and with silver straps, by Erica Budd, £3.60. Black satin ankle-length skirt, from Bus Stop, £5.95. Silver lurex tights, by Mary Quant, £1.50. Silver metallic leather shoes, from Ravel, £10-50. Long silver lurex gloves, by Morley, £2.15. Diamante choker, by Paul Stephens, 40p. Diamante heart earrings, from Biba, £1.15.
LEFT: Silver and grey knitted lurex long-sleeved polo-neck sweater, £3.50. Silver lurex cardigan with grey rose and two pockets, £9.95. Both from Bus Stop. Long grey satin skirt, by Walter Albini from Browns, £6.30. Tights by Mary Quant. £1.50. Platform sandals. from Ravel, £10.50. Bracelets. from Fenwick, 90p. each. Diamante and pearl-drop earrings, by Paul Stephens, £1.20. RIGHT: Long silver lurex halter-neck dress with silver and black lurex wavy trim on heart-shaped neck and side pleat inset. by Gillian Richard. £9.50. Matching cardigan with wavy-trim pockets. by Richard Green. £6.80. Silver lurex tights, by Mary Quant. £1.50. Silver metallic leather shoes. with platform soles and peep-toes, from Ravel, £10.50. Diamante drop earrings. by Paul Stephens. £1.10. Silver and black halter-neck lurex top, which buttons at front of waist, £5. Matching ankle-length wavy-print skirt, £8.60. Both by Richard Green. Black suede shoes with snakeskin print, from Derber, £1399. Long black satin gloves, by F. G. Shave, £2.75. Diamante bracelets. £1 each. Drop earrings. £1. Both by Paul Stephens.
Green, gold and black lurex georgette shirt with long dolman sleeves and trimmed in black satin on v-neck and cuffs, £11. Long black satin skirt, £9.50. Both from Universal Witness. Green tights, from Biba, 30p. Silver court shoes with very high heel, and ankle strap, by Zapata, £15.75. Black and silver necklace. £2.90. Diamante stud earrings, £1. Both by Paul Stephens.
Black and silver fine-striped lurex halter-neck sweater, with matching striped cardigan, by McCaul, £8 the set. Black satin trousers with turn-ups and high waist, by Richard Green, £7.70. Silver tights, by Mary Quant, £1.50. Black suede shoes with silver and red ‘snakeskin’ print and silver ankle-straps, by Leicester Shoes. £15.95. Thin diamante belt. £7.50. Single row diamante bracelet, £1. Both by Paul Stephens. Dangling diamante earrings. from Biba, 60p.
Cream crepe shirt with long puff sleeves, £4.50. Matching tunic with green satin piping on short sleeves and green, yellow and cream sequin motif, £1850. Green satin trousers, £10. All by Quorum. Gold leather shoes with gold snakeskin print, from Derber, £13.99. Green lurex bow tie to make from remnants.
Posted: November 12, 2017 Filed under: 1960s, bus stop, david hurn, Elgee, Inspirational Images, John Craig, kleptomania, lee bender, ossie clark, petticoat magazine, quorum, ravel, Sacha, Sacha, stop the shop, Sujon, Vintage Editorials, wallis
Long blue coat, £25 4s. by Ossie Clark at Quorum, S.W.3. Scarf by Liberty, £3 19s. 6d. White boots by Sacha, £7 7s. Flowery print dress, £10 10s,, by Kleptomania, S.W.3. Blue boots by Sacha, £7 7s. Corocraft beads, £1 12s. 6d.
How far are you dropping your hem this season? Variations on the theme fall from just below the knee to maxi. Coolest long-liners come soft on jersey, hot on tweed, close and clingy in crepe and warm in wool and fur…
Photographed by David Hurn.
Scanned by Miss Peelpants from Petticoat, October 1969.
Blue button-front long dress, £8 Ss. from main Wallis Shops. Beige long-sleeved shirt, £3 13s. 6d., turquoise coat, £13 13s., long black skirt, £5 Ss. all from Bus Stop, W.8. Worry beads, £15s. from The Greek Shop.
Maroon herring-bone coat, £18 10s., with matching trousers, £5 by Elgee from Miss Selfridge. Ravel red patent brogues, £6 6s, Lilac velveteen shirt by John Craig, £3 12s. from Stop the Shop, S.W.3. Brown and white tweed coat, £16 10s. C & A. Paisley scarf by Richard Allan, £3 3s. Grey herringbone coat, £13 2s. 6d., matching trousers, £414s. 6d., from Bus Stop, W.B. and the new shop in Birmingham. Boots by Sacha, £7 7s. Fringed scarf by Sujon, £3 13s. 6d.
Posted: March 13, 2017 Filed under: 1960s, celia birtwell, Francis Ford, Honey Magazine, Inspirational Images, James Moncur, John Craig, Michael Berkofsky, ossie clark, quorum, Steve Hiett, steven hiett, Susan Barry, Vintage Editorials | Tags: 1960s, celia birtwell, editorials, Francis Ford, honey magazine, inspirational images, James Moncur, John Craig, mike berkofsky, ossie clark, quorum, Steve Hiett, Susan Barry
The gist of this editorial seems to be that only the tinest breasted ladies can wear the Ossies, but I have to respectfully and fundamentally disagree. The Ossie tunic on the cover was, along with some matching trousers, later chosen as The Fashion Museum‘s Dress of the Year 1969.
Blonde model photographed by Mike Berkofsky.
Brunette model photographed by Steve Hiett.
Scanned by Miss Peelpants from Honey Magazine, November 1968.
Fluffy frilly blouse by Quorum.
Tunic by Ossie Clark.
Red chiffon blouse by John Craig.
Ruffled black dress by Francis Ford.
Low, plungey-neck dress in red satin by James Moncur.
Black crepe sleeveless dress by Susan Barry.
Posted: February 21, 2017 Filed under: 1960s, Alan Aldridge, alice pollock, Art, body paint, Caroline Moorehead, Illustrations, Imogen Hassall, Inspirational Images, jane birkin, John Astrop, John Marmaras, marsha hunt, peter blake, quorum, Ralph Steadman, telegraph magazine, The Sunday Telegraph Magazine, Veronica Carlson | Tags: 1960s, alan aldridge, alice pollock, body paint, Imogen Hassall, jane birkin, John, John Astrop, John Marmaras, jom o'connor, marsha hunt, peter blake, quorum, Ralph Steadman, sunday telegraph magazine, Veronica Carlson
Artist and designer Alan Aldridge first discovered the charms of the female body as a canvas when he painted his wife four years ago for a book poster. Since then it has become quite a habit with him, and his model on this occasion — actress and singer Jane Birkin — was one of a growing line of his painted girls. For her, however, it was a new experience. “I had flowers painted on my face for a film in India,” she recalls, “but the heat just melted them and they cried down my face. Apart from that, the girls I’ve seen in London with their faces painted tended to look pretty sordid and sweaty. When you think of it, there’s such a lot you could do,” she said. “It would be marvellous, for instance, to have bracelets and necklaces painted on. Mind you, the actual experience of being painted takes some getting used to. The sensation of the brush is like being crawled over by a wet snail. And I never realised how much I laughed with my stomach.”
Who are the people who go in for body painting, and does it really exist? Bodies are not the easiest or the most obvious things to paint. And yet as party decoration, and a more exciting way of modelling clothes and jewellery, painted bodies seem to be definitely fashionable.
Though the recent vogue was first adopted by the hippies (where better to put your flowers than painted on your body?) the artist and designer Alan Aldridge is credited with having started the trend in London. In 1964, when he was named Art Director of Penguin Books, he designed a: publicity poster using his wife painted in bright colours as a model, with the caption: “We can’t offer you girls, but we can offer you Penguins.”
“We got a pretty fantastic response,”-says Alan Aldridge. “And then I started doing it commercially in a big way. Too much in fact. The break came when I painted a girl all over but I had to get her drunk on brandy for the occasion.”
Since then sporadic parties have featured painted bodies. Public relations director David Wynne-Morgan had the idea of launching a book, The Exhibitionist, by using cheerfully painted models. The book had a painted girl on the cover, and models at the publicity party sported the title in luminous paint across their backs. Later, guests were encouraged to join in the game, and splattered their dates with paint.
At one of his last collections fashion designer Ungaro showed his models with vivid designs painted around their eyes; and it has now become fairly common in the model world to wear a sparkling snake wound round your leg, or a flower imprinted on yourforehead. Full body painting is a more esoteric art. Jim O’Connor, a graduate of the Royal. College of Art, is one of the artists who took it up ; he recently painted a body in the new landscape style now popular for fabrics: his back view of a girl showed a house rising above a fence, and. clouds floating off behind some trees.
As usual, the advertising world has been quick to catch on. A poster for Ultra’s Bermuda colour television set shows a girl lying on her stomach, naked except for a rough map of Bermuda sketched over her back. The caption invitingly reads: “Win two weeks in Bermuda”.
Another person to use body painting was Andrew Grima, the Jermyn Street jeweller, who commissioned an Italian artist, Alberto Villar, to paint a naked model in wild colours; afterwards she was scattered with jewels. Though the result was exotic, Grima has not repeated the experirnent: “It was a bit too poppish for us; the paint did not show up the jewellery to its best advantage.”
Several London shops now cater for this new trend. Joan Price, of the Face Place, 26 Cale Street, SW3 is prepared to body paint for 2 gns. She recommends two makes of paint which are non-irritant and do not smear or stain clothes. They can be used together, and are put on with special cosmetic brushes: Colour Me Cloud 9 Body Paints, which cost 5s 6d for a 2in bottle (any four for £1), or the complete set for £2 17s 6d from Cloud 9 Cosmetics, 14 Boltons Close, Woking, Surrey. Their colours range from jade green to deep purple and glistening copper to a pearlised white, which is said to be good for highlighting. The second recommended wake is Innova-tion by Coty, who have produced four subtle see-through shades, which, though not originally intended for body wear, are very suitable for staining wide areas of skin. These cost 10s 6d and can be bought from all Coty stockists.
Next year the Face Place are bringing out a range of body stencils in a variety of patterns. Until then you can make do with Alice Pollock’s Paint Box for the face, from Quorum in the King’s Road, which comes in 12 colours at £3 19s 6d.
I was so sad to hear of the death of Alan Aldridge the other day. One of the most influential artists and illustrators of his generation, his work has always been a huge inspiration to me. There seems to be no better time to share this article from 1969, in which he is credited with starting the whole body-painting phenomenon which defined the late 1960s and shown doing his thing on the ever-lovely Jane Birkin.
And in case that wasn’t enough for you, also featured are Veronica Carlson, Marsha Hunt, Imogen Hassall, Peter Blake, John Astrop and Ralph Steadman.
Photographed by John Marmaras. Text by Caroline Moorehead.
Scanned by Miss Peelpants from The Telegraph Magazine, December 1969.
For designer John Astrop the prerequisite of a good body painting is that it should be “wild”. He is an old hand at the game. Privately he has painted a friend going to a fancy dress party with an “Al Capone” scar (“it lasted all evening and was pretty horrifying”) and professionally he was commissioned to paint a girl with a complete map of Bermuda for an advertisement. His next painting, he had decided, was really going to be something unusual — a front view of a nude painted on to a girl’s back. Film actress Veronica Carlson had a train to catch, however, and could only make her attractive torso available for something less ambitious. Thus the key. This did not stop her taking an informed interest in the proceedings. She had spent four years at art school and as a result her comments were soundly practical. If he was going to add any more water to the paint, for example, could it be warmed first?
After a lifetime of doodling flowers on to her arms and legs, model, singer and former “Hair” actress Marsha Hunt was able to discuss the subject of body painting with a certain amount of authority. “Of course it’s nothing new,” she said. “American Indians, Africans, every backwoods civilisation you can think of have got themselves painted up. But I don’t think you will see paintings as big as this,” she said, peering down at cartoonist Ralph Steadman’s illustration. “Who’s got three hours to spend being painted? It would have to be a pretty high party.” She broke off and proprietorially peered down at the couple recumbent on her bosom. “Are they both white?” she asked, with the tone of a scandalised landlady. At that stage they were, but Steadman quickly turned the scene into an advertisement for a mixed marriage, and honour was satisfied. “I’ve enjoyed it,” he said. “I’d like to have a go at a couple of politicians next.”
Faced with the whole of actress Imogen Hassall s back for a canvas, painter-illustrator Peter Blake opted for total decoration: He decided to daub her in.a rainbow of colours taking their cue from the red of her playsuit and ending with a purple dramatisation of herf ace. “If you are going to paint a body, why not paint as much as you can get your hands on,” he declared. Imogen, who took all this literally lying down, reserved her comment while he boldly sketched in the ribs of the pattern. “The whole idea reminds me of how women used to paint stockings on their legs in the war,” said Peter. “That sort of body painting literally was fashion, but now I see it more as an extension to fashion — marvellous for anyone who wants to attract attention.” Imogen felt the same way. “Just the thing for a premiere — really quite groovy,” she said, stepping out into the street and virtually stopping the traffic with her now dazzling striped back and red playsuit.
Posted: January 6, 2017 Filed under: 1970s, Cecil Beaton, david bailey, Inspirational Images, leonard, ossie clark, penelope tree, quorum, Vogue | Tags: 1970s, Cecil Beaton, chelsea antique market, david bailey, inspirational images, leonard of mayfair, ossie clark, quorum, vogue
Beautiful Tree with the mysterious Mexican Datura lily, right. Black panne velvet suit with great gathered Edwardian sleeves, a cowl and long panelled skirt; to order from Ossie Clark at Quorum.
Cecil Beaton took pictures of Penelope Tree wearing new Ossie Clarks in his Wiltshire winter garden and David Bailey filmed them both, below. Double take—like a scene from the film with Cecil Beaton as the star that David Bailey is making and everyone can see in colour on ATV early next year. When I Die I Want to Go to Vogue was Bailey’s idea of a title: nobody agreed with this. For one thing it would only reflect one aspect of the Beaton legend writer, of more than twenty books; painter, with at least five major exhibitions; designer, of just about everything—opera, ballet, theatre, film—and one-man commentator, whose eye has always focused unerringly, and wittily, on the moment—this moment.
“An epic with a cast of thousands,” says Bailey about the film. There’s Mick Jagger, Jean Shrimpton, Lord David Cecil, Nureyev, Twiggy and many, including Sir Frederick Ashton, Dr Roy Strong, Sir George and Lady Weidenfeld, David Hockney, Patrick Procktor, Ossie Clark, Celia Birtwell, Mrs Anne Fleming, Lord and Lady Harewood, Lady Antonia Fraser and Edna O’Brien, who came to the now famous party that Cecil Beaton gave, and David Bailey filmed, in his London house. “I told everyone beforehand that there would be cameras and told them not to come if they minded. Nobody did mind.” “The worst moments,” says a guest, were when you knew the cameras were not on you.” And Beaton added, It was a mixture of people all looking very interesting in their new autumn clothes. Many looked beautiful.” Beautiful Tree with the mysterious Mexican Datura lily, right. Black panne velvet suit with great gathered Edwardian sleeves, a cowl and long panelled skirt; to order. Black crepe dress, side-buttoning collar, then split, long split skirt with pleated panel, 17 gns. Both at Quorum. Victorian silver choker, Sarah Dwyer and Tony Giorgi, The Chelsea Antique Market. Hair by Celine of Leonard.
Above photographed by Cecil Beaton. Below photographed by David Bailey.
Scanned by Miss Peelpants from Vogue, December 1970.
Black crepe dress, side-buttoning collar, then split, long split skirt with pleated panel, 17 gns. Ossie Clark at Quorum.