Posted: October 18, 2017 Filed under: 1970s, annacat, Anne Tyrrell, Baltrik, Courchevel, flair magazine, harriet, Inspirational Images, John Carter, Juliet Dunn, Ken Lane, mary quant, polly peck, Russell & Bromley, thea porter, Vintage Editorials, wallis
Satin crepe de chine tie neck dress and chequered over jacket by Anne Tyrrell at John Marks. Suede shoes by Mondaine.
When it comes to dressing up tonight there’s no such thing as a party line. Redheads come into their own with sleek Garboesque hairdos to set off shiny battledress tops and trousers. Jazzily printed crepe de chine dresses and jackets mix with jersey and velvet, softly innocent or dangerously backless and halternecked. Diamante remains the vital accessory – shining in the hair as well as sprinkled on bodices. The choice is yours and glamour the mood.
Photographed by John Carter.
Scanned by Miss Peelpants from Flair, December 1971
Cream jersey top and matching skirt by Mary Quant
Both dresses by Harriet
Liberty print cotton blouses and skirts, both by Courchevel. Choker by Ken Lane. Suede bar shoes by Russell & Bromley.
Pleated cotton voile horseman print dress by Thea Porter. Gilt and mock turquoise belt by Ken Lane.
Left: Dress by Reflections at Reldan. Right: Jersey dress by Baltrik.
Left: Ban-lon halterneck dress by Wallis. Right: Brown crepe de chine dress by Annacat.
Black jersey dress by Polly Peck. Inset: Jersey dress by Baltrik. Shoes by Russell & Bromley.
Black satin battledress jacket and trousers by Juliet Dunn.
Grey and red short wooly jackets by Elgee.
Fringed black shawl from Emmerton and Lambert.
Grey wool flannel full length cape by Christopher McDonnell for Marrian-McDonnell.
Posted: October 26, 2014 Filed under: 1970s, Adrian Mann, Bernshaw, biba, british boutique movement, celia birtwell, cosmopolitan, David Collings, David Warbeck, Eva Sereny, gordon king, Hilary Floyd, Inspirational Images, John Michael, Larrio, Martin Potter, Michael Petrovitch, Michaeljohn, mitzi lorenz, ossie clark, Patrick Mower, Penny Graham, polly peck, Renate Zatsch, Sam Wright, Turnbull & Asser, Vintage Editorials
Often the best parties are just for two, so make it an evening to remember. Jenny gets star treatment from Martin Potter, a Shakespearian actor whose sensational looks are making him new audiences. His ideal party: “There’d be just the two of us and it would last a month. We’d hide out in a mountain retreat. Heavy snowfalls would cut us completely off from the rest of the world. And if the telephone packed up, even better.” Jenny looks the part in a slink of a dress from Polly Peck, £12-35. Heavy gilt choker and perspex bangle from Adrien Mann.
Like the telly bank manager in the cupboard, every girl ought to keep one in her wardrobe … a rigout that makes a girl look great, feel high and draws every man to her side, irresistibly. After your winter fur your most useful investment ought to be one such stunning outfit … la piece de resistance. If it gives you that gilt-edged feeling of security that a proper party frock should, you will be glad to wear it again and again … who cares about being seen twice or even one dozen times in the same outfit … so long as you know you look your absolute best. Cosmo asked eight beautiful and busy models to choose and wear the most stunning party clothes around. And then we invited eight dishy men with great personalities to join them and give their reactions. We brought out the Champagne .. . and the pictures tell the rest of the story. Vive la difference!
Fashion by Penny Graham. Photographed by Eva Sereny.
Scanned by Miss Peelpants from Cosmopolitan, December 1973
This editorial is like honey to me. The men, the clothes, the men’s clothes…
Patrick Mower, one of TV’s best dressed men and more often seen playing tough, hard-hitting Detective Inspector Haggerty in Special Branch, closes in on Caroline. Patrick is a great one for big parties: “I case the room and meet whoever I fancy. Everyone should look great and be in a good mood. If they’re not they can go home.” Caroline luckily suits all demands in a tie-topped blouse and long skirt by Ossie Clark for Radley, £30.
Put on your most sexy dress—something nice and bare that shows a lot. David Collings, bearded for his part in Ken Russell’s Mahler, approves of girls who get “all dolled up”. He likes throwing instant parties: “Italian food, loads of wine, lots of talk. I then just let things happen. Surprises are always fun.” Jane provides just the right degree of suspense in a slashed to the waist dress by Bernshaw, £19.
Invited to a dressy dinner party? Wear a simple slither of a little black dress that emphasises all your good points. Michael Petrovitch, a tall, broody looking actor, starring in Wet Stuff with Elliott Gould and Donald Sutherland, loves small parties “Where the food’s delicious, the conversation good and the woman beside me a marvellous listener. If she’s dark and exotic looking—fantastic.” Carole fits the role perfectly in a skimmy voile and Lurex dress by Ossie Clark for Radley, £30. Gilt bangle, ring, from a selection at Adrien Mann.
If your man is the host, you’d better look great. David Warbeck, actor and model, is a great cook, and likes his hostess to shine. “I do exotic things like pheasants in honey. I serve several courses so dinner lasts about three hours, but I ask people to swap seats . . . then they can really get to know each other.” Greta glows in a dress with a cutaway back, Bemshaw, , £13.50; choker and bangle from Adrien Mann.
Be the toast of the party in a dress with a deep neckline and a cutaway back. Gary Bond, lead in Joseph And His Amazing Technicolor Dreamcoat, is bowled over by blonde Birgitta. “I love girls who laugh at my jokes. If they’re all dolled up and smelling delicious I’m their slave. I get very nervous at big parties so when I find a girl I whisk her off to the kitchen. It’s the quietest place: we can sit down and get to know each other.” Birgitta’s dress is by Hilary Floyd, £23. For that extra flirty film star touch, a matching ostrich boa from Mitzi Lorenz, £11.
Turn him on. This winter’s most glamorous party vest has that 1000 watt gleam. Larrio, the six foot four dancer at the London Contemporary Dance Theatre, is electrified by Jan. “Give me lots of pretty girls, lock the door and let me get at them! I really dig dancing the night away. If I give a party I like it to go on for nights and days.” Jan’s high-voltage sequin vest is from Biba,£11.45 ; pants, £10, from Gordon King. Earrings from Adrien Mann. Larrio’s silk shirt from a selection at Browns.
Wear a tinsel jacket—and look like the best-wrapped package in the room. Sam Wright flashes across the stage nightly in Two Gentlemen of Verona but is here brought to a halt by Renate. “Parties are very sensual things to me,” says Sam. “I lie around on big cushions listening to Beethoven or sitar music. The night should just drift away. I like my guests to feel free to do whatever they like.” Renate’s jacket, £13.35, velvet trousers, £14.40, both by Polly Peck. Bangle, earrings, from a selection at Adrien Mann. All men’s shirts from Turnbull & Asser ; trousers, velvet suits by John Michael. Make-up by Bonnie for Charles of the Ritz. Party hairstyles by David at Michaeljohn. Christmas trees and decorations from Harrods.
Posted: July 10, 2012 Filed under: 1960s, 1970s, british boutique movement, bus stop, chelsea cobbler, chelsea girl, jean varon, john bates, laura ashley, lee bender, ossie clark, polly peck, website listings
The Chelsea Cobbler 1970s embroidered wedges
Ahhhh. British Summertime. For those of you NOT currently experiencing one of the most spectacularly soggy summers this land has seen in recent years, have pity on us. It is quite unsettling to be reaching for your autumn coat in almost-mid-July. It’s also unsettling to have received an adorable gingham umbrella from your mum as a birthday present and to have been using it almost constantly since then. I’m a July baby, it’s not meant to be this way!!!!!
It’s also hard to get oneself into the listing groove when your head is saying ‘summer dresses’ ‘light cottons’ etc, but you take one look out of the window at the river your street has become and think ‘err, actually, maybe not….’.
So here is my ever-so-British mixed bag of new listings. I do hope you enjoy!
Ossie Clark 1970s moss crepe and satin dress
John Bates for Jean Varon ‘Venice’ dress c. 1966-67
Early Laura Ashley art nouveau print maxi dress
Lee Bender for Bus Stop dress w/ keyhole feature
Polly Peck by Sybil Zelker 1970s medieval influenced dress
Fifties-influenced Chelsea Girl cotton stripe blouse
Posted: May 19, 2012 Filed under: 1960s, Illustrations, polly peck, psychedelia, Vintage Adverts, Woman's Own
Scanned from Woman’s Own, October 22nd 1966
Ok, cats, I’m going to willingly lose cool points and confess that I had to look up what the hell ‘Ginchiest‘ means. (There’s even a song.) I can’t always immediately ‘get’ this kind of groovy talk. It was hard enough watching Beat Girl, daddy-o…
Posted: March 5, 2012 Filed under: annacat, bus stop, chelsea girl, harold ingram, jean varon, joanna lumley, lee bender, murray arbeid, norman hartnell, polly peck, terry de havilland, the avengers, website listings
I have just listed some stunning new pieces over at Vintage-a-Peel, but the real star of the show has got to be this incredible Lee Bender for Bus Stop skirt and halter top set. For it is identical to the one worn by Joanna Lumley in a photocall for The New Avengers in 1976. Deliciously bright and saucy, and the one thing which might distract the world from your pudding-bowl haircut!
Photos and links to other newly listed items follow underneath…
Late Sixties cord jacket (click to view listing)
Murray Arbeid 1980s turquoise cocktail dress (click to view listing)
Terry de Havilland 1970s gold glitter shoes (click to view listing)
Norman Hartnell early 1960s chiffon and soutache evening gown (click to view listing)
Annacat 1960s blue velvet jacket (click to view listing)
Harold Ingram 1970s knitted top (click to view listing)
Polly Peck 1960s white cotton blouse (click to view listing)
Chelsea Girl 1970s stripe jumper (click to view listing)
Tom Bowker for Jean Varon 1970s silver lamé top (click to view listing)
Posted: October 2, 2011 Filed under: 1960s, alice pollock, harriet, helmut newton, polly peck, Queen magazine, quorum
Black ciré jumpsuit (£14 12s) by Harriet
So instead of getting into a frenzy of bikinis I’ve been able to concentrate on the way to look this autumn. Black and rather Dietrich. Masses of sequins; velvet, chiffon, moiré. And shiny, slinky ciré, like satin come out from under a shower. To wear this black sheer tights; to spark up with silver, jet and diamond.
Incredible shoot from Queen, August 1969. Photos by Helmut Newton
Culottes and matching jacket (27gns) by Alice Pollock at Quorum.
Black moiré suit and white moss crepe cravat (£19 13s) by Sybil Zelker for Polly Peck
Sequined skirt (£19 13s) and chiffon shirt (£7 12s) by Sybil Zelker for Polly Peck
Ciré dress (£12 13s) by Harriet
Posted: July 19, 2011 Filed under: annacat, british boutique movement, clobber, janice wainwright, jeff banks, joy stevens, mary quant, miss mouse, pam hogg, polly peck, rae spencer cullen, simon massey, website listings
Please excuse the daft title. This amazing Annacat dress is so brilliant and ruffled and exotic it can’t help but make me think of the divine Ms. Carmen Miranda. Not that it will immediately make you look like her, I hasten to add, unless you wear some fruit on top of your head. Although you may wish to, and I would certainly applaud you if you did. Anyway, here’s my occasional blog about some new listings of mine. There’s the aforementioned Annacat, a Jeff Banks for Clobber dress, Ann Reeves & Co, Pam Hogg, Janice Wainwright for Simon Massey, Miss Mouse, Joy Stevens, Polly Peck, Kati at Laura Phillips, Paraphernalia, Mary Quant, Petals and Concept by Samuel Sherman. Phewwwww. That’s a lot of gear.