Posted: April 5, 2017 Filed under: 1970s, andrea pfister, barry lategan, Bernard Neville, christian dior, Hope and Eleanor, Inspirational Images, liberty, liberty's, Pedro Garcia, ungaro, Vintage Editorials, Vogue | Tags: 1970s, andrea pfister, barry lategan, bernard nevill, christian dior, editorials, emanuel ungaro, inspirational images, liberty, liberty print, Pedro Garcia, vogue
Two silk prints in primary colours on beige. £69 at Liberty. Flower strewn hat by Christian Dior Chapeaux. Beige shoes by Andrea Pfister at Bata International. Necklaces and rings from Hope & Eleanor.
The new Liberty silks by Bernard Nevill are quintessential summer—sprigged or swagged with flower from the cornfield, the garden the riverbank, in primary colours on tinted grounds. For a hot sun day, a slate blue trellised blazer over a dress with sprigged pleats, for a sunshine evening, a dress of all sorts of flowers and paisley gathered into long skirt and round puff sleeves. The first look to make, the second to buy.
Prints from Liberty’s Chameleon range designed by Bernard Nevill.
Photographed by Barry Lategan.
Scanned by Miss Peelpants from Vogue, July 1971.
Quilted jacket and wildflower pleats, left: Slate and black blazer, Vogue Paris Original Pattern 2499, designed by Ungaro. Blue flowered beige dress with long sleeves, long torso. Vogue Pattern 2469. Panama hat, by Diorling, from Debenham & Freebody. Suede shoes by Pedro Garcia.
Posted: February 1, 2017 Filed under: 1970s, barry lategan, charles jourdan, Inspirational Images, missoni, moyra swan, Pedro Garcia, Russell & Bromley, The Purple Shop, Vintage Editorials, Vogue | Tags: 1970s, barry lategan, charles jourdan, missoni, moyra swan, Pedro Garcia, russell & bromley, The Purple Shop, vogue
Clothes by Missoni. Butterflies and beads from The Purple Shop.
Ottavio and Rosita Missoni are to Italian knit as Gucci is to leather. Using inspiration from original an unexpected quarters – a piece of antique porcelain, a fragment of embroidery, a picture painted by someone they then employ in their factory and train to use their knitting machines – together they produce the most beautiful knits in ravishing colours, extraordinary patterns and perfect shapes.
Photographed by Barry Lategan.
Scanned by Miss Peelpants from Vogue, April 1971.
Clothes by Missoni. Pendant from The Purple Shop. Shoes from K Shoes.
Clothes by Missoni. Claret platforms by Charles Jourdan.
Clothes by Missoni. Feather choker from The Purple Shop. Suede sandals by Pedro Garcia for Russell & Bromley.
Posted: June 10, 2013 Filed under: 1970s, annacat, barry lategan, Boston-151, british boutique movement, Gina Fratini, Ginger Group, janice wainwright, Kumari, Lati Ptochis, Leslie Poole, Malcolm Raines, margit brandt, mary quant, pablo and delia, Pedro Garcia, Scorpio, simon massey, The Sweet Shop, Tony Berkeley, Vintage Editorials, Vogue
Smock by Leslie Poole for Annacat. Small smock from Little Things.
“This is not a maternity feature, this means you. But what a great year to be pregnant”
Glorious Pre-Raphaelite inspired shoot by Barry Lategan, exactly how I dream of dressing every day. Those hats! …
Scanned by Miss Peelpants from Vogue, March 1971
Get the look with a gorgeous printed smock dress over at Vintage-a-Peel
Smock by Mary Quant Ginger Group. Velvet Holbein hat from The Sweet Shop.
Smock by Lati Ptochis at Boston-151. Flower trailer by Pablo & Delia.
Smock and skirt by Tony Berkeley. Shoes by Pedro Garcia. Wristlet by Pablo & Delia. Hat by Malcolm Raines at The Sweet Shop.
Smock and skirt by Gina Fratini. Shoes by Pedro Garcia. Hat by Malcolm Raines at The Sweet Shop. Necklace by Pablo & Delia
Smock by Janice Wainwright at Simon Massey. Painted hair decoration by Pablo & Delia.
Smock by Margit Brandt, skirt by Kumari, both for Scorpio.