Let’s Make Up

Lets Make Up - John Bishop - 19 December 70

Katrine on the left, is our Biba model… Louise on the right is our Mary Quant model… Both chokers from Biba. Hair for both girls was by Didier from the Jean Louis Davide Salon, Paris. Make-up was devised by top French visagiste, Clement and photographed in Paris by John Bishop.

Scanned from 19 Magazine, December 1970.

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Autumn’s Prettiest Silhouettes

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Left to right: Berkertex, Mary Quant for Ginger Group, Clothes at Colin Glascoe, Gina Fratini, Frederick Starke, Polly Peck.

Scanned from 19 Magazine, September 1970.

 

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All clothes by Wallis.


Crêperie

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Poppy field morocaine dress with drawstring neck by Ossie Clark for Radley. Plaited suede sandals by Bata.

Flirty little crêpe dresses so irresistibly feminine you’ll never be alone for long.

Anyone who knows me at all will know that *I* cannot resist crêpe, never mind what a fella thinks. This is a stunning editorial, with a model I’m not sure I recognise from anywhere else – so do comment if you can identify her. Featuring two covetable dresses by Ossie Clark but also featuring two by the mysterious ‘Boobs’ boutique label (by designer Linda Warren). I have found mention of a ‘Boobs’ boutique in Edinburgh, but I think it might just be coincidence. Again, holler if you know anything!

Photographed by Roy A. Giles.

Scanned from Honey, November 1971.

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Daring slash necked lemon and lime striped Dicel crêpe dress with paste brooch by Linda Warren at Boobs. Suede plaited shoes by Bata. Tights by Mary Quant.

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Chocolate brown Dicel crêpe dress with wide accordian pleated sleeves gathered into deep buttoned cuffs by Linda Warren for Boobs. Scarlet and black scalloped shoes by Ravel. Red art deco compact from Universal Witness.

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Skimpy jet black halter neck bonded moss crêpe dress with pink and black polka dot fluted bolero jacket by Rosy Bradford for Quorum. Scarlet glacé leather peep toe shoes from Zapata. Flocked red cherries by Adrien Mann.

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Button-through bow-scattered gently flaring crêpe dress from Bus Stop. Black sude sandals by Bata.

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Slippery satin dress with palm tree printed bodice by Ossie Clark for Radley. Scarlet leather peep toe shoes by Zapata.


Just Like Granny Used To Wear

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Very Thirtyish, with its floral print and elbow length sleeves, a Liberty print cotton dress by Foale and Tuffin. Leather shoes by Ravel. Crochet straw hat by Biba.

Granny’s clothes are coming back. Trend-setting girls saw some time ago what pinched-in waists and long clinging crepes could do for them. Now manufacturers and boutiques have seen the potential. But beware – for it is only on the very young that granny’s clothes look very new.

Hair by Howard at Vidal Sassoon. Make-up by Yardley. Fashion by June McCallum.

Photographed by Hiroshi.

Scanned from The Telegraph Magazine, August 7th 1970.

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Small white flowers are printed on the black background of a cotton jersey dress that granny might have worn as a girl. Designed by Lee Bender at Bus Stop. The shiny leather lace-up shoes are by Ravel.

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Far from looking old-fashioned, this printed cotton suit from Biba is beautifully up-to-date with its fitted waist, peplum and long skirt. the lace-up granny boots are from Ravel.

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Double chiffon dress for serious occasions has the dropped waistline, sash and long sleeves with scalloped trim of the Twenties. By Mary Quant’s Ginger Group.

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Printed crepe suit with a fitted shape that is a reminder of the Forties. By Lee Bender at Bus Stop. Shoes are from Ravel.


Decent Exposure

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Tiny cut away bra and pants both by Mary Quant.

See-through dresses and communal changing rooms call for something more flamboyant than chainstore underwear. What’s needed is a bit of…

Illustrated by Caroline Smith.

Scanned from 19 Magazine, April 1970.

 

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White cotton jersey bra and boxer shorts printed with red stars by Mr Freedom

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Black and white delicately patterned set by Emmanuelle Khanh.

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Pink purple and black print bra and matching pants by Janet Reger. Metal armlet tied by coloured leather thongs from Mr Freedom.

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White lacey bra and white nylon culottes both from Fenwicks.

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Tiny white and grey nylon jersey bra and pants by Margit Brandt. Hand-engraved metal armbands from Mr Freedom.


Keep it Dark

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Flower print skirt and top by Sujon. Crochet shawl by Mrs Cresswell. Shoes by Sacha.

Dusky dark dresses for the days when you’d rather take things cooler, in feminine earthy patterns galore, with more than their fair share of low key price tags…

Photographed by Steve Hiett.

Scanned by Miss Peelpants from Petticoat, February 1971.

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Both outfits by Mary Quant’s Ginger Group. Inset below right, both dresses by Dranella.

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Midi dress by Marielle. Rosie Nice satin shawl.

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Liberty print tiered dress by Miss T. Shawl by Mrs Cresswell. Cream boots by Ravel.

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Multiprint dress, left, by Alan Rodin. Belt from Elliott. Sacha boots. Button front Liberty print dress, right, by Miss T. Suede beaded shawl by Elliott. Choker by Buckle Under.

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Long Liberty print dress by Wallis. Bag and choker by Elliotts. Shoes by Anello & Davide.


Beautiful Things

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Shorts in cream patterned satin with lace, by Funn.

At last, at last, British designers have realised that underwear is worn to be seen – and this season sees the prettiest, sexiest lingerie for some time. Nonsense undies are still with us – those barely-there bras, more supported than supportive, but shapelier ladies can now choose from a wide selection of really beautiful things.

Photographed by Paul Harris.

Scanned by Miss Peelpants from Harpers and Queen, November 1975.

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Bra and matching briefs in white lace from Harrods. Suspender belt by Courtenay.

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Lithe leotard and tights, both from Fenwick. Socks by Mary Quant. Hairnet from Medina.

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Film star petticoat and knickers by Janet Reger. Stockings by Funn. Flat dancing pumps by Charles Jourdan.

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Pale pink bra and French knickers by Dior at Fenwick. Stockings by Mary Quant. Powder puff from Harrods. Chair by Plia at Habitat.

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Slinky all-in-one set in lavender Lycra by Robin Alexis.

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Champagne petticoat by Mrs Hilton for Finewear.