Charlotte Rampling by Hans Feurer

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Plunge-necked green shaded Trice! crepe dress, by John Bates for Jean Varon, approx. 14gns.

What is she really like? Very much a domesticated and warm-hearted girl, she is preparing to set up home with the man she loves. Although she usually favours clothes collected from Antique supermarkets, 19 chose these daringly-cut dresses to emphasise the underlying tiger in her make-up.

At twenty-three, and with five feature films to her credit, Miss Charlotte Rampling is now engaged in what is seemingly her most important project to date – setting up residence in a fashionable Westminster two-storey house with film-maker Tommy Weber, and his two shaggy-haired sons, Jake, aged nearly six, and Charlie, aged four.
Charlotte has been with Tommy for a year now, and when his divorce comes through, they plan to marry. Charlotte feels this will be ‘mostly for the children’s and my parents’ sake’.

She returned to England from Madrid four years ago, when she received her first film offer, landing a starring role in a Boulting Brothers comedy, Rotten To The Core. Following this movie, Charlotte appeared as Meredith, the super-shrew of Georgy Girl – and probably produced the totally misconceived image as a girl much like the one she played.

Charlotte describes Meredith as a real bitch’ of Georgy she says; “She was pathetic, but two-faced – not an admirable character.” Lyn Redgrave, however, was ‘absolutely beautiful’, and the film set was a happy one.

Charlotte has recently completed two films; Three, directed by Jim Salter, from an Irwin Shaw story, is spoken of with less than relish. What apparently started out as a free, flowing movie about three students bumming their may across Europe, ended up as a contused, under-budgeted affair, in which the hardships outnumbered the freedom.

Her most satisfying film to date, The Damned, is still being shot under the direction of Italy’s Luchino Visconti and she feels this was an invaluable experience. It is the story of the Krupp family, who rose to power in Hitler’s Germany.

Charlotte Rampling is now in the enviable position of having completed a major role, and possessing the chance to choose what she wants for the future.

Photographed by Hans Feurer.

Scanned by Miss Peelpants from 19 Magazine, May 1969.

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Ribbon-trimmed plunge-necked blue shaded Tricel crepe dress, by John Bates for Jean Varon, approx. 13gns.

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Culotte dress in shaded beige to bream 7-ricel crepe, with tiny bodice and trans-parent nylon organza back, by John Bates for Jean Varon, approx. £17 6s. 6d. Gold sandals, by Ronald Keith, 5gns.

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Silk jersey black tie top and layered skirt, by Lizzy Carr, approx. 71/2gns. each.


Soft Summer Shape-ups

Soft Summer Shape-ups 2

Gillian Richard pinny. Van der Fransen sailor blouse. Biba espadrilles. Cotton blouse and animal print winceyette shirt, both by Richard Green at Lady M ships. Raffia beret, wire bracelet and cherries, all from Biba.

This is the freshest summer fashion story so far. The prettiest pastel shades with tiny nursery prints you must be happy in. These clothes do the most for a girl and whatever your shape you’ll find all manner of pants, aprons and shirts to match your own personality.

Photographed by John Carter.

Scanned by Miss Peelpants from Petticoat Magazine, June 1972.

Soft Summer Shape-ups 3

Jasper shirt. Pants by Lizzie Carr for Plain Clothes. Biba beret.

Soft Summer Shape-ups 4

Shirt by Lizzie Car for Plain Clothes. Canvas pants at Stirling Cooper.

Soft Summer Shape-ups 5

Crochetta sweater at Knits and Leathers. Satin pants by Lizzle Carr for Plain Clothes. Edward Mann hat. Ankle strap shoes by Samm.

Soft Summer Shape-ups 1

Satin bermudas and satin smock, both by Lizzie Carr for Plain Clothes. Rosebud vest from Bus Stop. Edward Mann hat.


Inspirational Editorials: Feeling Fresh

Pink straw hat by Jean Charles Brosseau. Cotton satin jacket with floral design and spotted cotton pants both by Lizzie Carr for Plain Clothes. Shoes from Anello and Davide.

Pink straw hat by Jean Charles Brosseau. Cotton satin jacket with floral design and spotted cotton pants both by Lizzie Carr for Plain Clothes. Shoes from Anello and Davide.

Photographed by Franz Gruber. Scanned by Miss Peelpants from 19 Magazine, May 1972

Black cotton voile shirt by David Silverman. Black and white cotton culottes by Angela at London Town. Blue leather peep-toe shoes trimmed in white by Bata.

Black cotton voile shirt by David Silverman. Black and white cotton culottes by Angela at London Town. Blue leather peep-toe shoes trimmed in white by Bata.

Pink straw panama hat by Jean Charles Brosseau. Cotton smock and cotton trousers by Lizzie Carr for Plain Clothes. Shoes by Anello and Davide.

Pink straw panama hat by Jean Charles Brosseau. Cotton smock and cotton trousers by Lizzie Carr for Plain Clothes. Shoes by Anello and Davide.