Dance of the Seven Voiles

Corn coloured Liberty voile with poppy red and brown flowers ruched with daisies of white lace across the bodice, by Mary Quant’s Ginger Group.

Spring is a story of air spun with flowers – voile light as veils – with veil upon voile. Lyrical layers of patterns together. Bewitching play of light and limb – a gentle illusion to see through – or not – the legs veiled in trousers quite sheer, skirts long and then suddenly short at one side, a flurry of leg through the frills and the flowers. Mary Quant played Pied Piper to the young in the sixties, now she designs to the heart of the new mood with her prettiest collection in years.

Photographed by Sarah Moon.

Modelled by Ingrid Boulting.

Scanned from Vogue, March 1970.

Shepherdess dress of flowered cotton with an overshirt of voile laced to a calico cummerbund. Children’s costumes by Philomen, Paris.

Cornflower blue flowers, a little dress with a ruffled shawl wrapped as a skirt.
Liberty’s voile of undecided stripes, red and soft beige in a simple smock over trousers.
Honey voile flowered with brown and red pansies, ruched with white lace over the bodice.
Black voile, scattered with flowers and red braid with lovely sheer trousers.
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Autumn’s Prettiest Silhouettes

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Left to right: Berkertex, Mary Quant for Ginger Group, Clothes at Colin Glascoe, Gina Fratini, Frederick Starke, Polly Peck.

Scanned from 19 Magazine, September 1970.

 

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All clothes by Wallis.


Essential Summer

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Two silk prints in primary colours on beige. £69 at Liberty. Flower strewn hat by Christian Dior Chapeaux. Beige shoes by Andrea Pfister at Bata International. Necklaces and rings from Hope & Eleanor.

The new Liberty silks by Bernard Nevill are quintessential summer—sprigged or swagged with flower from the cornfield, the garden the riverbank, in primary colours on tinted grounds. For a hot sun day, a slate blue trellised blazer over a dress with sprigged pleats, for a sunshine evening, a dress of all sorts of flowers and paisley gathered into long skirt and round puff sleeves. The first look to make, the second to buy.

Prints from Liberty’s Chameleon range designed by Bernard Nevill.

Photographed by Barry Lategan.

Scanned by Miss Peelpants from Vogue, July 1971.

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Quilted jacket and wildflower pleats, left: Slate and black blazer, Vogue Paris Original Pattern 2499, designed by Ungaro. Blue flowered beige dress with long sleeves, long torso. Vogue Pattern 2469. Panama hat, by Diorling, from Debenham & Freebody. Suede shoes by Pedro Garcia.


Dressing Gowns

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Rayon boudoir dressing gown by Diana Leslie for Tyger Tyger.

Dressing gowns should be comfortable, glamorous and practical. Here we show you what you might wear if you want to potter about the house in style, from towelling to satin, the pick of the bunch.

Modeled by Anjelica Huston.

Photographed by Steve Hiett.

Scanned by Miss Peelpants from Flair, December 1971

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Red and white flower print rayon dressing gown by Karencraig.

L-R Beardsley print slinky dressing gown by Georgina Linhart; Red voluminous nightie and peignoir by Biba; White and black kimono by Jasper.

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Dark brown panne velvet dressing gown by Georgina Linhart.

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Lilac and burgundy towelling zip up dressing gown by James Drew.

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Liberty Veruna wool checked wrap dressing gown from Liberty.


Inspirational Interiors: You, too, can have it cushy!

Cushion fabrics from Liberty, Antiquarius, Horrockses amongst others. Feathers, vase, coffee set and tray all from Biba. Hokensai prints and frames from Neal Street Shop.

Cushion fabrics from Liberty, Antiquarius, Horrockses amongst others. Feathers, vase, coffee set and tray all from Biba. Hokensai prints and frames from Neal Street Shop.

Photographed by Brian Stowell. Room and text by Gwenda Saar.

Scanned by Miss Peelpants from 19 Magazine, February 1975.


Inspirational Editorials: The Greeks have a look for it…

Left: Fluid white Celon jersey twisted round the neck, falling through an embroidered belt in turquoise and tangerine. By Susan Small. Silver and gold shoes by Richard Smith for Chelsea Cobbler. Right: Devonshire cream chamois halter top, sashed over skirt of creamy wool sunray pleats by Jean Muir. Shoes in Liberty Tana Lawn by Manolo Blahnik for Zapata.

Left: Fluid white Celon jersey twisted round the neck, falling through an embroidered belt in turquoise and tangerine. By Susan Small. Silver and gold shoes by Richard Smith for Chelsea Cobbler. Right: Devonshire cream chamois halter top, sashed over skirt of creamy wool sunray pleats by Jean Muir. Shoes in Liberty Tana Lawn by Manolo Blahnik for Zapata.

Photographed by Bailey.

Scanned by Miss Peelpants from Vogue, March 1972.

Navy chiffon pleats, sashed with navy ribbon, by Roland Klein at Marcel Fenez. Black leather shoes by Mary Quant.

Navy chiffon pleats, sashed with navy ribbon, by Roland Klein at Marcel Fenez. Black leather shoes by Mary Quant.


Inspirational Editorials: Cotton On

Liberty print dress by Jeff Banks

Liberty print dress by Jeff Banks. Hat throughout by Edward Mann. Petticoat throughout by Laura Ashley

Styled by Caroline Baker. Photographed by Harri Peccinotti.

Scanned by Miss Peelpants from Nova, May 1975

Smock dress and matching pyjama trousers by Serena Shaffer at Electric Fittings.

Smock dress and matching pyjama trousers by Serena Shaffer at Electric Fittings.

Dress by Christian Aujord.

Dress by Christian Aujord.

Top and circle skirt by Janice Wainwright with print by Bernard Neville for Cantoni.

Top and circle skirt by Janice Wainwright with print by Bernard Neville for Cantoni.