Posted: May 12, 2017 Filed under: 1970s, Adrian Mann, Angela at London Town, biba, Browns, clobber, Feathers, gillian richard, gladrags, Jean Claude Volpeliere, jeff banks, petticoat magazine, Sacha, Sacha, stop the shop | Tags: 1970s, Bermona, biba, clobber, Feathers, gillian richard, gladrags, Jean Claude Volpeliere, petticoat magazine, sacha, stop the shop
Gladrags printed shirt with cotton satin knickerbockers. Plastic and raffia choker by Adrien Mann. Gladrags cotton satin shorts with bib.
Just a quick glance at any of these new mid-year fabrics can lead to all sorts of sunny ideas. Will you take to squashysoft quilting or fall in love with countryside madras printed denim and shiny new satinised cotton? For the romantic there’s beautiful embroidered lawns and more than enough nostalgia in the turn-of-the-century jacquard crepes, woven on precisely the same machines as those of sixty summers past. All ready for you to wear tomorrow — or to keep aside for that long hot summer . . .
Photographed by Jean Claude Volpeliere.
Scanned by Miss Peelpants from Petticoat, April 1971.
Little bird print shirt and skirt from Biba. Suede wedge shoes from Sacha. Angora brim hat from Browns.
Blue quilted shorts and shirt, both from Feathers. Blue suede shoes by Sacha.
Clobber stars and stripes jacket at Stop the Shop. Bermona denim cap.
Gillian Richard printed dungarees, smock and matching hat from ’27’. Gillian Richard calico smock with matching dungarees from Snob and Irvine Sellars shops. Herbert Johnson hat. .
Angela smock dress at Stop the Shop.
Angela calico farmers smock worn with denim jeans, wellington boots and hat.
Posted: April 14, 2017 Filed under: 19 magazine, 1970s, biba, Bombacha, Brave New World, bus stop, chelsea cobbler, Diane Logan, Essences, Essenses, Gian Barberis, gillian richard, Inspirational Images, Jackie Ross, jeff banks, Jon Elliot, Joseph, kangol, lee bender, Lison Bonfils, nostalgia, Ricci Burns, Uncategorized, Vintage Editorials | Tags: 19 magazine, 1970s, biba, Bombacha, bus stop, chelsea cobbler, Diane Logan, editorials, Essences, Gian Barberis, gillian richard, inspirational images, Jackie Ross, jeff banks, kangol, Lison Bonfils, nostalgia, Ricci Burns
Striped top and matching crepe cardigan. Cream crepe trousers, all by Jackie Ross at Jon Elliot. Clutch bag by Biba. Blue and white striped scarf from Essences. Beige straw hat by Diane Logan / Green,, white and black striped cardigan is a 19 Magazine knitting pattern. Long cream gored skirt by Brave New World. Cream strappy straw sandals from Chelsea Cobbler.
back to romance with nostalgia and nostalgic clothes in romantic settings. Long, flowing scarves, mysterious veils and soft, sensuous fabrics for Sunday strolls or super dates — a wardrobe for summer sentimentalists
Hair by Robert at Ricci Burns.
Photographed by Gian Barberis.
Scanned by Miss Peelpants from 19 Magazine, May 1974.
Green straw hat by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Cream knitted cardigan from Essences. Grey suede shoes from Bombacha. / Dark green chip straw ht by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Navy blue shoes from Bombacha.
Cream beret by Kangol. Halter top, matching white and blue silk knitted long cardigan. Matching calf-length knitted skirt all by Lison Bonfils at Joseph. Grey suede shoes from Bombacha. / Salmon pink beret by Kangol. Cream crepe sleeveless top with sequin motif. Matching below-the-knee culottes. Both by Jackie Ross for Jon Elliot. Salmon pink silky cardigan from Essences. Sandals from Chelsea Cobbler.
Brown felt hat from Nostalgia. Black and white crepe de chine dress by Jeff Banks. Cream cardigan by Essences. Shoes from Bombacha. / White suit with black pattern and reverse on cuffs and collar from Essences. Black suede shoes from Bombacha. Black scarf from Bus Stop.
Pink straw hat by Diane Logan. Crepe crepe jacket and matching mid-calf skirt by Bus Stop. Cream straw shoes by Chelsea Cobbler. / Black and tan cloche from Diane Logan. V neck top and matching crepe jacket and skirt all from Bus Stop. Straw shoes by Chelsea Cobbler. Scarf to match suit from Bus Stop.
Posted: March 16, 2017 Filed under: 1960s, clobber, Elliott, helmut newton, Inspirational Images, jeff banks, Jersea, marrian mcdonnell, mary quant, observer magazine, Ruben Torres, swimwear, Tiktiner, Uncategorized, Vintage Editorials | Tags: 1960s, clobber, editorials, elliotts, helmut newton, inspirational images, jeff banks, mary quant, observer magazine, Ruben Torres, swimwear
Wet-look cire bikini, also in red, with gilt link on bra top and belt of pants, 59s., from main branches of C & A. Paste tiger brooch from the Paris flea market.
Pause for reflection before you buy your swimsuit for this summer. If you’re going to be in the picture, you must get your exposure right : make it the most your shape will take. Because this is a narcissistic year. More girl, less swimsuit. Bikinis will be back with us again this summer — and they’ll be barer than ever. But the fabrics, not to be outshone, are glistening wet-look cires, metallic golds and silvers. And as adornments for the bare body, there is simple animal jewellery —snake bracelets, stalking-tiger brooches, that sort of simple thing.
Hair by Didier at Jean-Louis David, Paris.
Photographed by Helmut Newton.
Scanned by Miss Peelpants from The Observer Magazine, April 1969.
Silver crochet bikini (also in other colours), £5 15s. 6d.; all cobweb crochet jacket, £5 15s. 6d.; both by Clobber, from Miss Selfridge, Oxford Street, W1 ; Just Looking, Kings Road, SW3; J. T. Parrish, Newcastle; Contrary, Burton Square, Manchester ; Silver cord lacing up jacket, 5d. yd. from John Lewis, Oxford Street, W1. Paste tiger brooch from the Paris flea market.
Tobacco-brown bikini with fine chain straps and belt, by Tiktiner, £10 15s., from the Summer House at Simpsons, Piccadilly, W1. Gold leather sandals fastening above the ankle, f7 17s. 6d. from Elliotts, 76 New Bond Street, W1, and Kings Road and Knightsbridge branches. Snake brace-lets, 42s., frog ring, 12s. 6d.; by Corocraft, from Marrian-McDonnell, 45 South Molton Street, W1, and 80 Sloane Avenue, SW3; Kendal Milne, Manchester.
Barely one-piece swimsuit, cut away at the back like a bikini, in sand-coloured towelling, and in other colours too, by Jersea, £4 15s., from Harrods, Knightsbridge, SW1 ; Lynette Claire, Kensington High Street, W8; Marshall & Snelgrove, 24-30 New Street, Birmingham; Darling & Co., Bath ; Impact, Salisbury. Gladiator boots, by Mary Quant, 89s. 11d., from Lilley & Skinner.
White Nylon Helanca and Antron bikini with clear perspex links, by Ruben Torres for Tweka, 5gn., also in lilac, black, pink, turquoise or gold, from D. H. Evans, Oxford Street, W1 ; Lady Jane, Carnaby Street, W1 ; Birn & Son, Southend-on-Sea ; Rackhams, Birmingham; Reid & Todd, Glasgow. Summery boots laced up the back by Mary Quant, 89s. 11d., from Lilley & Skinner, 360 Oxford Street, W1. Gilt snake chain around waist, by Corocraft, 2gn., from Way In, Knightsbridge, SW1 ; Kendal Milne, Manchester.
Posted: February 24, 2016 Filed under: 19 magazine, 1970s, antony price, art deco, biba, clobber, David Tack, Inspirational Images, interiors, jeff banks, ossie clark, radley, Sidgreene, stirling cooper, Vintage Editorials | Tags: 19 magazine, 1970s, antony price, art deco, biba, David Tack, graeme gibson, jeff banks, ossie clark, radley, stirling cooper
Screen printed satin suit by Biba. Brooch, cigarette case and lighter all from Jolly and Marsh at Kensington Market.
Crepe halter midi dress by Clobber.
Grand affairs call for grand clothes, and provide a welcome opportunity to get out of our peasant blouses and jeans and dress accordingly. The nicest thing about fashion at the moment is that everyone is so confused as to what they should be wearing, that you can wear exactly what you like. We opt for the romantic Garbo fashion, tarted up in the ’71 style, because girls are beginning to look like girls again and, although we sympathise with Women’s Lib., we don’t believe you have to look like a fella to get equal rights!
Possibly the most perfect encapsulation of the Seventies-does-Thirties aesthetic, this homage to Art Deco features some of the most lust-worthy clothes from my favourite designers and boutiques. Including Biba, Ossie Clark and some rare Antony Price for Stirling Cooper!
Photographed in the home of interior designer Graeme Gibson rather than in a studio, the authenticity is heightened by the location and the props, and then finished with the sweet illustrated photoframes.
Photographed by David Tack.
Scanned by Miss Peelpants from 19 Magazine, January 1971.
Crepe dress by Antony Price for Stirling Cooper. T-strap shoes from Sacha.
Aegean print pinafore dress by Sidgreen.
Crepe dress by Antony Price for Stirling Cooper. Shoes from Sacha.
Moss crepe dress by Ossie Clark for Radley.
Black crepe dress with white print by Radley.
Posted: November 23, 2015 Filed under: 19 magazine, 1970s, Inspirational Images, jeff banks, mary quant, Midas, Prêt-à-Porter, Robyn Beeche, Russell & Bromley, strawberry studio, Uncategorized, Vintage Editorials | Tags: 19 magazine, 1970s, inspirational images, jeff banks, midas, Prêt-à-Porter, robyn beeche, russell & bromley
Dress, worn by all models, by Prêt-à-Porter. Left: Tights by Mary Quant. Boots by Midas. Orange rope from Bazaar Shops. Sash by Strawberry Studio. Pouch by Midas. Centre: Pants by Prêt-à-Porter. Boots by Russell & Bromley. Rope and belt by Bazaar Shops. Woven belt from The Warehouse. Far right: Shirt by Fifth Avenue. Waistcoat by Casablanca. Petticoat by Strawberry Studio. Boots by Midas. Scarf by Cornelia James.
Ever been to a party in a not very exclusive dress and had that feeling that someone else is bound to be wearing the same thing? Or, maybe, you simply can’t afford more than one dress for the party season. Here are some smart ideas on how to ring the changes with just one number and be the belle of the ball every single time.
Photographed by Robyn Beeche.
Scanned by Miss Peelpants from 19 Magazine, December 1976.
An early shoot by legendary Australian photographer Robyn Beeche, who would later make her name capturing the alternative scene in London in the early 1980s and who sadly died earlier this year. Beeche is largely known for her documentation of catwalk shows and Alternative Miss World events, as well as experimental portraiture, so it’s interesting to see a more conventional studio/fashion set-up from her at the beginning of her career.
Shirt dress, worn by all models, by Jeff Banks. Far left: Tights by Mary Quant. Shoes by Dolcis. Net scarf from Nostalgia. Gold sash by Strawberry Studio. Fabric around head and worn as sash from John Lewis. Centre: Jeans by Made in Heaven. Shoes by Sacha. Sashes by Strawberry Studio. Purses from Mitsukiku. Right: Sweater by Simon. Boots by Midas. Belt from Bazaar Shops.
Posted: January 19, 2015 Filed under: 1960s, 1970s, british boutique movement, celia birtwell, chelsea girl, Hildebrand, james wedge, janice wainwright, jean varon, jeff banks, john bates, ossie clark, radley, simon massey, website listings, yves saint laurent, zandra rhodes
Yves Saint Laurent Rive Gauche
Plenty of new listings at Vintage-a-Peel (also available on Etsy) at the moment, including a superb 1970s Saint Laurent Rive Gauche silk wrap dress. There’s also a Celia Birtwell-print Radley dress, a Zandra Rhodes-print Hildebrand dress, Ossie-esque Janice Wainwright maxi, a rare James Wedge hat and the loveliest chiffon Jean Varon dress. Enjoy!
John Bates for Jean Varon
Hildebrand with print by Zandra Rhodes
Radley of London with print by Celia Birtwell
Janice Wainwright for Simon Massey
Posted: October 12, 2014 Filed under: 1960s, british boutique movement, bus stop, clobber, Inspirational Images, janice wainwright, jeff banks, lee bender, observer magazine, ritva, simon massey, Steve Hiett, Vintage Editorials
Rich brown satin dress slashed to the waist by Lee Bender for Bus Stop
An expensive dress bought to wear just for evenings can spoil your party fun. You’ll worry about spilt wine and cigarette burns while you’re engaged in unarmed combat with the crowd. You don’t want to pay a lot for something you and your friends might tire of after just one round of parties. So find yourself a dress that’s memorable like the four shown on these pages, in shiny satin, cire, Tricel, jersey or sparkling Lurex, and if its life is hort, it might break your heart but not your bank. So buy your glitter cheaply, and spend your sixpences on having fun.
Photographed by Steve Hiett.
Scanned by Miss Peelpants from The Observer Magazine, 7th December 1969
Purple tricel jersey shirtdress shimmying to ankle length by Clobber. Smoky grey pearl rope, 10 feet long, from Paris House.
Lurex jersey dress, memorably low-cut, by Janice Wainwright for Simon Massey. Pale silver crochet hat from Ritva.