This post is brought to you in two parts. The editorial was, unusually, photographed by two different photographers in two different locations. Tomorrow I will post the photos from Brighton Pier (very exciting for me, as you can guess!). Today’s were photographed in Meeny’s, which was a King’s Road boutique started by Gary Craze in 1972 – specialising in American brands for both adults and children. Clearly showing the same influences as Mr Freedom, this is the first I’ve seen of the interior. The clothes are the very creme de la creme of boutique ‘pop art’ joyfulness.
Illustration by Michael Roberts. 19 Magazine, January 1973.
. . . in 1973. Life is beautiful, the girls are beautiful, the clothes are beautiful. In fact, life, 1973-style, is a cabaret and here we present the cabaret-girls, with a few tips – picked up at the Paris fashion shows – on how to dress the part without using up too much money
LEFT TO RIGHT: Martine in a chemise dress inspired by Roland Chakkal at Mendes. Make one yourself from a ‘Twenties‘ slip. She amuses herself by.toying with her cigarette holder (held just for show), while listening to the jangling of her nine A bangles. Her drop-earrings glitter, her tight bead choker sparkles and one arm is snug in its elbow-length glove.
Janine tangos giddily with her partner. but nevertheless looks chic in a little soup-plate hat, perched jauntily over a printed scarf inspired by Karl Lagerfeld at Chloe. Thrown into a state of ecstasy by the Jap Collection, she has naturally teamed a long striped jumper with a neat box-pleated skirt.
Her partner, in pinstriped suit (inspired by designer Dorothée Bis), white-wing collar and bow tie (available in father`s top drawer), wears drop-earrings as a concession to femininity.
Neatly fandangoing into the spotlight – Katherine and Margaret. Katherine’s favourite designer is Karl Lagerfeld at Chloe. How right then for her to be attired in printed bra top and skirt. But paradox, paradox. She also fell in love with the stripey pixie hat seen at Dorothee Bis. Happily, she’s thrown caution to the wind and wears them together.
Margaret looks soulful. That is the only way one can look in an eye-shading, pull-on hat, all the rage for lovers of designer Emmanuelle Khanh
Zizi, as always, simply had to be different. A monocle. Only she could get away with this, but the rest of her accessories should be simple to copy.