Posted: April 14, 2017 Filed under: 19 magazine, 1970s, biba, Bombacha, Brave New World, bus stop, chelsea cobbler, Diane Logan, Essences, Essenses, Gian Barberis, gillian richard, Inspirational Images, Jackie Ross, jeff banks, Jon Elliot, Joseph, kangol, lee bender, Lison Bonfils, nostalgia, Ricci Burns, Uncategorized, Vintage Editorials | Tags: 19 magazine, 1970s, biba, Bombacha, bus stop, chelsea cobbler, Diane Logan, editorials, Essences, Gian Barberis, gillian richard, inspirational images, Jackie Ross, jeff banks, kangol, Lison Bonfils, nostalgia, Ricci Burns
Striped top and matching crepe cardigan. Cream crepe trousers, all by Jackie Ross at Jon Elliot. Clutch bag by Biba. Blue and white striped scarf from Essences. Beige straw hat by Diane Logan / Green,, white and black striped cardigan is a 19 Magazine knitting pattern. Long cream gored skirt by Brave New World. Cream strappy straw sandals from Chelsea Cobbler.
back to romance with nostalgia and nostalgic clothes in romantic settings. Long, flowing scarves, mysterious veils and soft, sensuous fabrics for Sunday strolls or super dates — a wardrobe for summer sentimentalists
Hair by Robert at Ricci Burns.
Photographed by Gian Barberis.
Scanned by Miss Peelpants from 19 Magazine, May 1974.
Green straw hat by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Cream knitted cardigan from Essences. Grey suede shoes from Bombacha. / Dark green chip straw ht by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Navy blue shoes from Bombacha.
Cream beret by Kangol. Halter top, matching white and blue silk knitted long cardigan. Matching calf-length knitted skirt all by Lison Bonfils at Joseph. Grey suede shoes from Bombacha. / Salmon pink beret by Kangol. Cream crepe sleeveless top with sequin motif. Matching below-the-knee culottes. Both by Jackie Ross for Jon Elliot. Salmon pink silky cardigan from Essences. Sandals from Chelsea Cobbler.
Brown felt hat from Nostalgia. Black and white crepe de chine dress by Jeff Banks. Cream cardigan by Essences. Shoes from Bombacha. / White suit with black pattern and reverse on cuffs and collar from Essences. Black suede shoes from Bombacha. Black scarf from Bus Stop.
Pink straw hat by Diane Logan. Crepe crepe jacket and matching mid-calf skirt by Bus Stop. Cream straw shoes by Chelsea Cobbler. / Black and tan cloche from Diane Logan. V neck top and matching crepe jacket and skirt all from Bus Stop. Straw shoes by Chelsea Cobbler. Scarf to match suit from Bus Stop.
Posted: July 8, 2014 Filed under: 1970s, bill gibb, Brenda Arnaud, britt ekland, Diane Logan, Fenella Fielding, Geg Germany, Gina Fratini, hair, Hair and make-up, jean muir, joan collins, joanna lumley, john bates, leonard, marianne faithfull, Michaeljohn, Ricci Burns, Shirley Russell, telegraph magazine, vidal sassoon
In the Fifties a trip to the hairdresser’s was a daunting ordeal – for you and for each hair on your head. Vidal Sassoon changed all that in 1964, and substituted the welcome breeziness of the blow-drying second-generation stylists. Who are the other top hairdresses, and who goes to them?
There are no credits for the clothes, but I think Marianne’s glorious ensemble must be a Bill Gibb, and Sian Phillips’s elegant coat looks like a John Bates to me. Such a glorious array of celebs, I think Michaeljohn win on numbers (but Ricci Burns really ought to win, purely because of the way his ladies are dressed!).
Photographed by Geg Germany.
Scanned by Miss Peelpants from The Telegraph Magazine, September 19th 1975
At Ricci Burns: Marianne Faithfull, Fenella Fielding, Ricci Burns, Sian Phillips, Brenda Arnaud. Ricci started in hairdressing at the age of 15, worked for Vidal Sassoon for ten years and opened his own salon in the King’s Road five years ago. Now has a second salon in George Street, and did have one in Marrakesh “until the coup, darling”.
At Vidal Sassoon: Lady Russell (back), Mary Quant, Vidal Sassoon and Kate Nelligan (centre). Shirley (Mrs Ken) Russell, Beverly Sassoon.
At Michaeljohn: Back row, from left: Jean Muir, Britt Ekland, Joanna Lumley, Joan Collins and her daughter Sasha, Tom Gilbey, Gina Fratini and Diane Logan. Front: John Isaacs and Michael Rasser (one time colleagues at Leonard), who started Michaeljohn in 1967.
At Figurehead: George Britnell, proprietor, with clients (from left) Catherine Parent, Kari Lai, Lady Charles Spencer Churchill, Tessa Kennedy, Lady Charlotte Anne Curzon. This is the newest salon of them all – it opened in Pont Street this year.
At the Cadogan Club: (from left to right) Ariana Stassinopolos, Rachel Roberts, Moira Lister, Patricia Millbourn and Aldo Bigozzi (partners), Katie Boyle, Joan Benham and Annette Andre.
Posted: August 19, 2012 Filed under: 1970s, cosmopolitan, Diane Logan, Lloyd Loom, personal stuff, Santa Raymond, Studio, Tessa Kennedy, Tim Street-Porter
Photographed by Tim Street-Porter. Scanned from Cosmopolitan, February 1973.
Still slowly settling into my lovely studio space; trying to avoid the pitfalls of the ‘I must fill it up, it must look exactly how I want it to immediately‘ mentality, to which I know I am vulnerable. Slowly, but surely. My beloved Lloyd Loom table and chair are out of storage and awaiting a respray from their slightly grotty boudoir pink to… I don’t know yet.
I am on a promise for an original ladderax bureau unit, inherited indirectly from my grandparents, to store my reference books, magazines and paperwork. The framed pictures are stacking up in the corners, waiting for locations. The last thing I want is for it to feel like an office. I want it to feel like a creative, comfortable studio space. I discovered a long time ago, whilst temping, that a ‘trad’ office environment is really, really not for me.
So while I am developing things slowly, I am also taking inspiration from this fantastic Cosmopolitan feature on businesswomen and their office spaces. The chaos of Diane Logan’s millinery studio is probably closest to my natural style:
“You have to create a look like this out of rubbish*. It doesn’t just arrive.”
But there is plenty to admire and covet in all three.
*I don’t approve of the word ‘rubbish’, but I approve of her sentiment.
Scanned from Cosmopolitan, February 1973.
Posted: May 29, 2012 Filed under: 1970s, alice pollock, brian duffy, bus stop, clobber, cosmopolitan, Crochetta, deborah and clare, Deirdre McSharry, Diane Logan, Escalade, Gordon Deighton, harold ingram, Inspirational Images, lord john, Lucienne Phillips, miss mouse, Suliman, Tom Gilbey, Vintage Editorials
Dress by Elle. Shirt by Deborah and Claire.
Always happy to bring you another ‘lost’ shoot by the late, great Brian Duffy. Since Duffy destroyed his own archive, we are left to piece together a career from what was published in magazines or retained in other people’s archives. I try to scan and share whenever I can… I covet both Alice Pollock pieces in this spread, and love the man’s style. Definitely how all men should dress, always.
Photographed by Duffy. Fashion by Deirdre McSharry. Modelled by Greta Norris and Cyril Hartman.
Scanned from Cosmopolitan, July 1972.
As an aside, apologies for sporadic blogging at the moment. There are a few changes afoot and it is distracting me a little from my usual magazine scouring and scanning. I will tell you when everything, hopefully, falls into place in the next few weeks.
Silk dress by Suliman, crepe shirt by Deborah and Clare.
Jacket by Alice Pollock, shoes by Sacha
Her skirt by Miss Mouse, blouse and scarf at Lucienne Phillips. His shirt by Lord John.
His and hers Harold Ingram sweaters
Her dress by Clobber, hat by Diane Logan and shoes by Samm.
Her top by Crochetta, trousers by Gordon Deighton. His sweater by Harold Ingram and trousers by Tom Gilbey.
T-shirt by Escalade. Hat from Bus Stop
Blue silk ‘intimate’ dress by Alice Pollock with bird print by Frances Ronaldson. He wears an Indian shirt from Crocodile.