The Most Wanted Woman on Earth

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The search is on at all Chelsea Girl boutiques.

I wonder if anyone ever did win this and receive ‘nationwide publicity and become known as “The Most Wanted Woman on Earth”.’ Anyone remember? Regardless, I’m in love with the heart on the thigh above and, in fact, the entire colour palette…

Photographed by Geoff Lewis.

Scanned by Miss Peelpants from Petticoat, May 1971.

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Inspirational Editorials: Wear Crazy Pedal-Pushers

Short sleeved pale lilac sweater by Beckol from Chelsea Girl. Silvery-grey cotton pedal pushers by Antony Price from Che Guevera. Red, white and blue tartan shoes from Zapata. Wide red elasticated belt by Otto Glantz.

Short sleeved pale lilac sweater by Beckol from Chelsea Girl. Silvery-grey cotton pedal pushers by Antony Price from Che Guevara. Red, white and blue tartan shoes from Zapata. Wide red elasticated belt by Otto Glantz.

Alright, your curves are generous, and your behind is big, but hooray! This is the look for you. We’re back to the era of pneumatic sweater girls, when clothes fitted like the skin of a peach, waists were pulled in with firm wide belts and everyone teetered on high, high heels. Now it’s all camped up with bright plastic jewellery, headscarves and colourful wooly sox (Twiggy-types will just have to resort to falsies and push up bras ‘cos, baby, it’s our turn now!)

Intriguingly, after all that copy about curves, the model is credited as wearing a padded bra with plastic air-filled falsies by Berlei…

Photographed by David Montgomery.

Photographs by courtesy of the Piccadilly Bowling Centre, 30 Shaftesbury Avenue.

Scanned by Miss Peelpants from Vanity Fair, January 1972

Short sleeved sewater by Beckol from Chelsea Girl. Satin pedal pushers by Gillian Richard. Red suede platform shoes by Chelsea Cobbler. Red leather belt from Bus Stop.

Short sleeved sewater by Beckol from Chelsea Girl. Satin pedal pushers by Gillian Richard. Red suede platform shoes by Chelsea Cobbler. Red leather belt from Bus Stop.

Red dolman sleeved sweater by Erica Budd. Pedal pushers made by rolling up footless tights by Mary Quant. Red leather belt from Bus Stop. Black snake platofmr shoes from the Chelsea Cobbler.

Red dolman sleeved sweater by Erica Budd. Pedal pushers made by rolling up footless tights by Mary Quant. Red leather belt from Bus Stop. Black snake platform shoes from the Chelsea Cobbler.


New listings: Rive Gauche and more

Yves Saint Laurent Rive Gauche

Yves Saint Laurent Rive Gauche

Plenty of new listings at Vintage-a-Peel (also available on Etsy) at the moment, including a superb 1970s Saint Laurent Rive Gauche silk wrap dress. There’s also a Celia Birtwell-print Radley dress, a Zandra Rhodes-print Hildebrand dress, Ossie-esque Janice Wainwright maxi, a rare James Wedge hat and the loveliest chiffon Jean Varon dress. Enjoy!

John Bates for Jean Varon

John Bates for Jean Varon

James Wedge

James Wedge

Hildebrand with print by Zandra Rhodes

Hildebrand with print by Zandra Rhodes

Radley of London with print by Celia Birtwell

Radley of London with print by Celia Birtwell

Jeff Banks

Jeff Banks

Chelsea Girl

Chelsea Girl

Janice Wainwright for Simon Massey

Janice Wainwright for Simon Massey


A Peek at the Boutique: Chelsea Girl

Steel's the Scene Chelsea Girl

Scanned by Miss Peelpants from The Daily Telegraph Magazine, January 28th 1972


Inspirational Images: Gauchos

Needlepoint waistcoat by Kaffe Fassett for Beatrice Bellini, £25 to order, Women's Home Industries' Tapestry Shop. Suede gauchos, fine jersey shirt, both by JEan Muir. Perspex belt by Nigel Lofthouse for Jean Muir. Chillies Christel at Elliott. Panne velvet muffler by Veronica Marsh for Jacqmar.

Needlepoint waistcoat by Kaffe Fassett for Beatrice Bellini, £25 to order, Women’s Home Industries’ Tapestry Shop. Suede gauchos, fine jersey shirt, both by Jean Muir. Perspex belt by Nigel Lofthouse for Jean Muir. Ghillies by Christel at Elliott. Panne velvet muffler by Veronica Marsh for Jacqmar.

Gauchos remain one of my favourite looks at the moment. Indeed, I am wearing a pair of tweed Chelsea Girl gauchos as I write this. It’s one of those looks which will, inevitably, make a comeback, and I will be tiresomely reminding people that ‘I was doing it ages ago!’. As it is, I am just continuing to enjoy wearing them, enjoying the curiousity and comments, and educating people to call them ‘gauchos’ rather than ‘culottes’. Then I will just have to move onto knickerbockers…

Photographed by Norman Parkinson.

Scanned by Miss Peelpants from Vogue, September 1970


New for Autumn/Winter

Chelsea Girl

Chelsea Girl

Tsk tsk. Slap my wrist. I’m pretty slack about putting website listings here on the blog, and I can only apologise. Here are some edited highlights (but there are plenty more already listed and more to come before Christmas!). Personal favourites are the original 1970s Chelsea Girl platform shoes, the black lace 1930s evening dress and Erte-printed John Bates for Jean Varon dress…

Unsigned original 1930s

Unsigned original 1930s

John Bates for Jean Varon

John Bates for Jean Varon

Roland Klein for Marcel Fenez

Roland Klein for Marcel Fenez

Forbidden Fruit

Forbidden Fruit

Unsigned original 1960s

Unsigned original 1960s

Terry de Havilland

Terry de Havilland

Young Innocent

Young Innocent

Lee Bender for Bus Stop

Lee Bender for Bus Stop

Wallis Fashion Shops

Wallis Fashion Shops

Miss Impact

Miss Impact

Louis Caring

Louis Caring

Unsigned original 1970s

Unsigned original 1970s


Got the Glitterbug…

Glitterbug (1972) from Marnie Fogg's Boutique

Glitterbug (1972) from Marnie Fogg’s Boutique

For some reason, I have shied away from posting about my collection much in recent years. I suppose it’s always been somewhat fluid; things come and go when times are hard or when something better comes along. But recently I acquired something which had always been a bit of a ‘holy grail’ for me, and it reminded me of exactly why I love fashion history, collecting and researching.

One of the most important books on my road to total geekery was Marnie Fogg’s Boutique: A ’60s Cultural Icon. Amazon kindly (and terrifyingly) informs me that I purchased it exactly ten years ago. Although clearly not comprehensive, something I am now realising is probably impossible, it was my main gateway into understanding the boutique phenomenon as a whole. I already knew many of the designers – and was delighted to see how much space was dedicated to John Bates – but several were new names to me. One of these was Georgina Linhart. Another graduate of St Martin’s College of Art and Design, Linhart set up her label in 1964 and, while she was frequently featured in the top magazines of the period, her business only ran for ten years. She later worked for Quorum, Jaeger, Wallis and Chelsea Girl. All four of which are favourite vintage labels chez Vintage-a-Peel.

Georgina Linhart, 1970

Georgina Linhart, 1970

The more time went on, the more I realised how rare examples of her work must be these days. My eBay search was empty 99% of the time, and only occasionally turned up magazine features and a couple of jackets. The most distinctive dress pictured in Fogg’s Boutique book was ‘Glitterbug’ (see above). A sequined halterneck mini dress, gossamer light and substantial in its insubstantiality; so quintessentially of its time, the epitome of the permissive age.

So my heart was in my mouth when Glitterbug turned up on eBay a couple of months ago. It was slightly out of my price range at the time, and the recent events in my life had forced me to re-evaluate what was important (and worth getting into debt for). So I sat and watched it. Every day I would log into eBay, with one eye shut, and check if anyone had bought it. Every day it was still there, but my nerves were getting beyond frazzled. So the day I finally felt marginally less broke than normal, was the day I logged in and put in a cheeky best offer. I am impossibly grateful to the seller for accepting it and making my collector dreams come true. It has been a long time coming, and it has come a long way from the USA, but Glitterbug is finally in my collection. Plus, it fits me – which I’m pretty sure it wouldn’t have done ten years ago. What are the odds?

Glitterbug (1972) from my personal collection

Glitterbug (1972) from my personal collection