The Great Coats

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Black panne velvet hat from Feathers. Exotic black floor length beaver-look Borg fur fabric coat by Ossie Clark at Quorum.

The title of this editorial reminds me of being in Dublin earlier this year. Just arrived, walking along trying to find our hotel, I was wearing a Seventies brown nappa leather trench coat (it was February and freezing). A girl strode past and without pausing to wait for a reaction or looking me in the eye she just said ‘Great coat’ and carried on walking. I decided I loved Dublin right there and then.

This spread features the stunning Charlotte Martin and was photographed in Austria. I’m still in love with my brown leather trench coat but I wouldn’t say no if any of these coats (particularly that Quorum stunner above) were to land in my lap this winter…

Photographed by John Bishop.

Scanned from 19 Magazine, December 1970.

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Black panne velvet hat by Feathers. Long chocolate jersey top with tight buttoned cuffs. Grey and rust mock Gonk shoulder cape. Both from Biba.

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Hat from Feathers. Dark brown and black Forties-style mock chipmunk jacket with self tie belt. Black wool pants with turn ups. Both from Biba. Wet-look boots from Dolcis.

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Plum Borg-lined jacket with leather elbow patches and trimmings by Daniel Hechter of Paris. Green barathea midi skirt by Gladrags. Tan leather leace up boots from Russell and Bromley.

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Plum felt hat from Feathers. Pure wool shirt. Skirt in different prints panels of pure wool. Pure wool paisley printed waistcoat lined with fake fur. All by Foale and Tuffin. Browny-plum wet look lace-up boots from Dolcis.

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Brown felt hat from Feathers. Brown Borg zip-front coat with tie belt by Marielle. Brown lace up boots by Dolcis.

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Mock hamster pull on hat from Biba. Chocolate Shetland sweater by Hogg of Hawick. Suede gauchos from Bus Stop. Mock hamster wrap over coat from Biba. Lace up boots from Dolcis. // Mock hamster pull on hat from Biba. Black crepe shirt by Poole at Shape. Mock hamster belted jacket from Biba. Black velvet gauchos from Bus Stop. Lace up boots from Dolcis.

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Mid brown Shetland sweater by Hogg of Hawick. Chocolate Borg-backed fly fronted jersey jacket with hood, cuffs and patch pockets by Weathergay. Black jersey knickerbockers with bootslace ties by Angela at London Town. Brown wet look boots by Dolcis.

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Brown panne velvet hat from Feathers. Chocolate Shetland poloneck sweater by Hogg of Hawick. Suede gaucho pants from Bus Stop. Brown striped hooded floor length wool coat lined with fur fabric by Foale and Tuffin. Belt from Bus Stop.

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Satin Goes To Blazers

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Purple satin blouse by Ann Reeves. Green satin jacket and matching green satin Oxford bags both by Sheridan Barnett for Copper Coin. Belt from Bus Stop. Rainbow brooch by Cash Graphics.

The original St Laurent satin blazer would cost you around £50, but otherwise they are available from about £10 and probably only you will know the difference. The best ones are from Bus Stop… very Joan Crawford, complete with ‘Forties’ shoulder pads. One thing’s for sure… you must have at least one in your wardrobe. They look particularly good worn over jeans and T-shirts, but if you want to look smart, wear them with matching trousers, a skirt, or over a printed dress.

Dreamy editorial which uses the brand spanking new Hard Rock Cafe on Park Lane in London as its backdrop.

Opened on 14th June 1971, by Isaac Tigrett and Peter Morton, its original decor was less memorabilia, more American-diner-transported-to-London. Sensing a gap in the market for musicians playing in London but unable to get a decent burger etc, within a decade they were expanding into the international chain it is now. The original is the only one I’ve ever visited, and it maintains a lot of its authentic charm – as long as you avoid the busy times. Oh how I wish I could time travel back to this era though.

This isn’t the first HRC-based photoshoot I have scanned, and I’m sure it won’t be the last. Its authentic-feeling interiors, much like Brighton’s seafront, seemed to lure photographers and models like moths to a flame.

Photographed by Harri Peccinotti.

Scanned from 19 Magazine, September 1971.

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Crepe shirt by Ronnie Stirling at Stirling Cooper. Jade green satin blazer with black check (has matching pleated skirt not shown) from Mr Freedom. Panda brooch from Susan Marsh, Chelsea Antique Market.

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Blue denim hat by Titfers. Yellow satin blouse by Jeff Banks. Green satin jacket with red buttons by Sheridan Barnett for Copper Coin. Elvis brooch by Cash Graphics. Parrot brooch from a selection at Hope and Eleanor.

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Long sleeved white satin blouse with bow at neck by Ann Reeves. Single breasted red and white striped blazer by Angela at London Town. Sunglasses from Biba. Hand brooch from Hope and Eleanor.

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Blue and red printed rayon crepe dress and blue satin blazer with red buttons, both by Lee Bender at Bus Stop.

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Black rayon shirt with floral print and tie belt. Black satin double breasted blazer with self buttons and padded shoulders, both by Lee Bender at Bus Stop. Aeroplane brooch from Cash Graphics.

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Red and white spotted cotton button through dress by Lee Bender for Bus Stop. Royal blue satin blazer from Crowthers.

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Red cotton hat from Titfers. Long sleeved white rayon blouse with sail boat print by Lee Bender at Bus Stop. Double breasted blue satin blazer with red buttons by Sheridan Barnett for Copper Coin. Sunglasses from Biba.


Just Like Granny Used To Wear

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Very Thirtyish, with its floral print and elbow length sleeves, a Liberty print cotton dress by Foale and Tuffin. Leather shoes by Ravel. Crochet straw hat by Biba.

Granny’s clothes are coming back. Trend-setting girls saw some time ago what pinched-in waists and long clinging crepes could do for them. Now manufacturers and boutiques have seen the potential. But beware – for it is only on the very young that granny’s clothes look very new.

Hair by Howard at Vidal Sassoon. Make-up by Yardley. Fashion by June McCallum.

Photographed by Hiroshi.

Scanned from The Telegraph Magazine, August 7th 1970.

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Small white flowers are printed on the black background of a cotton jersey dress that granny might have worn as a girl. Designed by Lee Bender at Bus Stop. The shiny leather lace-up shoes are by Ravel.

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Far from looking old-fashioned, this printed cotton suit from Biba is beautifully up-to-date with its fitted waist, peplum and long skirt. the lace-up granny boots are from Ravel.

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Double chiffon dress for serious occasions has the dropped waistline, sash and long sleeves with scalloped trim of the Twenties. By Mary Quant’s Ginger Group.

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Printed crepe suit with a fitted shape that is a reminder of the Forties. By Lee Bender at Bus Stop. Shoes are from Ravel.


Red, white and you

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Red and white striped halter neck sweater by Crochetta. Black cotton pants by Sujon. Shoes by Chelsea Cobbler. Red leather belt from Bus Stop.

Relax in these beautiful cruise clothes. Wear your white baggy pants with red and white striped tops, cotton berets or little ‘Forties’ pull on hats. Wear white leather shoes with bows or ruched fronts and high heels. White pearls and bangles look just right this summer. This is the year of the female female, so start purring…

Photographed by Karl Stoecker

Scanned from 19 Magazine, April 1971.

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Red and white striped beret by Titfers. Halter neck wool sweater by Stirling Cooper. White cotton suit by Sheridan Barnett for Simon Massey. White leather shoes from Biba. / White cotton beret by Titfers. Cotton windcheater by Lizzie Carr for Plain Clothes. White trousers by Sheridan Barnett for Simon Massey. Striped socks by Mr Freedom. White leather shoes from Biba.

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White sailor hat by Titfers. Red and white striped halter neck and Oxford bags all in one by Sheridan Barnett for Simon Massey. White leather shoes by Biba.

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White cotton hat by Herbert Johnson. White acrylic sweater by Harold Ingram. Blue palm tree with white lady and black tree print jacket by Stirling Cooper. White cotton bags by Sheridan Barnett for Simon Massey. White leather sandals by Biba.

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White cotton beret by Titfers. Red cotton shirt, red and white cotton blazer and white cotton bags all by Sheridan Barnett for Simon Massey. Red leather sandals by Chelsea Cobbler.

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White straw hat by Herbert Johnson. Navy acrylic singlet by John Craig. White cotton bags by Sheridan Barnett for Simon Massey. White leather shoes from Biba.

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White hat by Herbert Johnson. White cotton suit, top trimmed in tartan, huge wide clown pants by Sujon. White leather shoes by Biba. Red and white scarf from Herbert Johnson.

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White angora sweater by Crochetta. White cotton bags by Sheridan Barnett for Simon Massey. Red leather shoes by Chelsea Cobbler. Headscarf by Herbert Johnson.


Day Trippers

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White dress with music and rose print by Miss Mouse. Snakeskin shoes from Bilbo. Red and white spotted dress with white trimming by Miss Mouse.

Photographed in Singapore by Harri Peccinotti.

Scanned from 19 Magazine, May 1975.

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Black and green floral print halterneck dress from Biba. Black and gold shoes by Sex. Green floral halterneck dress by Biba. Black and gold brocade shoes by Biba.

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Shocking pink pintucked cotton dress by Sheridan Barnett at Quorum. Black snakeskin shoes by Bilbo. Red cotton sack dress with hip pockets by Sheridan Barnett at Quorum. Red suede and snakeskin shoes by Terry de Havilland.

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Dusty pink sun dress with black piping by Strawberry Studio. Grey suede shoes by Terry de Havilland.

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Blue cotton dress with Dorchester motif. Coffee dress with Savoy motif, both by Jeff Banks.

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White cotton culotte dress by Stirling Cooper. White shoes from Secondhand Rose, Chelsea Antique Market. White cotton sun dress by Stirling Cooper. White shoes from Secondhand Rose.

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Navy cotton sundress with cross over straps by Gordon King.


A Moonlight Flit

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Floppy Treebark crepe trouser suit with wide straight trousers, waist sash and large frilled collar, by Foale and Tuffin.

Run barefoot through the grass or dance under the stars. Shades of Isadora Duncan* and free, flowing movement. Long, lithe limbs leaping through loose chiffon. Wild intensity in dramatic falls of fabric. The romance of long dresses, of floating frills in transparent fabrics is yours for the asking. Come, do a moonlight flit with us…. *Isadora Duncan. who moved in high society, and whose dancing shook Edwardian England, initiated free dance movement clad in clothes which emphasised her point. We can still thank her for the romantic-looking, drifting dresses inspired by the film revival of her life story — on release in the Autumn, starring Vanessa Redgrave.

Photographed by Al Vandenburg. Hairstyles by Derek Roe.

Scanned from 19 Magazine, August 1968.

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Dress in yellow embroidered voile by Biba.

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Transparent black and white spotted dress from Biba. Shoes by Ronald Keith.

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Tight waist-skimming jacket and knee length skirt in yellow crepe by Foale and Tuffin. Orange shoes by Elliotts.

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Flocked yellow full-skirted Dacron dress by Shelana.

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Romantic white lawn dress by Gina Fratini.  Silver shoes by Dolcis.


Where have all the flowers gone?

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Blooming red peonies on a navy rayon georgette dress, Florrie Carr. Flower trimmed straw hat, Crowthers. Shoes, Sacha. Rose print crêpe de chine dress, Crowthers. Straw hat, Bermona. Shoes, Sacha.

…To the seaside, where they’re blossoming out all over flimsy crêpe de chine summer dresses. So, if like most of us, you’re searching the shops for cool holiday clothes, now is the time to take your pick from our bunch.

Photographed by Richard Selby.

Scanned from Honey, August 1971

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Fruit and flower crêpe de chine dress, Crowthers. Orange suede cork soled shoes, Sacha. Pastel tulip printed crêpe de chine skirt and matching blouse, Crowthers. Criss cross suede shoes, Crowthers. Plastic and raffia choker, Adrien Mann.

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Swirling sunflower print dress in cinnamon and cream, Biba. White raffia sunhat, Herbert Johnson. Blue and white daisy patterned crêpe de chine dress, Ossie Clark for Radley. Burgundy straw hat, Biba.