Welcome Summer

Welcome Summer - 5 - Jean Claude Volpeliere

Gladrags printed shirt with cotton satin knickerbockers. Plastic and raffia choker by Adrien Mann. Gladrags cotton satin shorts with bib.

Just a quick glance at any of these new mid-year fabrics can lead to all sorts of sunny ideas. Will you take to squashysoft quilting or fall in love with countryside madras printed denim and shiny new satinised cotton? For the romantic there’s beautiful embroidered lawns and more than enough nostalgia in the turn-of-the-century jacquard crepes, woven on precisely the same machines as those of sixty summers past. All ready for you to wear tomorrow — or to keep aside for that long hot summer . . .

Photographed by Jean Claude Volpeliere.

Scanned by Miss Peelpants from Petticoat, April 1971.

Welcome Summer - 7 - Jean Claude Volpeliere

Little bird print shirt and skirt from Biba. Suede wedge shoes from Sacha. Angora brim hat from Browns.

Welcome Summer - 2 - Jean Claude Volpeliere

Blue quilted shorts and shirt, both from Feathers. Blue suede shoes by Sacha.

Welcome Summer - 3 - Jean Claude Volpeliere

Clobber stars and stripes jacket at Stop the Shop. Bermona denim cap.

Welcome Summer - 1 - Jean Claude Volpeliere

Gillian Richard printed dungarees, smock and matching hat from ’27’. Gillian Richard calico smock with matching dungarees from Snob and Irvine Sellars shops. Herbert Johnson hat. .

Welcome Summer - 4 - Jean Claude Volpeliere

Angela smock dress at Stop the Shop.

Welcome Summer - 6 - Jean Claude Volpeliere

Angela calico farmers smock worn with denim jeans, wellington boots and hat.

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Cheap and Lovely

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Calico blouse from Bus Stop. Gingham skirt by Angela of London Town. Flower brooch from Gear. Edward Mann hat. Mr Freedom sox.

It’s not only the birds that are going cheap this spring – fashion is too. For so many great new ideas and at such an early stage in the proceedings, they seem to be asking us to pay very little. So we can show you wear-every-day clothes at your price to our heart’s content.

Photographed by Jean Claude Volpeliere. Fashion by Sue Hone.

Scanned by Miss Peelpants from Petticoat, February 1972.

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Left: Check pleated skirt from Bus Stop. Tee by Harold Ingram. Van der Fransen scarf. Right: Dorothy Perkins check mini skirt and tee-shirt.

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Left: Dorothy Perkins brushed denim jeans and smock. Van der Fransen beads. Ravel suede shoes. Right: Dorothy Perkins cord jeans. Angela at London town floral blouse. Chenille bolero by Erica Budd. Silver watch from Biba. Beret by Edward Mann. Shoes by Sacha.

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Cheesecloth skirt and blouse from Bus Stop. Bermona hat. Ravel shoes.

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Red and navy motor car sweater by Janine at Girl shops. Red smock coat from Bus Stop. Red pants by Angela at London town. Ravel shirt. Edward Mann hat.

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Yellow print dress by Anji. Edward Mann felt hat with cherries.


Inspirational Images: Warm and fuzzy

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Left: Coat by Young Jaeger. Trousers by Angela at London Town. Shirt by James Drew. Striped waistcoat at Bus Stop. Right: Borg jacket by Gerald McCann. Angora trousers by Mary Farrin. Socks by Mary Quant. Clogs by The Chelsea Cobbler at Russell and Bromley.

Photographed by Elisabeth Novick. Scanned by Miss Peelpants from Vanity Fair, October 1971

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Left: ‘Monkey’ jacket by Gordon King. Checked Oxford bags by Bus Stop. Shirt from Bus Stop. Authentic Forties head by Zapata. Veiling from Biba. Right: Short furry jacket from Wallis. Trousers from C&A. Shirt from James Drew. Hand-knitted waistcoat from Bus Stop.


Inspirational Editorials: Feeling Fresh

Pink straw hat by Jean Charles Brosseau. Cotton satin jacket with floral design and spotted cotton pants both by Lizzie Carr for Plain Clothes. Shoes from Anello and Davide.

Pink straw hat by Jean Charles Brosseau. Cotton satin jacket with floral design and spotted cotton pants both by Lizzie Carr for Plain Clothes. Shoes from Anello and Davide.

Photographed by Franz Gruber. Scanned by Miss Peelpants from 19 Magazine, May 1972

Black cotton voile shirt by David Silverman. Black and white cotton culottes by Angela at London Town. Blue leather peep-toe shoes trimmed in white by Bata.

Black cotton voile shirt by David Silverman. Black and white cotton culottes by Angela at London Town. Blue leather peep-toe shoes trimmed in white by Bata.

Pink straw panama hat by Jean Charles Brosseau. Cotton smock and cotton trousers by Lizzie Carr for Plain Clothes. Shoes by Anello and Davide.

Pink straw panama hat by Jean Charles Brosseau. Cotton smock and cotton trousers by Lizzie Carr for Plain Clothes. Shoes by Anello and Davide.


Inspirational Editorials: Fair Weather Beauty

Both dresses by Gillian Richard. Straw hats by Herbert Johnson

Both broderie anglaise dresses by Gillian Richard. Straw hats by Herbert Johnson

New pastels are in the air… everything pales beside you. You’re in broderie anglaise, pale straws, tender frills, everything in the garden’s rosy.

Photographed by Ku Khanh. Scanned by Miss Peelpants from Vogue, July 1972

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Mini seersucker dresses both by Angela at London Town. Blue clogs by Sacha. Blue espadrilles by Biba. Hats by Herbert Johnson.

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Fluffy cardigans by Sonia Rykiel. Silk crepe de chine blouses by Sujon. Hats by Herbert Johnson.


Dateline Persia: Putting the peasants in their place

Dirndl skirt and bolero by Sportaville. Boots by Anello & Davide.

Currently inspiring me (as someone who doesn’t enjoy stripping off in the much-awaited heat…) is this photoshoot from Honey, April 1970. Pretty much perfection, as far as I am concerned. Astonishingly, there is no credited photographer for any of the photoshoots in this magazine, so I’m afraid they will have to remain anonymous…

Dress by Martha Hill.

Dress by Miss Impact.

Shirt by Aristos. Trousers by Gordon King. Skirt by Alan Rodin. Boots by Sacha. Hat by Herbert Johnson.

Harem pants and bare-midriff top by Angela at London Town.

Peasant shirt by Baltrik. Trousers by Clobber. Skirt by Alan Rodin. Boots from Anello & Davide.

Dress by Ricki Reed

Dress by Simon Ellis

Dress by Shelana. Boots by Dolcis. Hat by Herbert Johnson.