Welcome Summer

Welcome Summer - 5 - Jean Claude Volpeliere

Gladrags printed shirt with cotton satin knickerbockers. Plastic and raffia choker by Adrien Mann. Gladrags cotton satin shorts with bib.

Just a quick glance at any of these new mid-year fabrics can lead to all sorts of sunny ideas. Will you take to squashysoft quilting or fall in love with countryside madras printed denim and shiny new satinised cotton? For the romantic there’s beautiful embroidered lawns and more than enough nostalgia in the turn-of-the-century jacquard crepes, woven on precisely the same machines as those of sixty summers past. All ready for you to wear tomorrow — or to keep aside for that long hot summer . . .

Photographed by Jean Claude Volpeliere.

Scanned by Miss Peelpants from Petticoat, April 1971.

Welcome Summer - 7 - Jean Claude Volpeliere

Little bird print shirt and skirt from Biba. Suede wedge shoes from Sacha. Angora brim hat from Browns.

Welcome Summer - 2 - Jean Claude Volpeliere

Blue quilted shorts and shirt, both from Feathers. Blue suede shoes by Sacha.

Welcome Summer - 3 - Jean Claude Volpeliere

Clobber stars and stripes jacket at Stop the Shop. Bermona denim cap.

Welcome Summer - 1 - Jean Claude Volpeliere

Gillian Richard printed dungarees, smock and matching hat from ’27’. Gillian Richard calico smock with matching dungarees from Snob and Irvine Sellars shops. Herbert Johnson hat. .

Welcome Summer - 4 - Jean Claude Volpeliere

Angela smock dress at Stop the Shop.

Welcome Summer - 6 - Jean Claude Volpeliere

Angela calico farmers smock worn with denim jeans, wellington boots and hat.


Batik with Flair

Flair Jan 71 - Roger Stowell

Cotton dress in a brown, gold and maroon Batik print with patchwork-look wrapover skit by Anne Tyrrell at John Marks. Bangles and beads by Adrien Mann.

Photographed by Roger Stowell.

Scanned by Miss Peelpants from Flair Magazine, January 1971.


Next time you take off your clothes

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The Black Arts: To keep you cool, at least, ,the newest version of the trad sexy look and black is still a winner – with see-through ‘n’ stripes. The set, less than a handful when taken off, is by Madeleine Foundations.Cobweb shawl by Bellino. Golden chain by Adrien Mann

…will your undies do you proud? Here are some sweet nothings to take his fancy.

There is nothing quite like Seventies underwear, especially Janet Reger, and this shoot is one of the best I’ve ever seen. From the model to the hair to the make-up to the styling…

Photographed by Jean-Claude Volpeliere.

Scanned by Miss Peelpants from She magazine, November 1970.

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A little curve goes a long way: Purists’ purple silken set for a luxury touch. Push up bra is pre-formed and underwired. Hold you tightly waspie, laced and lightly boned, swing out rustling midi half-slip. All by Janet Reger. Tights by Quant. Plastic snake armband by Adrien Mann.

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Booby trap Flowers are the only sure cover in this hardly-there veil of white. Nestle in this uncrushable bra-slip that’s looped with elastic at the top by Madeleine Foundations. Bare necessity briefs of stretch lace from Etam.

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Build your love on a fine foundation: Soft and gentle set – new nude see-you-through shimmer bra and panties with stretchable lace cuffs by Abecita. Butterfly brooch by Adrien Mann.

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News in brief: Don’t take any chances… Win his heart in these tiniest of compliments: brightly flowered pants of slightly stretch fabric, Marks and Spencer. Push up bra to have and to hold, Berlei.


Come Up and See Me Sometime

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FRONT: Granny vest-slip in pink rayon stockinette, by Walker Reid, 11s. 6d.; Persian love-ring by Corocraft, 7s. 6d.; opera-length pearl strand by Corocraft, 9s. 6d.; hairslide from a selection by Adrien Mann. LEFT TO RIGHT: Art Nouveau print slip in chocolate and black by Biba, 28s. 6d. Southern-belle lace-trimmed dressing gown by Angela Gore, 15 gns.; satin bra by Emmanuelle Khanh, 89s. 6d.; little boy boxer shorts by Etam, 5s. 11d.; silver buckle bracelet by Corocraft, 31s. 6d. Black satin smoking jacket with gold facings by Bus Stop, approx. 5 gns.; see-thru tulle bra by Emmanuelle Khanh, 55s.; black oval ring by Adrien Mann, 22s. 6d. Baby blue nylon nightie with high gathered waist at Separates Centre, 22s. 6d.; silver bracelet by Maxine Northwood, 35s. Black jersey-crêpe dressy-coat with spotted cummerbund sash and cuffs by Foale & Tuffin, 131 gns.; jet strand necklace at Fenwick’s, 21s.

… I’m always at home … it’s such a bore going out when there are such fabulous slink-at-home clothes … well, I mean … who wants to get oyster-satin wet? I’ll just cuddle up in a clutch-close wrap in front of the fire… and sling on a few jewels, and how’s about it, pal-sie ? See you soon soon…

Illustrated by Philip Castle.

Scanned by Miss Peelpants from Honey Magazine, November 1968.

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LEFT TO RIGHT: Taj Mahal print hall-slip by Warners. 23s. lid.: relax-line bra by Lovable. 9s. 11d.: strands of jet beads by Fenwicks, 21s. each. Play-around coat•dress in pink satin by Bus Stop. 89s. 6d.; jewelled cross brooch by Paul Stephens. 15s.60. Sail-away lounging pyjamas in white rayon jersey by Foale & Tuffin. 12gns.; Maltese cross by Corocraft, 37s. 6d: black oval ring by Adrian Mann. 22s. 6d.: wide silver bracelet by Adrian Mann, 57s. 6d. Velvet print lounging gown with satin trim by Angela Gore. 12 gns. Jean Harlow nightie with pin-tucked bodice in powder blue by Walker Reid, 43s. 6d. At Home gown in oyster satin, 96s. 2d.; matching bra, 41s. 10d.: matching little•boy pants, 51s. 4d. All by Alice Pollock FRONT: Casual nothing while stretch lace bra by Biba. 21s.: white stretch lace bikini pants by Etam, 4s.11d.; oval hair slide from Harrod’s Way In. 7s.60.: hoop ear-rings by Corocraft, 15s. 6d.; armful of narrow gilt bangles by Paul Stephens. 27s. 6d. each.


Prints for Evening by Jim Lee

Photographed by Jim Lee. Scanned from Flair, February 1970.

Pastel printed close fitting dress with long, swinging peplum and matching fringed scarf by John Bates at Jean Varon. All jewellery by Adrien Mann.

Something of a dream combination for me, with two of my favourite designers, Janice Wainwright and John Bates, with one of my favourite photographers, Jim Lee. I don’t see Lee’s work often enough for my liking…

Photographed by Jim Lee.

Scanned by Miss Peelpants from Flair, February 1970.

Photographed by Jim Lee. Scanned from Flair, February 1970.

Left: Softest pastel printed jersey cardigan coat with white, slightly flared crepe pants by Janice Wainwright at Simon Massey. Scarf by Lida Ascher. Right: Sprawling flower-printed cardigan coat with matching pants by Janice Wainwright at Simon Massey


All Tied Up

Jersey midi dress by Crowthers. Paisley pinafore by Angela. Knitted hat by Susan Locke.

Jersey midi dress by Crowthers. Paisley pinafore by Angela. Knitted hat by Susan Locke.

Schoolgirls smocks gently looped, schoolmarm denims firmly tied and gypsy ribbons bowed: the perverse way to keep you ahead – all tied up behind!

Photographed by Roger Charity.

Scanned by Miss Peelpants from Petticoat Magazine, 3rd April 1971.

All Tied Up 2

Muslin midi dress with ribbons and velt tied at back by Mog. Adrien Mann raffia and bead choker.

Black crepe skirt and jacket with tie in the back by Bus Stop. Red shoes by Sacha. Van der Fransen rope around head.

Black crepe skirt and jacket with tie in the back by Bus Stop. Red shoes by Sacha. Van der Fransen rope around head.

Grey midi dress by Mary Quant. Peach and orange scarf by Jean Howell.

Grey midi dress by Mary Quant. Peach and orange scarf by Jean Howell.


To Arms!

To Arms

We’ve found bracelets by the score at prices you won’t mind paying. You can wear them by the dozen like they were going out of style to camp up anything else you might be wearing!

Photographed by Errol Sawyer.

Scanned by Miss Peelpants from Petticoat, November 1973