Posted: October 15, 2018 Filed under: 1960s, alice pollock, celia birtwell, Illustrations, ossie clark, petticoat magazine, quorum, Richard Evans
Ever been to bed in satin or gone to work in lizard, looked through chiffon or wore a cardigan to your knees? Well we haven’t either, but Grandmother might have. The Ossie Clark and Alice Pollock Autumn Collection was full of these new things from old. Quorum clothes have a habit of being way ahead of their competitors and you always have to pay for originality. Even if you can’t afford to buy there they point the way ahead so look hard. There were maxi-length tweed coats in pinks and greens, long suede suits with lizard insets. Skirts and trousers were long and flowing, blouses were in flouncy chiffon or giselle. There were butterfly dresses in flimsy chiffon, with streams of flowing scarves tied to the ankles or wrists. There was a mass of creamy satin made into long quilted coats or glamorous trouser suits. There were satin dressing gowns with matching pants and bra. Also flowing crêpe suits with satin trimmings, tight-knitted jumpers flecked with stripes of bright colours. And more and more….
Sadly some of the prices were wild too but the ideas are yours for the copying.
A perfect example of why the demise of the illustrated fashion editorial was so unjust.
Words by Sue Hone. Illustrated by Richard Evans.
Scanned from Petticoat, November 1968.
Posted: September 17, 2018 Filed under: 1970s, amanda lear, Boston-151, Honey Magazine, Inspirational Images, Kansai Yamamoto, manolo blahnik, Vintage Adverts, zapata
Probably the greatest paint advert of all time, featuring model and singer Amanda Lear wearing clothes by Kansai Yamamoto from Boston-151. Shoes are by Zapata (aka Manolo Blahnik).
Scanned from Honey, November 1971
Posted: September 13, 2018 Filed under: 1970s, Hair and make-up, Inspirational Images, Make-up, Miners, Uncategorized, Vintage Adverts
Scanned from Honey, November 1971.
Posted: September 12, 2018 Filed under: 19 magazine, 1970s, Colin Glascoe, frederick starke, Gina Fratini, Ginger Group, Inspirational Images, liberty, liberty's, mary quant, polly peck, Vintage Adverts, wallis
Left to right: Berkertex, Mary Quant for Ginger Group, Clothes at Colin Glascoe, Gina Fratini, Frederick Starke, Polly Peck.
Scanned from 19 Magazine, September 1970.
All clothes by Wallis.
Posted: September 8, 2018 Filed under: 1960s, Adrian Mann, Anne Tyrrell, bernard freres, Club 92, Foale and Tuffin, Inspirational Images, jean varon, john bates, kleptomania, Paul Orssich, paulene stone, Rhona Roy, Simpson of Piccadilly, Sujon, take 6, thea porter, Tommy Roberts, Uncategorized, vanity fair, Vintage Editorials
Wonderful in white… snowy crepe, sleeves long and ringed with Irish thread work. By John Bates at Jean Varon. Jewellery by Adrien Mann. Man’s shirt to order from Thea Porter.
Photographed by Paul Orssich.
Scanned from Vanity Fair, November 1968.
Glamorously Grecian… pure white crepe, beautifully braided. By Young Ideas at Rhona Roy. Jewellery by Adrien Mann. Man’s black braided suit is from Just Men.
Beautiful in black seductive plunging rayon jersey. By Foale and Tuffin. Jewellery by Adrien Mann. Shoes by Lilley and Skinner. Man’s evening suit and shirt all from Take 6.
Stunning in satin… timeless dress as bewitching as a glimmer of midnight. By Bernard Freres. Man’s velvet jacket from Take 6. Man’s be-ruffled shirt from Kleptomania.
Perfect in pink… sugared almond crepe falling soft to the wrist and waist. Designed by Anne Tyrrell at John Marks. Jewellery by Adrien Mann. Man’s red velvet jacket and silk scarf from Trend at Simpson.
Reassured in red. Skimmy shaped wool crepe party-goer cut away at the shoulders. By Sujon. Jewellery by Adrien Mann. Man’s evening suit and polo shirt both from Club 92.
Posted: September 6, 2018 Filed under: 1970s, Adrian Mann, Bata, Boobs, bus stop, celia birtwell, Honey Magazine, Inspirational Images, lee bender, Linda Warren, manolo blahnik, mary quant, moss crepe, ossie clark, quorum, radley, ravel, Rose Bradford, Roy A. Giles, Uncategorized, universal witness, Vintage Editorials, zapata
Poppy field morocaine dress with drawstring neck by Ossie Clark for Radley. Plaited suede sandals by Bata.
Flirty little crêpe dresses so irresistibly feminine you’ll never be alone for long.
Anyone who knows me at all will know that *I* cannot resist crêpe, never mind what a fella thinks. This is a stunning editorial, with a model I’m not sure I recognise from anywhere else – so do comment if you can identify her. Featuring two covetable dresses by Ossie Clark but also featuring two by the mysterious ‘Boobs’ boutique label (by designer Linda Warren). I have found mention of a ‘Boobs’ boutique in Edinburgh, but I think it might just be coincidence. Again, holler if you know anything!
Photographed by Roy A. Giles.
Scanned from Honey, November 1971.
Daring slash necked lemon and lime striped Dicel crêpe dress with paste brooch by Linda Warren at Boobs. Suede plaited shoes by Bata. Tights by Mary Quant.
Chocolate brown Dicel crêpe dress with wide accordian pleated sleeves gathered into deep buttoned cuffs by Linda Warren for Boobs. Scarlet and black scalloped shoes by Ravel. Red art deco compact from Universal Witness.
Skimpy jet black halter neck bonded moss crêpe dress with pink and black polka dot fluted bolero jacket by Rosy Bradford for Quorum. Scarlet glacé leather peep toe shoes from Zapata. Flocked red cherries by Adrien Mann.
Button-through bow-scattered gently flaring crêpe dress from Bus Stop. Black sude sandals by Bata.
Slippery satin dress with palm tree printed bodice by Ossie Clark for Radley. Scarlet leather peep toe shoes by Zapata.
Posted: September 5, 2018 Filed under: 1960s, Harpers Bazaar, Illustrations, philip castle
Illustrated by Philip Castle.
Scanned from Harpers Bazaar, March 1969