Cherry Twiss delivers another brilliant shoot for the Telegraph Magazine, 17th December 1971.
Photographed by Peter Knapp. Scanned by Miss Peelpants.
Oh I do love a good map. Especially a fantastically illustrated map of all my favourite shops in London in 1971. It is the nearest I will ever come to being able to walk around them. Sadness ensues…
Scanned from Vanity Fair, July 1971.
Ah, my inaugural listings post … well, over here on wordpress anyway. Yet again I have been a little tardy in posting them here, but better late than never! There’s Annacat, Jean Muir, Biba, John Bates, Jean Louis Scherrer, Foale and Tuffin, Strawberry Studio (and breathe), and many more. All images are links to the pages over at Vintage-a-Peel. Usual things apply, free postage in the UK and let me know if you want to pay in a couple of instalments for the more expensive items.
It’s such a shame that towelling has been so roundly bastardised and rendered unwearable by the likes of Juicy ‘Pepto Bismol’ Couture and consequent high street replicas. Even Ossie was using it in the late Sixties!
“High summer towelling” feature scanned from Petticoat, August 1970. Photos by David Hurn. Scanned by Miss Peelpants.
Yes, it’s that time of year again. St BryanGod Day. Never heard of it? Pah.
Ok, so perhaps the term ‘must see’ is not necessarily going to apply to most [sane] people, but if you’ve got an appetite for the naff, kitsch or questionable tastes in life (and as a reader of my blog, I fear this may be the case…) then The Adventures of Barry McKenzie (1972) should be right up your street.
The film is based on the comic strip from Private Eye, written by Barry Humphries and illustrated by Nicholas Garland, and follows the eponymous Aussie hero as he fulfills his dead father’s wish to expand his cultural horizons in London. Ending up in Earl’s Court (where else?) a series of mishaps and misunderstandings lead Barry to an unspeakable dénouement in a TV studio. I am not even going to attempt to explain that.
Starring Barry Humphries in an early outing as plain old Mrs Edna Everage, Barry Crocker as our hero (Crocker is now married to Miss Peelpants-favourite Katy Manning and is best known to us ‘Pommy Bastards’ as the original singer of the Neighbours theme tune), and with cameos by Spike Milligan and Peter Cook, it is certainly quite an amazing period piece. Demonstrated perfectly with an incredible, possibly unique, shot of Barry and a friend walking down Marlborough Court. Yes, you can see Irvine Sellars ‘Mates’ boutique, Take 6, Aristos and Foale and Tuffin!!! Much excitement abounded….
Further still, one young lady is slinking around her apartment in the most perfect Zandra Rhodes outfit….
And then Peter Cook manages to floor me with a fabulous Betty Grable-printed t-shirt. I have no idea who this is by, so if any menswear geeks ever find out – please do let me know!
Incredible clothes by Sally Tuffin, incredible photographs by Mr James Wedge; appealing to my interest in all things clown-ish. I love this photoshoot, even more because I have the blue cape on the picture above. Sadly, the pleats have somewhat fallen out (perhaps someone washed it?) and I have no idea how to put them back in again. Bums. Any advice welcomed…
Absolutely breathtaking spread from Nova, December 1970, featuring Jean Shrimpton in some mouth-watering pieces by Ossie Clark, Jean Muir, Foale and Tuffin and Thea Porter.
Photos by Hans Feurer.
My most recent Lovefilm rental was a film I’ve been dying to see for years: Two for the Road starring Audrey Hepburn and Albert Finney. I can safely say that it did not disappoint and I remain baffled as to why it wasn’t more successful at the time, or why it hasn’t been re-evaluated as a classic in the years since. I suppose it is mainly a lack of familiarity; when was the last time it was shown on’t'telly?
One reviewer explained the possible contemporary drawback that Audrey Hepburn was a much more established Hollywood star in 1967, and someone like Albert Finney would have seemed a terrible upstart to have equal billing opposite her. It doesn’t help that his character is a dominant, aggressive, opinionated Alpha male, and she is as delicately beautiful and softly spoken as always. That isn’t to say that her character is a washout, far from it, but in analysing a marriage across its entire lifespan, you will certainly see the worst sides of both parties. And the phrase ‘a bit of an arse’ was created precisely for a man like Mark Wallace.
The rhythm of the film is deliciously undulating and swervy, which is dictated by the fact that it is a road movie and that it switches between several different time periods through its entirety. You see how the couple first meet, how they fall in love, how they survive youthful poverty, pregnancy, the changing fortunes of their lives (and how these, perversely, make them unhappier), their dalliances, how they seem to be falling out of love. In fact, it shows every nuance of a complex relationship in snippy vignettes from several holidays, each involving a long journey across France. You never see their home, but you really don’t notice and certainly don’t need to.
It is also notable for Hepburn’s wardrobe, which is provided by a host of swinging young designers (Foale and Tuffin, Mary Quant, Paco Rabanne, Ken Scott etc…) and perfectly places each time period. You know where you are when her hair is long, and her beatnik jumper is red, or when her hair is perfectly coiffed into a Vidal Sassoon cut and her clothes are mod perfection.
You’ll laugh, if you’re anything like me you’ll cry, and you’ll fall ever more in love with Audrey and Albert. There’s even an early Jacqueline Bisset appearance. Definitely a ‘must see’, in my opinion.
So the great, the good and the not so great or good are constantly telling me/us that colour blocking is back in a big way this summer. Well, such information tends to make me either run for the hills, or stay and stick my tongue out/dig my heels in/yawn dramatically/stick my nose in the air.
However, i) I like colours, blocked or not and ii) this spread from Vanity Fair (July 1971) shows me how it *should* be done, courtesy of the likes of Foale and Tuffin and Mr Freedom, in true Glam Rock style.