Mensday: Americana Sportswear

Scanned from Vogue, December 1977

Both Mensday and Mild Sauce in one go. Who says I don’t spoil you?


Inspirational Images: Oh, for a friendly milkman!

"How abandoned can you get?"

Dresses by John Bates for Jean Varon. Scanned from Vanity Fair, December 1971.

Vintage Adverts: Hairsprays and Dressing Tables

Advert for Wella. Scanned from Flair, October 1972.

This advert pleases me on so many levels. Her hair, her décor, her artfully jumbled dressing table, the Russian doll, the giant die, the solitary stick of chewing gum….

Best of all, I have that mirror! I occasionally see it in vintage/antique/charity shops for anything between £20 and £50. Mine was a charity shop score many, many years ago for a mere fiver. It currently resides elsewhere on semi-permanent loan (due to my having a beloved Thirties walnut dressing table with integral mirror) but it is still a treasured piece of Seventies haute naffness.

It’s not the first time I’ve spotted it though; a near identical one appears in Blakes 7 as a mirror-come-communicator and is used suitably flamboyantly by the great Jacqueline Pearce. I must admit that I have never managed to contact anyone through it, so I cannot guarantee its efficiency. Ha!


Inspirational Images: Charlotte Rampling, 1974

Photographed by Ewa Rudling, 1974. Domaine du Cap, South of France.

Scanned from Charlotte Rampling: With Compliments.


Who loves you baby? Ossie, that’s who…

Ossie Clark and Marie Helvin. Advert scanned from Ritz magazine, No.14 1978.

Incredible, rare late Seventies Ossie advert. It is of the greatest frustration to me that Judith Watt’s otherwise fantastic book cuts off sharply at 1975. I know his final years were difficult, frustrating and ultimately tragic, but he didn’t simply stop designing in 1975 – and I’m sure many of us would like to read, see and understand more about the later years.


Noosha Fox: Cheap at the price

The vinyl hunting continues; I am currently having most luck in East Anglia, so thank you very much East Anglia! Six quid seems steep for a 12inch, unless you know who Noosha Fox is. In case you have never heard the song before, here’s a rare Noosha performance:

Scanned from the back cover


Inspirational Images: Lady in the Dark

Dress by Thea Porter. Photographed by Norman Eales for Harpers and Queen, December 1971.


Inspirational Illustrations: The year of the beautiful body

Heavenly. And it’s Wendy Buttrose again! Scanned from Vogue, January 1970.


The most nostalgic clothes of all…

Rosalind Russell wore this soft grey georgette evening dress with cross-draped bodice, for The Velvet Touch.

[Proving that nostalgia is nothing new...]

You are forgiven if you think the pictures on these pages are fashion circa 1971. In a sense, they are; but in fact, these are original Hollywood – the clothes of the stars, people like Bette Davis, Katherine Hepburn, Olivia de Havilland, Jean Seberg, Shirley Temple — worn in their films, coming up for a gala auction at Sotheby’s Pantechnicon in Motcomb Street at 7pm on December 1.

The man who made it possible is Michael Fish — Mr Fish, no less — who bought the whole collection of 30s, 40s and 50s creations from Max Berman & Son of Hollywood, and is putting them to auction in aid of Immigrant Community Services. So you could help to provide a new children’s playground in Brixton, say, while treating yourself to a great fashion original . . . like Jane Russell’s navy pleated chiffon coat over crepe culottes ; Bonita Granville’s pink chiffon dress with Alencon lace and fine pleating; not to mention the original mini worn by Betty Hutton in Annie Get Your Gun. 

Patrick Procktor is contributing to the programme for Mr Fish’s ‘frock fantasy’. Ossie Clark’s sensational model, Gala, will wear some of the clothes, as she did for us in company with Barbara Trentham. Make-up here by Barbara Daly; hair by Smile; location, Mr Paul Hamlyn’s house. 

Harpers and Queen, December 1971. Photographs by Tim Street-Porter

Square-shouldered 40s suits, as worn by Maureen O’Hara and Ginger Rogers.

Agnes Moorehead starred in this vampy black crepe dress with sequins and a matching shoulder cape fastened with jet.


Inspirational Images: Zandra and Ossie, 1970

Scanned from Zandra Rhodes: Textile Revolution: Medals, Wiggles and Pop 1961-1971

Photo by Bill Cunningham.


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